مجله عرفانیات در ادب فارسی (ادب و عرفان)
پیاپی 25 (زمستان 1394)

One of the main issues discussed on Islamic mysticism is the issue of "pantheism and its roots in Sufism" .About which researchers have different opinions. The discuss of unity of witness is of the discussions that is much more near to pantheism and sometimes they are thought the same. Also the discuss of Reincarnation and Alliance are of aspects of wastage in pantheism is reflected in works and teachings of some of sufism. Molavi Rumi's in ​​his various analogies in Masnavi Manavi explains and describes the pantheism. In the process of research it was revealed that Molavi′s pantheism is neither unity of witness nor alliance and intromission. But it is a kind of pantheism that Sufism prior to him called it "laysa feddar ghayre diar" In his opinion "unity" is impossible till one side is absent and this kind of inexistent is called annihilation.
So have a Comprehensive view to Molavi’s pantheism approaches and the jest of his gnosis views about special cases was reviewed.

It resembles an inevitable fact for mans life various aspects to be impressed in different dimensions by myth embodiment and effect. Ahempts have been made in this regard to find out the observation and intuition visible and nonvisible similitude and embodiment and the ritual of its as well in the optted seventh and eighth lunar century mystic prose in the light of myths, mystics knowledge. It has studied what myths and mystics have in common in the line of vision, observation, and intuition in similitudes and embodiments , having the same functions, some of which one of meta_truth perception, prediction, and vision, myths and mystic texts regarding mens collective unconscious.

Death and thinking about it have definitely occupied the minds of poets, writers, mystics, and thinkers throughout the history. In fact, thinking about death has overshadowed the thoughts and the works of many writers and thinkers particularly in the Persian literature. Mystic poets like Sanai, Attar, and Molana have always cherished death in their poems and believe that death is inevitable and cannot be escaped. They, however, believe that true and voluntary death is possible through abstinence and the purification of the soul. Inspired by the Quran’ verses and Ahadith, they presume that we need to voluntarily surrender ourselves before the real death comes. In this short article, the author attempts to describe and analyze the views of mystic poets like Sanai, Attar, and Molana in relation to the concepts of death and voluntary death as well as the ways by which a voluntary death can be realized. Their views of death will be depicted through some examples of their poems.

Forughi Bastami is one of the poets of the thirteenth century AD, and his style of lyricism is in line of the lyricism of the Qajar era. He spent some of his lifetime to praise Qajar princes, and later, became a poet in Nassser-a-Din Shah court. Submergence in the works of mystics such as Bayazid Bastami and Hallaj, changed his morale, and made him live a life of a dervish. Forughi is the Poet of Retrocession era and has a great role in reviving the tradition of the poetry of the former scholars. The base of his poetry is the imitation of the style of Iraqi poets, Saadi and Hafez. The lyrics language of Forughi is eloquent, simple and flowing.
In his gnostic sonnets as in asceticism and abstemiousness ,Rend and fatalism and some other gnostic terms has common thought with Hafez .This article based on proportional and supported samples and events depicts the quality of effectiveness of Forughi Bastami from Hafez

In this paper. personality dimensions of Abu Sa’id Abu al- Kheir as one of the grand scholars of mysticism was studied with respect to the text of Asar al -Tohid based on personality theories of Duane and Sydney Schultz ( Eysenck and Cattell).
Methodology used in this research was descriptive- analytic. This research was aimed at establishing relationship between modern psychology and old literature and establishing the personality dimensions of a grand mystic scholar based on scientific and psychological theories and their application of today. Where as mystic scholars have comprehensive and perfect personality , they provide full- fledged role models for human community, they are unique role models for all human as they have sublime personality in all respects. On the other hand , frequent approach of the humans to prominent mystic, political, historical and social figures in forming intellectual and lingual- literary and visual factors, is a fundamental issue that can account for the cultural, historical and social factors of the national literature.

Kashf al-Mahjub has some stories whose extraordinary adventures are difficult to believe for readers. Nowadays, Magical Realism writers make these amazing events believable for readers by the use of factors like linguistic techniques, narrative arts, dreams, myths and so on. Have these factors been applied in Kashf al-Mahjub to make the mystical stories believable?
This article has compared the prose characteristics of Kashf al-Mahjub with attributes of successful Magical Realism stories. The results showed that Hjvyry has used two unique techniques to make extraordinary adventures believable centuries ago.These techniques have some similarities with credibility techniques in Magical Realism stories entitled: a) the use of linguistic and literary devices, b) the adoption of elements of fiction and fundamental beliefs which have both been effective to make stories believable.

Kalim Hamedani was an eminent Hindistyle (Isfahani) poet who lived at safavi era in eleventh century. He has been nominated specially, for his eloquent sonnets. His special style was themed packing and had imaginations in its climax. Using simple and transient materials in a motif style, he had created pure images and in fact motifs are at the center of his vision. Choosing motifs skillfully and mixing portrayals created a mot themed, it was one of his poetic unique characteristics. His poets are containing mystical, social and didactic contents. The mysticism is apparent in his court poetry. By using motifs, he has been drawing mystical portrait and thinking in his mystical thoughts brings human to pause on its content and to discover the mystical realm. In his court, mystical terminologies like disdain, monotheism, patience, poverty, wine, effort are themes in motif style.

Fluency and visibility are the outstanding features of mystical works in Persian language. Every verb is the most important foundation containing simple and non-simple structure. The study of verb structure represents the method of transferring the creator’s concepts and even his conflicts to connect with the addresses. Shabestari has mingled the mystical, philosophical reflections due to the theory of unity. He has concerned with presenting mental and intentional concepts due to the structure of simple verbs and especially the documentary verbs, so much that he is devoted in this style to easily connect audiences,whereas the concepts are complex, he avoids the simple verbs and he prefers the prefix- and combined verbs like Arabian intellectuals, in order to make movement in his works. Therefore, there is some logical relations between the verb actions and the structure GolshanRaz due to theoretical and applied mystery.