نشریه زبان و ادب فارسی
پیاپی 36 (پاییز 1397)

Words and their relations have always been a considerable point among the critics especially those who are specialized in the cognitive poetics. This branch of literary studies is, more than anything, concerned with the similarities and relativities between things and to re-acknowledge their super-structure patterns. Naturally, this is attainable only by analyzing the literary texts. Analysis of the texts itself is also inter-connected with speech act of the author or the poet, and the inductive act among readers. Perceptions of these concepts can be found in two ways of speech and epilogue that each causes other’s line of actions. Hence, it can be asserted that every literary text is an objective re-exposing of discourse analyses which are available in every society. The researchers of the present study, assuming that the above assumptions are exemplified in Parvin Etesami’s poems, seek to examine the cognitive poetics and discourse analysis in some of her poetic vocations. The researchers of this article try to show the instances of cognitive poetics and discourse analysis in Parvin Etesami’s poems. The findings of the study show how the textual structure of language can show the hidden power relation and its misuse, hegemony, and social inequality.

Language is a mediation or media that the world opens its own sake, language is not the only object in our hands, but the preservation of the tradition and the interfaces which we exist with it and we can understand ourselves. The influence of language on us is such that we are not able to find out the effects .Our interpretation of the world is only linguistic infect language is the real pattern of our limited. Language has always surrounded us Gadamer calls the moment of understanding development as the moment of coincidence, the moment when the interpreter's language becomes intertwined and merged and a common language emerges, Gadamer confronts our text so meaningless that we forget the role of language. As a poet and aristologist, Rumi has spoken more than other people about the language and the poetry, and his understanding of the result is that it is not only because he is a poet, but because he was inevitably a mystic of love. He forced to explain his experiences and his results the results of this research, based on the descriptive-analytical of the library data and the documentary method, show that Rumi is consistent with the hermeneutical theory of Georg Gadamer's understanding of language as unable stuff for transferring the understanding.

The verb is used in two ways in the Persian language, which is used all the time and contains the person, time and individuals who call it a mere verb and a verb that is without time and person, that is, for all times and all Persons, in one form. The verb and the descriptive aspect of the Persian grammar have been discussed and a lot of theories have been applied. According to the findings, it is deduced that a structural defect is both an adjective and an adjective attribute, and in a sentence, plays the role of an attribute or a condition of a state that can be applied to verbs with specific verbs, with verbs It will no longer be in the companion sentence, but it will not be substituted and equivalent with all verbs. In this research, we try to examine the significant number of writers in relation to the descriptive aspect, the verb, and the forms that are considered in these two cases, as well as to show how the form of a descriptor becomes a descriptive verb and How does the verb come together with other verbs and whether the comedy is a substitute for a meaning.

Farrokhi Yazdi and Aref Ghazvini are famous figures in the constitutional era, whose lives have been linked with events of his age. They fight with their weapons of poetry against oppression and oppression of life and oppression. From the very beginning, they express their support and support for the constitutional movement, and they express their lyrics. After constitutional movement, they continue to struggle with the elements of internal tyranny and foreign colonialism, and they endure a lot of hardship and suffering, but they do not stop fighting. Finally, Farrokhi is being killed in prison by the hands of our ancestors, and the mystic lives in exile, loneliness and isolation. The main task of the poetry of Farkhi and Arif is the awakening of a mass of people. Their ideology is based on events and time requirements. Most of their poems are related to social and political issues. Comparing their ideological ideas shows that their thoughts are close together. In this research, we try to show the ideological thoughts of these two prominent poets of the Constitutional Revolution in political, social and religious matters with poetical evidence

Sadegh Chubak(1377-1295) and Simin Daneshvar(1300) are among the most technical novelists with special style in south school, who each have addressed personalities ,characteristics and problems of women with Specific expression. in this quaere, while short introduction Daneshvar and Chubak's life and refer to kinds of story’s characters , through the reading and analysis of their fiction, has been tried to Review, compare and evaluation similarity aspects and difference methods of characterization, positive and negative attributes of women and their main components. quantitative results has been presented as charts and graphs too. Daneshvar has allocated more than 65 percent of her stories to the female’s character, And chubak has allocated 17 percent.has. Daneshvar has acted more realistic and natural in reconstruction and retrieve female character, while chubak (terms of Naturalistic perspective) has shown most detestable woman's face with reckless expression. Passive women in tight Hesar of inheritance, who are in Environmental determinism and instinct. 

Ermiya is one of the subjective and complicated Holy defense novels. In this novel, the main character (Ermiya) is in conflict with the post war world and the condition of the city after his returning from war front. This is the point that can be analyzed according to Jacques Lacan’s psychoanalysis theory. Lacan divided the psyche of man to Imaginary order and Symbolic order. Imaginary order is related to the first year of lifetime and Symbolic order is about the time when the child begin to learn language and his/her contact with symbols and social norms.Ermiya is like people who can’t deal with contents of Symbolic order and they prefer to be in Imaginary order and unconsciousness. This research aims to study Ermiya’s character according to Jacques Lacan’s theory. Experiencing psychosis, stream of consciousness and sectional traveling between Imaginary order and Symbolic order are the outcomes of not being compatible with Symbolic order.

Symbol is a figure of speech. The specific features of the symbol of ambiguity, uncertainty, and it is non-annotated and indirect, symbolism and socialization is the main characteristic of the poetry of resistance. The most important topics are reflected in his works ideas of freedom and law-abiding, fight tyranny, patriotism, waking people up and energizing nationalist sentiment and the homeland, promoting individual liberties and social criticism of turmoil and educate people about their rights, and political reforms through fundamental change was awake.Today, color is the most important element in the development of creative work and productivity. One important element is the element of color imagery, one of the important elements of symbolic language and symbolic expression of the resistance poets. Therefore, this research seeks to compare and compare the colors and colors in the poems of Shahriar and Seyed Mohammad Reza Kordestani. Key words: Literature resistance, color, icon, Shahriar, Seyed Mohammad Reza Kurdistani

Butterfly is one of the oldest and the most bizarre of Iranian office,which combining its features with the elements of the butterfly, as a symbol of love and affection, causes difficulties in the literary field and Contrary to what seems supposedly, the Safavids have boosted this office than any other government. because the foundation of the Safavid government is based on pure surrender and devotion and a relationship between the ruler and the citizen who relied on religious and Sufi thoughts. The authors intend to study the role of Safavid in improving the position of the butterfly through the historical and literary studies of this position and its alignment with the literary texts of each period. Evidence of this research is based on the study of important historical and literary texts of each period and is extracted by analytical-descriptive method and historical order, and the study result is explained by drawing separate graphs. Studies indicate that although the Mongol attack and the influence of foreign words have led to lexical changes in this position, the concept and nature of the butterfly position have the same name and characteristics and the first function has been the same all along the history and in the deep religious relationship between king and Sufis with the abundance of butterfly elements in the literary works of the Safavid era, there has been a significant relationship that has promoted the status of this position and strengthened the symbol of the butterfly in poetry and literary works.