فصلنامه ادبیات و زبانهای محلی ایران زمین
پیاپی 1 (پاییز 1390)

It is no available an exat information of the Gilaki Dialect. The most Gilaki’s works have been written in the Mashrute era to present. The zeidi’s scientists have written Quran interpretations in Gilaki and Tabari languages in third and fourth of Hejra centuries . These interpretations was common in prose at Dailami era. The most ancient Gilaki poets were at Alebuye age. A poet named Divarehvarz who has lived in the Majdoldouleh Deilami era. Pirsharafsha, Dulaee, Qasemanvar are the poets who have composed poems in Gilaki dialects. Pir Sharafsha dolaee lived in 9th century of Hejrah in Gilan. His poetry includes 821 couplets in Gilaki dialect. There is no information on his life. His Divan was edited 2 times. His poems is mixed with gnostic concepts and words and lyric. The advenyure of Pirsharafsha love to Khori – the Amireh Sasangakeri’s sister is famous among people. In this article, the summary of the literature of Gilaki background is presented the poet’s biography is introduced. In othrer section the cncepts and the poet’s thoughts in 29 categories are stated.

The Mashhad’s dialect is one of the most influenced dialects of the Dari Persian. It is the origin of the great poets such as Rudaki, Firdausi, Attar, etc. This dialect has great lexicon. This article is the first systematic study about this dialect. It investigated the phonetic system, the characteristics of the sounds, phonemes, the syllabus structure and then analyze them. A questionnaire was used to collect the data. On the basis of the double minimum , the phonemes were applied. In addition one of the speakers of the dialect has helped to identify the phonemes.

This study investigated the culture, the way of living, beliefs, traditions, music, and the literature in the Bakhteyary society. The colloquial literature which is the spiritual art of any nation includes proverbs, riddle, songs, allegory, local poetry and work poem. The work poem consists of the singer emotions and the circumstance of the work position. The poems of the singers while they are working lonely or together indicate the people life situation, their pains, sorrow, wishes, loves and their praise. This article aims to introduce the Bakhteyary society and their poetry specially when they are reaping and they sings tonic, to collect data the internet, library and the people were used in the Khozestsn and Chahar Mahale Bakhteyary provinces where the bakhteyary tribes are living in the form of migration.

The Baluchi language is one of the Iranian language that it has existed many years ago. The Persian language greatly influenced on Baluchi language and literature.the Balhch people has known the Persian language as a holy language and this language directly or indirectly impacted on Baluch literature and society. This causes that both languages greatly correlated each other. The persian influence increased since Baluchestan was the big Khorasan neighbor so that the impact of Pesian Khorasan dialect is more than the other Persian dialects and the Khorasani’s poetry style is the witness.

In the Khorambid (Fars province) except inhabitants of Safa-shahr (Khorami & Dehbid) which are more than 207 speak in Turkish other villages speak in Turkish too. Their present accent comes from long distance and origin from various historical fluctuations and survives in various u-turns and tests different ups and downs. However, it is still alive and breathes with lots of pressures and transformations. Available historical references know Turkish-speaking Khorambid inhabitants of Khalaj Turkish people who came from central region of Iran to Fars and settled in Ghonghori and Bavanat. But the researches of the writer for the first time indicate that the present accent of Turkish-speaking people of ancient Ghonghori region and recent Khorami with lots of differences didn’t approach the Khalaj’s accent. This shows even the first Khalajis who have came to this area have the same accent of present Khalajis of other areas. Their language in company with other Turkish groups – particularly tribes of Ghashghayee race – changes in regard to the Persian languages. Considering all the performed researches – if removing the ignorance – we cannot express accurately where the origins of the most southern Turkish people are such as Khorambid and other Ghashghayee Turkish people. From where and when they came to Fars and with whom the race of each tribe has blood dependency. Perhaps, the most scientific way for comprehending this matter is to genetically analyze various races.

The Iranian oral culture consists of different social groups and families. This culture continue of birthday to death and has something to say. It includes Sorrows. Happiness, wishes. ideas. The happiness that are created 0f works, living and cultural and economical behaviors make the individual pleased. This singing and the songs of happiness are found in colloquial literature. The study of such works and the their criticism are the specialists and people task. The function and the role of the happy songs impacts on increasing of products spiritual safe, social relationships, Iranian cultural inheritance transition and has valuable scientific validity. In this article the Bakhteyary’s colloquial literature in the Zagros area is studied and the texts are criticized. The work songs, lullabies forms the basic subjects of the investigating.

The local literature that has various time and places it consists different and special characteristics. One of the places for study on different aspects in local languaes and dialects is the poem criticism which has been composed there. The Shirazi poem that nearly has been composed 800 years ago and with respect to the quality and quantity of its works espeacialy in 8th and 9th centuries of Hejrah and in the cntemporary time is a good domain for investigation and study in local literature. In this paper it has been tried to recognize the prosodist rtheme of two old poets- shams pos naser and Shahdaee Shirazi – and five fars contemporary poets- Bijan Samandar, Yadolah Taremi, Ahad Dehbozorgi, Siroos Dadras and Mohammad Hassan Shafaat- and introduce the main theme of shirazi dialect especialy Ghazal Rhythm. They are compared with the the contemoprary types of Farsi poems and they also are compared with the similarities and differences to them. In addition, the development of the Ghazal in 8th century of Hejrah to contemporary with tables and samples are introduced.

One of the parts of dialectology is the study of syntax and in this study subject of prepositions in dialects is more similar to each other because prepositions are closed category. but there are dialects which in prepositions are very different from norm. One of these dialects is Neysianian which in despite of being neighbors to other villages prepositions are perfectly determined. This paper tries to review prepositions and their different from normal Farsi in this dialect. For this at first the propositions which differ from normal language are determined and then the application and meaning of them are explained by examples.