نشریه مطالعات هنر اسلامی
پیاپی 26 (بهار و تابستان 1396)

Iranian paining is of an internal and to some extent hidden nature; thus the observer should watch carefully to understand its concepts because it refers to a transcendent goal. In this context, semiotics helps in identification and classification of cultural signs so that the architectural elements of a certain culture are identified and reused according to contemporaneous situations and in this way the status of that culture (in this study, the Iranian one) is improved in modern Architecture scope. To this end, the present research was developed as a historical-interpretive study based on historical and written references and documents. It was a documentary study based on data collection approach. Library method was used from method deductive viewpoint. Also deductive reasoning was employed in the research. Present research aimed to address the meaning of symbols and signs of the painting “Khosro Listening to Barbad’s Music” related to Safavid era. To this end, various elements used in the physical body of the mentioned painting are addressed from Pierce’ view on signs. Peirce’s basic triad are: icons, indices, and symbols. In short , we can say at iconic signs , signified to visually represent the signifier . An index is a sign that shows signifier concept and A symbol is somewhat more complicated. Symbolic sign , arbitrarily defines signifier-signified relationship.

The issue of hunting in the art of drawing of any period has several kinds of trends and thoughts proportional to their own time. Safavid kings by holding some special artistic workshops and Ateliers, made the art of drawing as a practical art. By having the painters in hand, they wanted them to provide pictures and drawings for other artistic products like carpets, no doubt it could be said that of the reasons why the carpets of Safavid period are permanent is following and getting the models from standard and defined criteria and principles applied in the field of drawing and as in Safavid period specially Tabriz school, the paiters and followers of Behzad style including Sultan Mohammad made the drawing to improve, such a development in the field of carpet is also justifiable for us. In this period, the carpet designers under the influence of hunting picture in the drawings of their own time dealt with the designing of carpets with hunting issues. One of these sample carpets is the Vienne hunting carpet, the work by Sultan Mohammad. By examining the basis of aesthetics of the design and drawing of the Vienne carpet this question arises that how much may the basis of aesthetics of this designs in the mentioned carpet be under the influence of the drawing on "Bahram's hunting against Azade", the work by Sultan Mohammad? The principles of designing of themes in the carpet needs to master and recognize of design and color in the work of drawing works. In this article a comparison will be done by the purpose of examining the evidences and justifying the factors of identifying both works, principles and bases of form aesthetics in each work.Necessity of more doing such research is extracting formulated standard in order to more improve the existing status about designing the carpet and drawing. Examining both case study and analyzing data based on deductive method and final extracting will be general.

One of the most important issues in the field of keeping a region or an area or a city's history & homeland alive is to find some symbols which are remained from past. Native architecture across the world will show a deep relation between home and environment. Rural native architecture of Gillan is a symbol of people's handmade art.
This study collected some samples of decorative motifs of fences in some villages of this province and studied the role of handicrafts. The method of study is descriptive- analytical and data were collected by field method and by interviewing the village's inhabitants. Data about history were collected from related books and articles and magazines and by studying the related sites. We use inference reasoning in our study. All the results were according to the Peirce category that were in three category of icon, symbolic & profile.

Today, home as one of the most basic biological needs and as the representative of human interpretation and interpretation of the Islamic world, is of particular importance in the economic, social and cultural development programs of the communities. Providing and providing a home for all people in the community, and in particular the right home, in terms of providing comfort and well-being to humans, plays a very important role in the lives of people in society and can even be considered as one of the criteria for measuring social welfare in a Community.
Following the increasing growth of urban population due to population growth and rural migration, in recent decades in Iran, the face of Iranian-Islamic housing and architecture has changed. In the constraints of land resources and the impossibility of seizing the horizontal level and growth of cities, housing was built at the altitude instead of the expansion at the altitude, which is called "high-rise". Developing this phenomenon without proper planning and lack of attention to issues such as cultural-Islamic texture in the interactive interiors of habitation sometimes leads to habitual behaviors that offend and destroy residential culture.
The main objective of this research is to investigate the effect of high-rise components on residential culture in residential complexes of Shiraz as one of the cities with Islamic architecture. The type of research-documentary-analytical research is a survey in this regard after extracting the above components in the Delphi method and measuring in residential complexes in Shiraz, in order to improve the high-level components with an emphasis on the art of Iranian architecture and increase their impact on residential culture. Solutions Strategic and executive.

