نشریه پژوهش های ادبی
پیاپی 52 (تابستان 1395)

By adopting a multidimensional research methodology, this research tries to analyze literary, artistic and psycho – sociological aspect of Jawāmi ul-Hikāyāt wa Lawāmi’ ul-Riwāyāt ‘s stories by Aufi, the 7th centuries writer. This multidimensional approach to the analysis originates from realistic aspects and great extent of literary themes of this collection which prepares the valuable and unique source of research on Old Persian literature. To this end, at first , the authors have investigated in multidisciplinary way of discourse ,the cognitive, affective, aesthetic and phenomenological characteristics of these stories and then they have analyzed and explained these features in comparison with women and men persuasive competence socially and psychologically . According to results, even in the case of women’s praise, low rank attitude toward women and psychological-social dependence of women in comparison with men is obvious. These attributes have been expressed in the form of deterministic pietism and man-centered, austerity, altruistic discretion and denial of passions and affections.

In this article; two collection of poems entitled “Mokabedat-Al Shajar” and “Let us believe in the beginning of cold season” by Boshra’ Bostani and Forough Farrokhzad’s where we encounter critical period of Iran’s’ history – between the second Pahlavi dynasty and post second world war period of colonialism in Iraq have been analyzed by descriptive – analytic research methodology . The results showed that both poets have paid special attention to hearth of family with motherhood passions and love. Taking into consideration the infidelity of Iraq and Iran society in relation to women rights as unique principle of Islam, these poets have reflected the place of women and their rights in their works. Both poets have been engaged in reflecting social problems like poverty, unemployment and class distinctions. Also, political structure and tradition – modernity contrast have been the main themes in the poems of both poets uttered acidly. The acute language of Forough Farrokhzad in her diatribes is more salient than Boshra. In its turn, complexity and ambiguity o

The profound understanding of sensible- perceptive data has a crucial rule in order to analyze mystic texts. This research aims at investigating mystic Shath’s based on semiotic foundations of passions. The priority of visual perception in comparison with other sensible –perceptive data and their interaction reveal the phenomenological aspects of mystic Shath’s. Fluidity, dynamicity and flexibility of these resulted and diverse propositions besides constant relationship between subject and object reinforce this bilateral aspect. Thus, in this study, by adopting the approach of semiotics of passion to analyze and adjust mystic Shath’s, the presence and effect of the sensible propositions are examined in literary texts.

Regarding few cases of change, it is possible to consider this essay in the field of intertextuality and comparative literature. Apart from both approaches, the author tries to investigate the main origin of the poem “Beyond the Seas” by Sohrab Sepehri, the most famous poem of Green Volume’s collection written on postal cards and posters and Persian textbooks of second year high school. In an article “ Sepehri and the question of today’s poem” By Hussein Ma’sui Hamedani ; he believes that the choice of title and the description of this poem on behalf of the poet has been under influence of a narration by Imam Sadeq. After the publication of this article, several scholars have attributed this poem to an allusion of this narration. This study shows that the origin of this poem is in fact a Chinese lyrics with his own translation. To be aware of pre text helps reader better understand the exact universe of poem and prepare the way to further studies.

In this study and based on mental and affective axis the interrogative propositions have been investigated. According to results of this research, these propositions signify her quest and are crystalized in the form of love, the quest of self or searching identity, and the concern for humanity. Through this process of searching identification and in the poetic universe of Forough Farrokhzad, she asks always numerous question on the nature of love, life and herself. From affective view point, the analysis of interrogative propositions shows that the priority of love in her both early works gradually get pale and her questions have been quantitatively and qualitatively transformed. It is worthy to note that the addressee of these propositions is an example of her mental and affective metamorphosis and this study tries to show that her addressee from personal “I” or default and presupposed addressee changes into an interpretable and generalizable pronoun to all readers and addressees. With no doubt, adopting this approach shows the great extent of Forough Farrokhzad mental and affective universe.

By referring to insights of structural theories in the field of linguistics and music besides literary motifs of both poets’ lyrics; this study aims at investigating the effects of Anvari’s Impressionability from poems of Abul Faraj Runi using descriptive –analytic research methodology. The results showed that Anvari has been undoubtedly under the influence of Abul Faraj Runi’s poems but this was not merely the pure imitation; rather this impressionability has been always with innovation and creation. He benefits from an integrative and other aesthetic manners like euphemism, lexical linkage, semantic and artistic strategies to guaranty the cohesion of his poetic discourse.