نشریه هنر زبان
سال یکم شماره 1 (آبان 1395)

The purpose of this paper is to identify some phonetic characteristics of Sana’ani accent and to compare them with the Standard Arabic language. Sana''a dialect or accent Sana’aniye is the accent of Sana’a people¡ the capital city of Yemen. Perhaps by the influence of the accent of capital city on the other accents¡ this accent is known as Yamani accent¡ too. Data were collected through the methods of informal interviews by students of Sana’a university and other native people of Sana’a as Yemen’s spokespersons¡ and direct observation¡ collective discussions¡ analyses of personal documents produced within the group¡ self-analysis and other methods of field research. And in this article¡ authours’ focus is on the phonetic changes in pronouns and verbs in this accent.

The aim of phonemic description of prosodic meters of classical Persian poetry was applying the theoretical framework of General Phonetics in: 1. Describing the prosodic meters¡ 2. Indicating the phonemic differences between prosodic poetry and Standard Persian language¡ 3. Investigating the changes of phonemes and syllabic patterns before and after applying prosodic meters on their syllabic segmentations. Therefore¡ some verses with prosodic meters have been selected randomly¡ and their syllabic segmentations have been indicated before and after applying prosodic meters on them. Regarding the structures of the syllabic patterns of Persian language¡ the results indicated clear differences in the syllabic patterns of prosodic meters of Persian poetry. 1. The number of prosodic quantities is lower than that of Standard Persian language considering type of meter¡ 2. the behaviors of vowels and consonants in prosodic poetry differ from the behaviors of vowels and consonants in Standard Persian language extensively; consonants can be solely presented as a prosodic quantity¡ and none of the Persian vowels have a fixed length in the context of prosodic poetry.

The aesthetics of Persian language is the analysis of poems'' figures of speech. When we are analyzing the diction of Persian poems¡ we find similes¡ metaphors¡ allusions¡ synecdoches and symbols or when we are speaking of the secondary objective of the poet or even we talk about the prosodic meter of a poetry; all are aesthetic analysis of Persian language.
Seyfe Farghani is one of the greatest poets in Persian language¡ but his coincide with the great¡ Saadi¡ and his immigration to Minor Asia¡ were the causes of his remaining unknown; he has been not known as he should be in spite of his wits and harmonious lyrics. Therefore¡ this research has analyzed the structural aesthetics of Seyfe Farghani’s lyrics¡ figures of speech and sensibility. This article also indicate the influence of Saadi Shirazi on this witty poet in 7 A.H.

This paper is concerned with discourse analysis about samples of sport texts in Iranian newspapers based on semiotics approach¡ its purpose is investigation about condition of meaning production according to narrative and non-narrative mechanisms in sport discourse. In this regard¡ it shows meaning and its process of production have mechanisms which aren’t equal in all discourses; and according to condition of discourse¡ can comply with features of narrative or non-narrative (tense-cognitive-emotive) systems.
According to the subject of the paper and the chosen sport texts¡ application frequency of each discourse system will be found in these texts. Although sport discourses the same as other discourses benefit from interaction of different types of discourse systems that show sport events well and get remarkable results¡ but they are more based on narrative system to non-narrative system.

The current article is an attempt to cover conferences and discussions on redefining the meaning of literature¡ not only in its typical sense¡ but also in its broader sense. In fact¡ the text is trying to find the complicated meaning and relationships in literature in different societies¡ cultures¡ and aims to find similarities and common areas in this field. Literature in a sublime position is capable to influence on politics¡ economy and sociology¡ and it has a major and functional role other than intertextuality.
The present report exemplifies some conferences by outlining their most important goals and tries to find an obvious guideline to research in today’s literature and its future.

The objective of this paper is to demonstrate that pause as a prosodic (phonological) phenomenon¡ is not dependent on syntax¡ nor is it one of the byproducts thereof¡ as claimed in generative phonology. In order to argue for the recourse of syntax to the pause and reorganization of speech to be complete and significant¡ the author draws on a language heritage provided by grammarians¡ interpretation specialists and purists¡ on the one hand¡ and a linguistic heritage undermined by the predominant theories in the linguistic landscape. The paper focuses on two phenomena: the role of pause in disambiguating syntactic chunks¡ and as a catalyst for establishing syntactic structures. Prosodic phonological theory has been adopted in this regard¡ as it has been developed within the generative paradigm.
The paper concludes that pause is a structuring and guiding component of speech. Hence¡ it is not a superficial phenomenon¡ rather a catalyst for establishing speech¡ on equal footing with syntax in this regard. The dominating status of syntax seems less valid¡ overshadowed by the synergy of the components of grammar (phonology¡ morphology¡ syntax¡ semantics and pragmatics) to produce speech chunks that ensure and preserve communication.