فصلنامه زیبایی شناسی ادبی
سال هفتم شماره 30 (زمستان 1395)

Rumi poems which are the interaction of his feeling and emotion with his mind are of the world's exciting lyrical poetry.
In the interaction of this emotion and language and changing frequency of this interaction that how much such emotion is effective in creating lyric poem, and how much the mind and language, the poem draws him from a norm to braking norm and finally to beyond breaking norm, the sample of which is very rare unless in his poems. In his poems, the more the frequency of emissions enhances, the more his poems approaches to breaking norm and sometimes they become meaningless sounds. We dealt with classification of his poems between the interval of breaking norm to beyond breaking norm discussed in the linguistic issues and addressed and analyzed their conditions.

The purpose of this thesis is to study the verbal and semantic structures of the poetry of Asjodi Marvazi, a fifthÜ century poet, and to analyze the artistic aspects of his poetry. To this end, in the first chapter, the expressions and concepts used in the process of research are defined and clarified and in the second chapter the characteristics and historical and literary conditions of the poet's time, and also his biography are presented.
In the next parts, the author has attempted to examine and analyze the imagination, imagery and also the style of utilizing verseÜmaking elements from a structural point of view. It has also been attempted to illuminate Asjodi's mental structure according to the poems which are left from him In the final chapters, the characteristics of Asjodi's language and also the form of his poetry are studied and explained.

Various imageries in every language and period show the principal background of poems. The poet tries any type of poetry by applying descriptive and figurative language according to his intended theme. One of the main poetic themes is elegy composed in mourning of relatives or Imams specially Imam Hussein and his companions. Mohtahsam Kashani is the most famous Shiite poet in composing elegy during Safavid's who created a new style in composing religious poems that was imitated by other poets after him. The topic of this paper is the analyzing and describing of the imageries and rhetorical aspects in Mohtasham elegy to explain the reason of its being effective and long lasting. The result of this study indicates considerable amount of imagery technics in Mohtasham elegy so that no verse is found free from them. Amongst them metaphor, simile, trope, kenning and incarnation respectively are applied to highlight the images. It seems that except for theme, the usage of such images as metaphor and similes is the main reason of fame and affectivity in Mohtasham poetry.

The present research is an attempt to study paradoxical images as a way of artsitic, pictorial, interpretive and semantic statement in Abutayyeb Motnabi’s poems. Paradox is one of the strong and dynamic bases of art and live imagination in Motnabi. His paradoxical rhetoric images show a rudimantary connection with meaning. As a whole, we can find two kinds of concurrent paradoxes in his language: 1. Pictorial and poetic paradox, 2. Interpretive and semantic paradoxes. Paradox is so important in Motnabi’s language that it is considered his poetic quiddity. Not only has not he become unaware of this method of convey, but also he has used it a lot. The present study’s methodology is analyticalÜdescriptive and scrutinizes Motnabi’s poetic and semantic paradox in his 82 poems in order to depict their representations and frequencies.

Different forms of imagination in all languages ​​and periods represent the main theme of the poem. The poet will experiment with a variety of poetry, with the help of a descriptive or virtual language and according to his theme. One of the important themes of poetry is the poetry that has been written in the grief of the people or in the calamity of the Imams (as), especially Imam Hussein (AS) and his followers. Mohtasham Kashani is the most well-known Shiite master of the Safavid period, and created a new style in the creation of religious poetry, followed by a pattern of poets. The issue studied in this article is the study of the aspect of aesthetics in terms of the application of imagery in the mourning of Mohtasham in a descriptive analytical method and the purpose of the study is to explain the cause of the effect and survival of this period. The result of the research shows a considerable amount of my illustrations with the use of literary techniques of imaginary imagery, in which the bit is not empty of these forms and arrays; among other things, the metaphor then likens the most used and permissible, invisible and recognizable equally to the highlighting The images have been used to make it clear that, besides the theme, the use of form such as metaphor and simulation is one of the main causes of the reputation and influence of the poetry of Mohtasham.

Symbolism is one of the important streams of poetry that contemporary poets share in this poem. The study of symbolism in semiotic poetry suggests that the poet's attitude and worldview and the main field of his poems play a central role in the analysis and interpretation of symbols. Each poet, in accordance with his interests, his thoughts and values, depicts the tone and space that the semantic load of the symbols depends on this structure. This article aims at analyzing the symbolism of Semiyah's poetry by asking the following questions: What is the emergence of symbols in semi-poetry? What are the signs of discovery of the symbol in the poetry? Mention the reasons for the poetry's poetry's attention to the symbolism, how to form a variety of symbolic images and how they are discovered in semiotic poetry. This research has been carried out in a library method, which has answered the questions by studying and analyzing the poetry of five poets of contemporary poetry (Nima, Akhavan, Forough, Shamloo, and M. Soroush).