Hand woven by nomads qashqai as symbols of indigenous and ethnic arts and enjoys both functional and aesthetic features. colors, designs and elements of art and the aesthetic dimension of hand dyed and woven by nomads and have the fan base of cognitive processes. so that each of these dimensions may be suitable and appropriate vehicle for scientific study (cognitive technologies), ethnological, artistic (aesthetic) and is Semiotic. qashqaeis colors woven in two main categories and sub-divided. while its primary colors divided into two categories: primary colors, fixed and variable pick the colors. Primary colors, secondary colors as well as a combination of fixed and other dyes produced. in this paper, the study circle, color, aesthetic aspects, including color (color layout) and cognitive techniques such as dyeing, in dstbafth of qashqaees attention. From this perspective, this study indicates for the first time in the study area have been done by nomadic weaving.this article is the purpose of this research are fundamental and that is a cross-sectional method. practices as well as the compilation of the field of library and more.

Sistan is a vast territory in the southeast of Iranian plateau. Hamun Lake and Helmand river are important factors to form ancient civilizations in the region. Archaeological excavations indicate that until the eighteenth century many people lived in Sistan. Shahr-i Shōkhta is an important symbol of urbanization and civilization in pre-history. The excavations of Shahr-i Shōkhta show that this town was One of the most important centers of the prehistoric settlement and also was a social, political, economic and cultural center for entire region in the third millennium BC. By examining the artifacts, we can see the evolution of science and technology in the Iranian plateau. The color of unearthed Potteries from archaeological site include buff, gray, red and multi-colored wares and decorated with animal motives. This study will be addressed the role of communication with adjacent areas in formation of these motives and focus will be on content and symbolic analysis of motives. Motives on pottery unearthed from the Shahr-i Shōkhta is divided into three categories, each with an equal share: geometric 93/7, animal 3/4, plant designs 2%. Animal motives have second ranks among other motifs. The environment and contact with other civilizations effected on them. Animal motives included antelope, deer, zebras, birds (unknown type), fish, snakes and butterflies. The most important features in animal motives are creation the illusion of motion in static motives but some motives are inactive. As well as the possibility of religious belief of people at that time and its impact on select or deselect some animal motives and some other ideas will be examined. This stud

One of the most important architectural feature of Safavid era is the Linkage and association monuments and particular religious monuments with decorated calligraphy and inscriptions. Schools and Mosque – schools that are places for composing science and servitude, Includes Very good examples of inscriptions.ChaharBagh school-mosque is one of the most prominent monuments of scientific -worship structures, which in terms of architecture, decoration and inscriptions is important. The aim of this study is examining and classifying the contents of the inscriptions of the building, Analyzing and explaining the functions of inscriptions In order to understand the meta-physical aspects of inscriptions well. And answering the key questions like what themes used in the inscriptions of the building and what functions are. Current research is developmental, descriptive – analytical, data are collected from library and through field method and quality of results and findings of research are analyzed. The results indicate that various inscriptions, all are fitted with their content and served the overall aim of building. Contents include Koran, the Hadith, literature, Persian poetry and prose, naming and praising the Prophet, Imam Ali (AS) and other Imams As well as information about the sponsor, presenter and founder of the building. But other aspects of the inscription that is very important is the inscription functions, this functions Achieved from content and Inscriptions structure of the surface and show and clear and hidden functions of them. Inscriptions functions includes seven categories: communicative, educational, aesthetic, ethical ideology, modeling, symbolic minded, the aesthetic and educational functions are prominent of others.