فصلنامه لسان مبین (پژوهش ادب عرب)
پیاپی 37 (پاییز 1398)

Using the tools of other sciences provides an opportunity to accomplish new achievements and, in this sense, psychoanalysis can be more constructive than the others. In our analysis of personalities and literary narratives, the French psychoanalyst Jacques Lacan can lead us to exciting results. This article is an effort in employing Lacan's theory of "mankind's sensual structure" to scrutinize the personality of Ibn Farez. In this theory, Lacan divides human essence to three parts: "visionary essence" which is the world of superficial attractions and deceits with the function of obscuring the unconscious, "the essence of secrets" which is the essence of ambitiousness, and "the essence of the real" which shows that human nature lies in its unconscious and beyond its apparent existence and Lacan calls this beyond "the other". Through the spiritual transformations that occurred to him, the life of Ibn Farez can be divided into distinct periods. The main question of this article is based exactly on this: how we can explain Ibn Farez's spiritual transformation within an organized structure by means of Lacan's theory. Research Method of this Research is based on the theoretical foundations of Jacques Lacan's theory and the life and poetry of Ibn Farez's. For this reasonin addition to the Describes the theory of human body building, cites Ibn Farez's life and poetry and based on this theory. the result is the conformity of Ibn Farez's psychological evolution with the theory of Lacan's structure of Ego

Metaphor in ancient and classic approach is word- base and has artistic and aesthetics functions and its presence is not more than literally language whereas looking at cognitive mataphorology is conceptual – base and not word- base, Jorge Likaf and Mark Jonson account it as an instrument for thinking which runs through human behavior . This article tries to study and analyze image metaphor in Siniya Bohtorei and Ahmad Shoghi by School of Comparative American Literature. The results of the study show that this two poet could conceptualize abstract senses by visual senses in containment schemes (volume, ability, and motive). By thinking at two poets we can conclude that common cultural models are the base of conceptual metaphors, so that two poet by using their daily experiences of the events that take place around them could draw the concepts which are not abstract or intangible concepts. Although using containment schemas in Siniya Bohtorei in contrary to Sine Ahmad Shoghi are more and accurate.

Contemporary Arabic poetry, using its western experience,can use more extensive mechanisms to express its concept. One of these techniques is the use of the method of trans-realism in relation to the meanings and phenomena of being, which has been especially noted in the poetry of poets such as cercon Bowles. The contemporary Iraqi poet cercon Bools (2007- 1944) is among the poets influenced by surrealism whose by studying of his works can illustrate the surrealist identities in the two parts of Western surrealism and the localized version. In some of his poems, he uses a transcript of the Western version, especially in the elements of "autobiography", "surrealist imagery" and "the wonder". By referring to these criteria, it often deals with its inner dimension, Citing celebrities in Arabic literature, symbolic references and rhetorical parallels to Surrealism, he lends an indigenous form and uses other elements to correct social disarray.He has been able to give his poetry the color of surrealism by invoking ideas such as the freedom of life of the constraints, provoking imagination and imaginary demands, Risk in timeless routes, and passing through the material to get to the truth. The present research, considering the surrealistic capacities of his work, uses the method of content analysis to analyze the collection of "Hamel of Al-fanus Fi Leel al-ze-ab" and seeks to reveal the reality beyond the appearance world in Bowles poetry.

In the contemporary era of contemporary Arab poetry, poets deliberately and consciously take advantage of the techniques and techniques of other techniques such as cinema, painting, music, etc., deliberately grounding their poetry on the basis of such techniques. One of the most prominent and postmodern Arab poets who put the principles of the new poetry on the table is the contemporary Lebanese poet Susan Alivan whose poetry is as distinct from that of his predecessors or modernist Arab poets such as Siab, Bayati, Nazik al-Mirae Is. The Lebanese poet emphasized the style and content characteristics of nineteen-century poets, most notably the interplay and application of other arts and techniques, especially collage in poetry. The collage, which represents the disorder and chaos of the contemporary world, was invented by Cubism painters, relying on components and sticky elements. Following this approach, the contemporary poet creates a collage-like poetic approach that this descriptive-analytical research seeks to analyze and analyze in the court of Susan Alivan's "Rashiq al-Ghazal". The result shows that Susan Alivan has clearly used this technique in poetry and her poems have a distinct and varied image, adhering to the principle of stickiness and inducing concepts such as chaos, disorder, confrontation, rupture, and high power and display capacity

Place attachment as one of the levels of sense of place means emotional and positive connection between the person and the place.this link is the result of emotional and emotional interactions and the deep behavioral behavior of individuals with place.Since the site is one of the important and influential elements of the novel,attachment to location can be considered as important indicator to examine the location and its role in personality attachment.The “swissra vatan va tabeidgah” novel of sana abousharrar has many spatial capabilities to express the attachment of spatial attachment.This study intends to analyze the dimensions of attachment to place and following those steps in the presence of person in the position that leads to the creation of attachment using the text presented in environmental psychology.The results suggest that attachment to place in this novel is influenced by physical and social dimensions and temporal and temporal aspects,as well as the presence of people at the site during phases of physical presence to full commitment to place in the long time.

The dialectical process of the Hegel's philosophical system, with the ontological development of the finite, is the idea of moving from the finite to the supreme infinite. This process reveals the living presence of the particular in the universal and non-particular. The given element is transmitted to the instant of the universal. The self- knowledge of Aisha, in Abd al-Wahhab Al-Bayati 's poetry, is turned back on itself as a finite and alien self; that is to say, the universal, in his particular transcendence, becomes an object, and in the end refers to the infinite totality, and ,becoming the infinite self-conscious spirit, make this isolation and alienation dissolved. In this paper, we tried to investigate and explain the efficacy of Hegel's dialectics in the process of movingand development of Aisha's spirit from herself to the total selfhood, based on the analytic-comparative method and relying on the Hegelian “triad” (Being, nothing, becoming). Thus, by matching Aisha's resurrection with the foundations of Hegel's philosophical system, we showed that the Aisha's resurrection, in the Hegelian dialectic's terms, arrives at self-consciousness in which the freedom of the spirit reaches its supreme expression, and the awareness of the freedom of the spirit arose only in consciousness of identity of the finite and the infinite. So, Aisha, that is a symbolic figure in the poetry of Abd al-Wahhab Al-Bayati becomes a symbol that represents neither the universal as such nor the particular as such, but both in unity.