فصلنامه شعر پژوهی (بوستان ادب)
سال نهم شماره 2 (پیاپی 32، تابستان 1396)

The recognition of the structure of poetry from the early foundation of basic and deep recognition in every poem is lasting.Explaining and analyzing a poem owes proportionalities and fundamental oppositions that the base of it’s systematic structure is poetry.It is the accuracy in exploring and checking the collection of the contrasts and proportions of poetry that leads us to a right and critical analysis of a literary work.To the extent that the proportionalities and contrasts section in a poem are outstanding and motivate eachother,that poem will be more structured system.In the recognition and analysis of the poetry of Forough Farrukhzad,we arenot needless to recognize her poetic structure.The structure of her poetry also has established based on a section of proportionalities and fundamental oppositions that, as will be discussed later,the “Binary opposition of love and death” is one of it’s sustainable principles.The concept of love and its related concepts in the Forough’s poetry cannot be explained and checked regardless of the concept of death and accessories.In other words,in this article,we believe that the concept of love and the images and emotions originated from that,are reconizable and can be analyzed in contrast with the concept of death and it’s special images and emotions.Her structure of poetic images takes consistency through this binary fundamental opposition.It should be noted that any critical look at the lyrics of Frrukhzad is not needless of a strong focus on the constant interaction of concepts of love and death.

Symbolic explanation is one of contemporary stylistic attributes and makes an ambiguous and artistic literary texture and associates the reader in the text.
the strangulation and despotism that was in shamlu's contemporary community ( 1304 - 1379 solar hijri ) has caused a widespread symbol accession in his poem in two side of dark and light which shows the poet's mithgrapher mind and his attention to twofold contrast in creation system . Actually , shamlu , purposefully uses creation twofold contrast in : prison / freedom , aversion / love , solitude / population , sadness / happiness , the earth /sky , human / God and ... superstructure that sometimes are shown in a paradisical shape to transfer the ideologic layer ( pragmatically ) in the mithical and symbolic texture that it has ; inasmuch as based on this contrast we can explain many of his poem narrative textures . The poet's pragmatical intention is mainly attracting the addressers to the social collapse and the speech influence .

The main purpose of this paper is the study and comparison of LOVE conceptual metaphors in Persian poetic and ordinary language. To achieve this goal, we try to find similarities and differences of LOVE conceptual metaphors in these two variants. The main question is which similarities and differences exist in the conceptualization of LOVE concept in these two variants of Persian Language? Moreover, if there is any structural similarity, which factors cause distinctions and differences between poetic and conventional metaphors in Persian language? To answer these questions, the related metaphorical expressions exhibiting the LOVE metaphors were extracted in both Persian ordinary language and poems of the 80th decade. The analysis of metaphorical expressions according to Kövecses (2010) demonstrated that metaphorical structures and fundamental mappings are similar in both variants; however, the use of four poetic mechanisms, including composing, extending, elaborating and questioning, is more prevalent in the conceptualization of poetic LOVE metaphors. The findings of the paper show that the use of these mechanism, as well as metaphorical images and personification, distinguishes poetic conceptualization of LOVE from its ordinary counterparts.

Death is unknown phenomenon that is always occupied human mind and thought. Poets and thinkers of every nation are also different views on death and existence that they explain them in forms of art and literature. Mohammad Reza Shafiei Kadkani, born in 1939, is contemporary prominent the poet and researcher who have special attention to items of life and death. The authors of this paper have tried to investigate the analysis method of the poet's thoughts and feelings about the death and topics such as, pondering over death, fear of death (necro-phobia), life image and testimony in his poems is checked. The results show that Shafiei Kadkani poems there are four approaches to death: First; Escaping death and Death-conquering that is more related to his poetry beginning. Second; death in form of testimony and protecting the ideals, third; Mystical and Sufism death-praying that is showed in Molavi and Islamic mystics and forth; the Death affected on poet's philosophical concerns and have many image in office “Hezare Dovome Ahooye Koohi”. Among the species pondering over death also the mystical death-praying have the most frequency and testimony have the least frequency.

Espacementalisme is One of the most controversial poem flows past half-century Iran. by leadering Yadollah Royaie With over fifty years of poetry. During this period, Many literary debates and disagreements about the principles, ideas and theories of Espacememntalisme exist as well as the poetry of serious and effective opposition from political groups before the revolution, the postrevolutionary government, the academic literature and especially with his famous professors have been seen.
Despite all this opposition, over this years, espacementalisme as a live current of the contemporary Persian poetry has been and continues to historical life, especially after a period of faint, welcomed the new generation has faced in the last two decades and poet and critic reviewed Royaei's ideas and espacementalisme theories.
In this essay , base on determination and interactivity of media , espacementalisme is analyzed.Major hypothesis is change the media types in Iran had a espesial role in espacementalisme life.

Peresent paper is a step toward clarification of the part of different processes in the poet ‘The one who is not like anyone’ by Forugh Farokhzad.
It coverts the ways with which she has coordinated structure and context in her poems and through statistical comparision processes attempt to find an answer to this question: Can we consider a process which is quantitatively insignificant dominating the whole text qualitatively? In a broader sense, is a poetic vision capable of turning in to a substantial social discourse?
To accomplish aforementioned goals, Halliday´s systemic functional theory is selected. This theory is one of the most important theory in field of functionalism theories. In this theory human language is divided to three basic sections. Every section is tittled “metafunction” and the ideational metafunction section and it’s relevant processes is selected to current analysis.
The results represents the most usage of material and relational processes and the least usage of mental process in her poems, respectively. According to use of these processes, she has accessed to some achievements which are illustrated in this paper.

Phantasticus literature is one of the genres that with Searching in Persian literature, Will be found Excellent examples of this genre and its branch. existence the extraordinary events in their, is Among distinctive features of Phantasticus stories. That The reader Doubts in being real or unreal. Daquqi story in the third book of the Masnavi of Rumi, is one of the great examples of Phantasticus literature. In the present study, this story been investigated based on the theories of Freud and Tzvetan Todorov , Similarities and differences with the kind of uncanny literatureit has been shown. The results show that Most characteristics of uncanny literature be seen In the story Daquqi. According to Todorov charts, This story can be an example of literature " Phantasticus / uncanny " or "greatness / uncanny ". This result shows that Centuries before that the western theorists developed this theory, Rumi with his genius, These components Had used in storytelling. In Daquqi story, Elements such as Perspective, focalization, associations, polyphony, scenes, themes and contrasts have a position In creating doubts )The main author of uncanny literature.(

The lyric poem of Homay-o-Homayoon that wrote by gnostic poet, Khajooy-e-Kermani, in the eight century, is one of the loving works that in it has been narrated the intense love of Homay, the prince of Sham, to Homayoon, Chinese princess .About fifty two years ago for the first time, this work emendated by one of the best tajik researcher, Kamal Eyni.
The researcher has put a manuscript as main manuscript that has been wrote in 750 A.H means three years before the poet 'death. Although the researcher has taken many accuracy for his emendating but unfortunately, there is some difficulties in it yet .Eliminating of these difficulties were the why the authors of this article tried to comprise the book with its main manuscript.
In this article about fifty certain mistakes have been considered. These mistakes have been arise from bad reading 'undeliberating' unseeing a word or phrase. The authors have dispensed whit many cases that it is probable are printed mistakes.