فصلنامه زیبایی شناسی ادبی
سال هفتم شماره 27 (بهار 1395)

Always in second language education principles and rules BhKargyry or lack of adherence to it can be seen that the success or failure of people. ZmantBkhsh a key issue that could be discussed and individual learning support and support in this regard, taking into account the "intuitive principle" is. The purpose of the visual, physical and visual display according to different MvqytHay BhKar MyYnd in the process of education. What people make it through the eyes MyBynnd, communicating with it easier and faster it is digested. In terms of language education into account as well if the teacher informative, attempt ZbanMvzan of his sense of opportunity that most brands, Mvz·hHay can run more smoothly transferred to them and sustains it stabilize. Is an intuitive principle applied in four phases. That first teacher through the "motion" for ZbanMvz to dramatize things objectively, at a later stage ZbanMvz can communicate with its content, communication that leads to "brace" He and finally Mvz·hHa in his mind "embodies" the. After visualization Mvz·hHa in mind, he "discovered the meaning of" lies in Mvz·hHa MyPrdazd. In this paper the "intuitive principle" in second language education with regard to cases been investigated.

Each literary movement, special features of that makes it distinct from other GvnhHa and JryanHa: DrvnMayh, picture, MshkhshHayy or language, in the Holy Defense Poetry My can be considered unique characteristics, including terms relating to conflict zones, war tools, aspects of political history, ShkhsytHa and the specific literary images. In this research, descriptive and analytical style and library method MyPzyrd do, we prove that the discourse on the holy war is finally able to allocate a distinct visual system. With AynHal in the pictures of this period, special disharmony also ChshmMyKhvrd.

As one the main elements of poem, music have been in poet’s attention from old time. This inseparable basis, Have close connection with poem; so that Arud and rime have considered as two main elements of poem structure. The purpose of this paper is surveying these elements in Anvari and Jamal’s odes. Efforts of this inquiry with Considering the influence of Khurasani poet on Esfahani poet in Chorus ode is surveying most manifest aspects of poem music; Which means Arud and rime and radif in odes of these two poets to understanding the scale of this influence. The surveys of outer music indicate that seven beher from Anvari and Jamal’s odes behers are same together and their only difference is in usage of beher-e-qareeb and beher-e-saree that Jamal haven’t use them. The intention of two poets were using more Juybaree and common Farsi Arud meters. These two poets hadn’t much tendency to use Duree-meters. Also in the by music case specified that Anvari’s rimes [with slightly differences] Is most euphony than Jamal’s rimes; because in his odes, the rimes with long phonetic is more common. Whereas, Jamal’s radifs are more dynamic; because his very raifs have most frequency.

Imagery relationship between man and his environment creates. Getty poetry and imagery or fantasy element in ink by the rapid changes that are the focus of poetry into the great foundation of poetry loop in the Foundation.
Anwar base as a poet is that his Word at the peak of eloquence and authority of reverie and imaginative poetic beauty has used faces. One of the features of his poetry abundance of strange and complex metaphors. In this paper, the mobility imagery, and then proceeds to mention that moves and dynamic factors Anvari's poems have been mentioned. And finally aesthetic analysis odes Anwar Mknyh with the witness and example has been the realm of metaphor and metaphor Mknyh topic under three general headings: humanism, JanDargrayy and has been assessed.

The beauty of the poem depends strongly on harmony of poetic elements and one way to establish this harmony is to use phonx tical structure, and it is managed through specific rules and paradigms of language. Formalists and structuralists believe that the base and foundation of poem is its structure. Salman Harati as an liable revolntionary poet of recent years, utilized many of the intra lingual elements and established an specific tone for his poetry which which is the natural result of terms and the way he sequenced them in the grammatical contexts. He with the knowledge of facilities and the lingual capacities in addition to creation of images, he reached to a particular musical tone and concept. He has delivered his message and feeling in the most permanent and fantastic way This article paid attention to phonetical structure and a very accurate categorizing of all the ways of fonnding this structure in Haratis poems.

The main essence of poetry and imagery and constant element of imagination is something that could shvd.svr achieved a measure of the value of art is poetry. In none of the literaray works during the past ten centuries no effect on cash rhetoric on the importence of imagery nyst.mjmvh images from a variety of imagery the irony in the works of the poet expresses allowed metaphor likening moment that he is concerned with the inner world. Check ports Revolution snd Sacred Defense including important measures affecting the Sacrsd Defense poetry is. Ghisar Aminpoor of the poets in the literature of resistance and revolution has a bright face that elements in his poems could be considerable. In the article Lyrics Ghisar Aminpoor in four of the imagery his office investigated and the results are graphically depicted is.

The nineteenth-century French poet, Charles Baudelaire, always sought a utopia towards which he could set out on a journey and leave this corporeal world of pain and sorrow behind. And this journey was possible only through death.
Baudelaire, the forefather of modern poetry and also the founder of the Symbolism school, with his creative mind, composed symbolic poetry through which he presented novel and symbolic concepts of death.
Symbolism means to use a concept to represent another and also to use tangible and concrete images to express abstract emotions and thoughts. A word or a picture is considered symbolic when it refers to something different from its direct meaning and literal sense.
Despite an unpleasant image of death depicted in many works of world literature, he warmly embraces death. In his poetry, not only is death a nasty and life-taking concept, but it also enjoys a high status and is particularly regarded.
The question is which words symbolize death in the book of poem “The Flowers of Evil”. This research studies not only the exact word of death but also the other words that are symbols of death.