نشریه پژوهش های ادبیات تطبیقی
سال پنجم شماره 3 (پیاپی 13، پاییز 1396)

Since the literary language disrupts mimetic and common framework, the relationship between imagination and reality should be featured. The richness of imaginative representations is also in the light of the literary representation. The literary representation of a place creates another place in the mind and some non-visible virtual spaces are activated. Figures of speech show the literary characteristics of architecture, as well as dialectical relationship between real and imaginary architectural space. So the vocabulary of emotion and the experience of the "I" of several French authors which are selected from the eighteenth century onwards, faced with Iran's architectural spaces will be studied; because, through the different perceptions of subjects, these spaces expand in the literary world. Also, the entrance of time into the world of discourse, cause confusion with the place and the production of meaning.The specification of the relationship between the architecture and the subject, involves examining the space-time architecture in the works of the selected authors. Thus, the need to strive to preserve aesthetic beauty is highlighted, and the plan for the reconstruction of some architectural spaces is to be obtained beyond this reading. This study is aimed at building a symbolic network of Iranian architectural space. Explore of beyond the symbolic architectural spaces reveals the author's personal myth, and it brings a new identity to the world of work and the architectural spaces in which it flows. Such a study requires a reliance on geocriticism and documentary method, with descriptive-analytic processing.

The emergence of magical realism in Germany and its success in Latin America indicate that localization in any way is the basic precondition for its use, Especially in the magical realism that would not be beneficial without localization and adapting it to the cultural context of the author. Interestingly, there are more similarities between this way and the Sufis texts Tazkera , as Taḏkerat-ol-oliya written by Attar. This article is a step in providing a localized pattern of magical realism based on the story and mysticism in Persian culture. Achieve a literary pattern known as magical realism that localized with fictional texts of Sufism could be a good start for the development of an Iranian-Islamic schools, known as "mystical realism". The first step in this direction is the comparative study of indexes in two field of the structure and the content between the fictional texts of magical realism that One Hundred Years of Solitude written by Gabriel Garcia Marquez is the best representative of it, with the remaining texts of anecdotes Sufis Tazkera that Taḏkerat-ol-oliya written by Attar is the best representative of it. Can be thought after the recognition of the most important characteristics and differences, in the next step to the providing a definition of mystical realism.

During the Safavid era, communications between Iran and India became deeper than before due to the common official language. Persian romantic stories were among the written works during this period in the countries. The question is: "Are Persian romantic stories in the Safavid era in Iran and India fully similar due to the concurrency, common language and existence of similar structures, or have distinction due to different cultural environment?" Some Researches has been done on the storytelling of the Safavid period, But so far, there has been no works published on the influence of intellectual motifs on the Iranian and Indian Persian stories in any of the topics.
In this paper, it has been attempted to answer the question, by analyzing the content of the Stories. Of course, the assumption of this research is that there are many similarities in language, structure, sequences and character's functions in the Persian romantic stories in Iran and India, but despite these similarities, there is a different worldview and attitude towards the characters and events. These differences include: "Death of the lovers at the end of the story", "Girl's freedom in choosing a spouse", "supernatural creatures’ role", “presence of Mysticism and Sufism, "animals’ impact in the story ", "presence of Indian characters" and "independence of the source" that would help to understand the stories written in India from Iranian stories.

a catastrophe happened years ago in the palace of rich and famous family of Cenci in Rome that ignited the creation of a play named The Cenci by two significant playwrights with different approaches and writing ideas. This study is a comparative analysis of different approaches of these two writers: Percy Bysshe Shelley’s theory, regarding the popular romanticism movement in the 19th century England and Antonin Artaud’s theory, considering his beliefs on the theater of cruelty. The purpose of this paper is to find the intellectual similarities and differences between these two writers in their approach toward the same historical event and their standpoint on its link to the theater and the text. Poetic verbal descriptions are significant in Shelley’s work; while Artaud, with his opposition to the literature of theater, tries to emphasize on directing and performance and writing the play with his favorite functions and performing methods. The comparative analysis of these two plays will describe their thematic differences. The results of this study suggest that in order to subtract the violence of Cenci’s event, Percy Bysshe Shelley has limited himself to the events that only take place in dialogues and those which show the actions of characters in different acts just in speech; however, Antonin Artaud presents the violent actions in the present time and with a redoubled rage by using mute characters and omitting subsidiary scenes.

Love in and traditionally wellness of soul mate in all around the world is pleasurable. It seems that soul mate of all poems and lovers is common in one feature: i.e. beauty ; the various characters of beauty will be different from land to land and from eyes to eyes ; Iranian and Arabic culture , with common origins, in many of literatures such as soul mate description, have great similarities. As far as meeting with love and beauty of soul mate looks and individual and personal object; the issue of effectiveness and impact between Iranian and Arabic culture are drawn. This effectiveness will be more clear by comparing two poems , especially the wars such as Noz’hat al-Majales by Jamal Khalil Shirvani on farsi in 7th century and Loving and beloved and the Musk and Brew by seri al-refah , in 4th century.
this work surveyed common themes in aesthetics and imagery of soul mate hair in Arabic and Farsi poem, by descriptive – analytical approach and comparative studies.
It is clear the in this assessment, our final achievement is not only comparing the work’s content and the minutes related to any bit , but also is expected pursuit of quality and expression and reflection of one of soul mate lover in both Arabic and Farsi poem. In fact, we have tried to ensure that how Iranian poet and writer deal with Arabic themes and works and how had concept, select, and seizure themes and imagery of hair.

Stories of prophets is one of the major sources of allusions in Persian literary texts that poets employ it for creation the poetic images. One of the prophets that Persian poets have attention to various aspects of his personality and life is Jesus. Persian classic poets in allusions to the life of Jesus is often considered to Islamic sources, especially the Holy Quran but contemporary poets, especially modernist poets in addition to the Islamic tradition, mention the narratives of the Gospels.Some of these allusions are rare allusions in Persian poetry and they often need to refer to the Bible and Gospels.Awareness these allusions help to better understanding the poems and enjoying of reading them. One of these rare allusions is the last lamb or sheep of Jesus in the works of Forough Farrokhzad, Mehdi Akhavan Sales, Ali Mousavi Garmaroudi and Houshang Golshiri. The purpose of this article is analyze this allusion according to Gospels and Christian traditions.

The appearance of comparative literature in Algeria has been influenced by different risings and fallings after entering French men to Algeria in 1830, this country involved in the colonizing movements, at first, they tried to change people’s language and culture, hence most of comparative studies have been influenced by this condition, therefore, they were written in French. Finally, it was in 1962 that this country entered the political spring after people’s revolution, therefore, Arabic language entered comparative studies by re-examining Algeria in European works such as French and Germany people, there were found some universities in comparative literature and other literary branches and international conferences, in order to develop the comparative men in Algeria in developing comparative literature analysis in the survey of comparative literature in Algeria by classification of contemporary history into colonization and post-colonization. literature in Algeria by classification of contemporary history into colonization and post-colonization.
Keywords: Algeria, Comparative Literature, Colonization, Political Spring, French and Arabic Language.