فصلنامه زیبایی شناسی ادبی
سال دهم شماره 40 (تابستان 1398)

This article deals with the comparative study of the literary style of Monoher, Darmat, and Wes and Ramin. Menoohr and Edmund (Assembly of the Faithful) is an unknown work of Kermani's thoughts that have not been corrected and published so far, and the study of literary style, array arrays, and the structure of the letters of this poem seems to be valuable in this regard. In this epic poem, and in the system of Weiss and Ramin, there are adventures that the lovers get away from each other, and in the meantime letters between them are exchanged. These letters are full of subtle and pure emotions, and the poet has tried to articulate the word by using literary skills and techniques. The purpose of this article is to determine: what literary features do these letters have and the rate of use of arrays and pictograms in the letters of these two poems. In this research, the authors have investigated the archetypes and visual arrays, and the frequency of arrays such as allegory, observance, exegesis, revelation, punishment, and the elements of the science of expression have been identified.

one of the most important branches and tendencies in discourse is the kind of narrative discourse. one of the most important and well known scholars that has written a lot of works in this branch is eric landowski. the system of deep structure and level structure of him is his most well known theory. 
one of the most important branches and tendencies in discourse is the kind of narrative discourse. one of the most important and well known scholars that has written a lot of works in this branch is eric landowski. the system of deep structure and level structure of him is his most well known theory. 
one of the most important branches and tendencies in discourse is the kind of narrative discourse. one of the most important and well known scholars that has written a lot of works in this branch is eric landowski. the system of deep structure and level structure of him is his most well known theory.
darab nameh, tarsousi, bighami, narrative discourse, landowski.

The Qur'an is the divine source which holds the best of literary beauty and whatever we say about the aesthetics again it is a diameter from the vast sea. One aspect of the aesthetics of the Quran, Allusions are used in it the Muslim poets, with the effect of this divine book, Many of the Allusions have been used in their poems and works and they have added to their poems the beauty. Mohammad Mehdi Javaheri is a Muslim poet, committed, modernist and renowned contemporary Arabic of this group. Which reflects and illustrates social and political concerns with the use of Allusion.Therefore, in the present study, which was done by descriptive-analytic method, The Mohammad Mahdi Javahiri's Qur'anic Allusions have been analyzed and analyzed in aesthetics. The results of the research show that jewelry was deeply influenced by the Quranic teachings and the Qur'anic Allusions have had a great deal of reflection in his poems. He uses a variety of ways, such as the use of compositions and compositions, the application of personalities, events and Quranic thoughts, both verbally and semantically, of these Allusions. His Qur'anic Allusions has played a major role in explaining the poet's thoughts and beliefs. In fact, by reading the poems of the jewels, the effect of the Qur'anic style on the literary beauty of his poems is well visible.

Hosein monzavi is one of the famous persian sonneteers in contemporary era. Love is the dominant theme of his ghazals. Tradition aspects and innovation in his poems become together. One of the surface structure elements of poem that seen Obviously mixture of tradition and innovation in it, is imagery. Between various poetry images, symbole for monzavi attractive than other images. Each one of tradition and innovation involve in the root of symboles in monzavi ghazals. In this article we debate and discuss about the innovation and tradition in monzavi poetic symboles. Symboles in his peoms have a close connetion with the poet world veiw. The effect of literary traditions in his symboles abvouisly seen and beside this attributes, innovation in imagery that is result of his modern veiw to the contemporary phenomenones seen in his poems. Some symboles of monzavi ghazals have a individual emotion and otheres have a social emotion.

One of the main topics in criticism of feminism and linguistics is the difference between the language of man and woman, which is visible in all aspects of language. In the past, women were never considered to be readers and readers, so men wrote for men, and even knew the best language for those men, and knew best speech to be masculine. This masculine mastery of language and its components is also evident. But in contemporary storytelling, special attention has been paid to gender. The present study investigates the differences between the writings of men and women in contemporary novels before and after the revolution. The purpose of this study is to investigate whether gender contributes to lexical differences in vocabulary and syntax. In this research, I turn off three novels, Sowshoon, the House of Idrissi and the Lights, from female writers, and three novels from Ahmad Khan's husband, the Prince of Inquisition, and neighbors from male writers. The novels examined with linguistic features have been examined in the field of vocabulary. According to Likoff, women are different from men when they speak or write when using them. Careful use of word colors, polite shapes, resonant pronouns, null traits, indirect speech, avoiding racketeering and verbs, and emphasizing resonators, statistical analysis of each of the characteristics showed the performance of the Farsi-speaking women writers in using Likaf's views. And confirms it.

Criticism is a scientific tool, and every literary text, whether classical or contemporary, can be criticized from a modernist perspective. One of the literary genres that has undergone significant changes in recent years is the short story. A new form of this kind of narrative, which is getting shorter and shorter every day, is minimalism, which are called in Persian, "rationalism," "minimalism,"," and so on. The present study has attempted to study the short stories of FariborzLorestani, the contemporary writer of Kermanshah, and to exemplify them in the form of obscenity, limitation of time and place, low number of personalities and investigate the characteristics of minimalist style in them. A look at the storybooks revealed that many of the features and characteristics of the minimalist stories were apparent. In Lorestani stories using the smallest number of words to express the most meaning. His minimalist storytelling has given the reader a great deal of content in a few words. Most storytellers have no plot, and if there is a plot, it is not too complex and is expressed in the context of the word without the slightest exaggeration. Another feature of the minimalist story is the limitation of time and place, which, by examining the storybooks, can be concluded that most of them lack time and space and are vaguely expressed if they exist.

Exaggeration,,as the most powerful element of induction in the Indian style, is the most effective tool for materializing emotions and thoughts and also for penetrating into the hidden minds of the addressees. Exaggeration is aimed at defamiliarizing, discovering, and reaching unfamiliar and new meanings and concepts. When exaggeration is used along with other rhetoric and eloquence methods, it can have great emotional and mental effect on the readers and also create great artistic pleasure for them, and will be valued and admired more. Although this magnifying tool has frequently been used in Kalim Kashani’s poems, no study has been done to examine the use of exaggeration in this book. Accordingly, this study aimed at examining Kalim Kashani’s skillful use of different language methods in an exaggerative way through studying more than 11000 verses of his poems. This article introduces and analyses different kinds of magnifying and their elements. The data were analyzed descriptively from the perspective of rhetorical techniques. The frequency and position of various facets of exaggeration was studied. The results show that exaggeration is one of the most significant elements Kalim Kashani has used to express and induce his ideas; he has integrated differentrhetoric and eloquence methods skillfully in different forms and various structures with considerable frequency.