فصلنامه زیبایی شناسی ادبی
سال ششم شماره 23 (بهار 1394)

One of the principles of cognitive semantics is the corporatization of the concepts. Language users build basic conceptual structures according to their physical experiences in the world through which they can trigger the whole meaning and interpret other more abstract events. Mark Johnson categorized these concrete experiences under the name of “image schema” theory and divided it into 3 subcategories called path schema, containment schema and force schema. Accordingly this paper tries to analyze Vahshiye Bafghi poems to figure out the extent at which this salient poet has used these tools to convey meaning. For this purpose, 66 out of Bafghi’s quatrains which include 264 hemistiches, has been selected. The analyses revealed that 114 cases the poet has used the image schema to convey meaning. In most cases, the path schema has been used with verb like “pass, hasten, and go” which imply some sort of motion. After that, the containment schema, using words such as snare and seclusion, have the most share in meaning construal. And finally the force schema with using expressions which imply separation and banned items, have been used by Bafghi to facilitate the process of decoding and interpretation on his intentions.

As of the word that case, the name shows and other features. The word created from elements of poetic language over other elements of language reflects his approach to the phenomena and objects of affection and so on could be poetry lot of artistic values.issue. In the field of construction of new characters, create music, movement characteristic traits of the old and the prominence of the language has been effective. Spiritually represent the emotion and tone of the poet's character and fitness traits create cohesion and build a cohesive space is poetic. In addition, the type and quality attributes that Shamloo about a phenomenon used to show that his thought. Created in the image as well as in the sense integration, creating metaphors and similes, descriptions and effective dynamics.

Allusion is one of literary industries that persian literature poets have continuously paid attention to it in in their own works from long time ago. Among contemporary poets, Musari Garmarudi & Moallem Damqani are those poets who have used different allusions in their poems. The purpose of these poets is sometimes the narration of historical and religious stories and some other times they have tried to indicate their own ideas and thoughts in poem form indirectly through using allusion. Although the use of allusion by those poets is religious or based on mythology, apparently, they inspire a lot of political concepts to their readers through poem form, and it is the same artistic reflex of allusion. These poets using allusion in revolutionary, religious and holy defence poems forms have grafted ancient events to their own time events. In fact, it can be said that their main purpose is to change poem to an information source for contemporary people.
The findings of this research wich have been obtained based on library and document ways, through descriptive investigation method, indicate that the percentage that Musavi Garmarudi has used allusion in his poems is higher. He has used allusion in his poems about 56/43% but Mo᾽allem Damqani has used allusion about 43/57% .Among all used allusions in their works, it can be stated that 77/61% are religious, 2/4% are based on Koran, 9/24% are literary, 6/84% are historical and 3/91% are mythological ones, that the religious allusions have had the most percentage of use in the poems of these two poets. Also, allusion to the prophet Moses with 9/07% in the poems of Musavi Garmarudi and allusion to the holy prophet Mohammad (p.u.h), with 12/21% in the poems of Moallem Damqani have had the most use, repetition and frequency in comparison with other personalities or titles.

One of the products of human art is the most hidden corners of the human mind can come and panoramic mirror of culture, thought, emotion, perception and creation of beauty to provide readership. Poetry is also regarded as one of the artefacts have historically been Zybapsndan It is necessary to study and examine the structures of Persian poetry. The author of this research is aimed Shnakhtnamh short lexical and semantic structures of Persian poetry can provide.application of semantic properties and verbal imagery familiarity with the poet Altzad more than text, to describe the linguistic features of poetry also increased.

Satire is amply found in Persian literature, including theosophical texts. Theosophy and satire have many philosophical-structural features in common; one is, they are both founded on the union of contradictory entities, with the effect being both exultation and information. The common aesthetic feature of satire and theosophy comprises the union of contradictory and opposing entities, the same union so commonly encountered in Rhetoric and especially in paradoxes. Here we will be trying to identify and investigate examples of contradiction in theosophical literature, using library -documentation method.

Poet and literary resurrection Defamiliarization deviation with the aim of creating Art is fun. He sometimes disturb the usual order of sheds, sometimes the original language of the application layer in the poem's opening-beats and spoken structures, sometimes beyond the rules of construction of words in the language, and sometimes poet makes new Vazhh¬Ay meaning getting around the rules governing the language and vocabulary Hm¬Nshyny of non-compliance, provided by means far-fetched. In this paper, the different manifestations of deviation of Ahmad Azizi in his poetry has been studied in six areas: 1 phonetic deviation 2 3 lexical semantic deviation deviation deviation 4 5 6 deviation deviation way somehow. He then removed consonants and vowels, sometimes denominated changes. Sometimes, through the construction of new vocabulary, outstandingly Abyatsh this. By utilizing this property of language, his poetry on the one hand rooted in history and cultural and linguistic background, and on the other hand is connected to nature and the external world. His sense ofliterary deviation from the norm as a result of the use of arrays. The poet's words as parts of speech to the Karmy¬Brd species not only with the rest of the bits in Artbat¬St, but also a spiritual relationship established with the whole effect is also stopped. When deviations from the norm in the face when speaking out forms to work today Mrdh¬And My¬¬Brd. This type of deviation him somewhat more frequent and apply the ancient words "rhyme" is Jlvh¬Gr. In stylistic terms and phrases acknowledge the work-raking deviation in the common language and speech applications. So that one of the most important factors in oppositional terms of his resurrection contrary term singer-raking to do. He somehow oppositional most areas of the interchangeable use of the letters and activities.

Pulp Fiction is a form of literature that audience, the mass of the people, based on their tastes and interests arises. The aesthetics of popular fiction, a concept which has been less studied by researchers because component called Pulp Fiction, general aspects of each story so that when faced with public acceptance; the mind, the subconscious to the point the elite-friendly thinks it's fiction. Authors efforts have been that way descriptive and library method, also known concepts of aesthetics Pulp Fiction to pay this kind of literature.