Moniro Ravanipour – one of the most successful Iranian contemporary authors – whose method is magical realism and by imitating Colombian Gabriel García Márquez writing method succeeded to create precious works to the world and Iran's literature such as Kanizu, Gypsy by the Fire and The Drowned by inspiring "A Hundred Year of Solitude". On the other hand she is also known as Folklore author because of working on folkloric literature and creating real scenes as well as applying proverbs, allusions and native phrases. This article initially introduces Moniro Ravanipour and her ideas and works then studies magical realism in Persian literature followed by structuralism and content – based criticism in three novels: Kanizu, Gypsy by the Fire and The Drowned.

Supervision, as a key element of modern social systems, is a concept that transforms the citizen into a subordinate state. This citizenship acts not as a system that must always be controlled, but as a structure that transforms citizens into self-governing subjects. Demonstrating this destructive aspect of modern social systems has always been the known as task of sociologists. The present paper aims to demonstrate the implicit implication of the above dual texts and their similarities and differences with the content analysis method. The result of both studies is that both novels are critical of totalitarianism arising from the tool rationality that consciously or unconsciously incorporates the components of subjugation, supervision and care of acute rational systems and portrays it as a modern ruined disaster.

Jung's believes and emphasizes that psychology should pay special attention to religious issues and reflect on metaphysical beliefs which has led to; his views and opinions should be applicable to the views of poets, mystics and religious scholars. The present study aims to briefly survey the origins of religion and its positive function in Sanai 's Hadiqa based on Jung's theory specifically. Hence parts of his general views and opinions, which are in fact the foundations of his religious theory; In "Hadiqah" by Sana'i , the main subject of which is religiosity, has been followed. In this way, the reader achieves Jung 's concept of religion, which is influenced by Western psychology, and discovers a deep connection between Jung's view and Iranian mysticism, and the fundamental similarities and differences between Jung's and Sanai's views, and their religious orientation.

In Persian literature, travel or journey is mentioned in the poetries with two physical and mystical dimensions, the spiritual dimension which is called internal, spiritual and esoteric journey, is the main idea of ​​mystical literature. In the present article studies the ideas of the two great sources of Sufism, Sana’i and Rumi in this regard. They have seen their mystical mission in putting man on the path to knowing their divine identity; therefore, they recommend an inner journey. The obligatory journey of man is his descent from the Alawite world to this world, and man must try to return to that world again with his inner journey; its etiquette is to abandon worldly lusts and mystical behavior by following the old guide; it can be examined with the archetype of the hero's journey from this perspective.

Aladdin Hali (786 AD) and Seyyed Mohammad Hossein Behjat Tabrizi (1285 AH) are both famous poets of Arabic and Persian language and literature who have always expressed their special devotion to the Ahl al-Bayt (AS). In the present study, the authors aim to apply Persian and Arabic Ghadiriyeh (a case study of Ghadiriyeh by two poets) and study the common aspects in the subject of Ghadir and the issue of Imamate and Caliphate to his right and praise of Imam Ali (AS) and expressing heroism and bravery by applying descriptive-analytical method. One of the important results of the present study is the scrutiny of the Ghadir Khum incident by both poets and the emphasis on the legitimacy of Imam Ali Ibn Abi Talib's leadership , defense of the oppressed and invitation to the people's awareness, frequency of similes and metaphors in Ghadiriyah, Ali's heroism in the Battle of Badr. And Uhud and mentioning the events of Karbala, which is evident in the poetries by Shahriyar and Aladdin Hali.

English, German, Russian and French were the most important languages ​​to which Hafez's poems were translated to. Many translators have translated directly from the Persian original (literary translation) and some have used intermediate languages. Although acceptable translations of the sonnets gradually emerged, none of them were able to express the literary subtleties contained in them. In German, the translation of Hammer Purgstall became the basis for many literatures acquainted with the poems of this Eastern poet. Goethe – the German poet and literary man – made a strange acquaintance with them by reading the poets translations and composed a collection of heartwarming poems called "The Eastern Court of the West" and became a supplement to Hafez's Divan in the West under the influence of these lyric poetries.

Imamate scholars all agree that affirmation in the Call to Prayer is forbidden and has never been part of the morning Call to Prayer, but there is disagreement among Sunni scholars as to whether affirmation in the Call to Prayer is permissible or not. Most Sunni scholars consider saying this sentence in the morning Call to Prayer to be legitimate and recommended and quitting is abandoned; but some Sunni scholars such as Abu   Hanifa has emphasized its heresy. This article aims to critique and analyze the reasons for the legitimacy of affirmation by the majority of Sunnis using a descriptive-analytical method. That is to say, Bilal and Abi Mahzoor conclude that both narrations have a serious weaknesses, both in terms of authenticity and causal.

The present paper deals with issues relating Christianity, such as titles and prominent attributes of Jesus, his birth and miracles. It also discusses Jesus Crucifixion and his Ascension and the Gospel among Christians which is one of the most central issues of Christianity. The division in Christianity, the Companions of Jesus and the ranks of the Christian clergy are other topics discussed in this article. This study intends to study each of the topics discussed in Ahmed Shawqi's poetries with emphasis on the Verses of Holy Quran; and make comparisons with Christian and Islamic texts and express how a poet is influenced by those texts if necessary.

Human is the main basis and the real stimulus of progress in all societies and also the ultimate goal of the universe creation. The importance of the mentioned issue would be clear out when the main subject of all humanities specifically the literary-mystical sciences is "man" and his way to excellence and perfection.  The fundamental question is "what is the way to know the perfect man, and how can this be achieved?" To answer this question, (this paper) initially introduces the perfect man and then describes his characteristics and the way to reach this position according to the Qur'an and practical mysticism from two prominent and well-known Indian poets, Saib Tabrizi and Bidel Dehlavi viewpoint which comes as a result of the divan by two poets. A perfect human is the wise and thought one, adheres to religions and is created according to Divine morality and has reached the peak of perfection in "good sayings, good morals and good deeds".

Palestine's issue is known as the tragedy of today's world undoubtedly is now considered as one of the most important subjects in international meetings and governmental organizations. In addition, the Algerian colonization by the French and their crimes against the Algerians and their liberation revolution have been widely reflected in the two nations' literature. Women, as a part of society, were also influenced by its political, social and cultural developments, and played their part with all their might. Therefore, in this research, the poetry of Palestinian and Algerian women during the resistance has been studied by descriptive – analytical method and concepts as patriotism, call to fight, accusation of leaders and blaming Balfour Declaration on their poetries are surveyed.

Taking advantage of life and achieving success are among the main goals of human beings. One of the most important steps in this direction is to master time and manage it properly, and human beings move towards perfection until they reach the source by going through the poisons of life (wasting time) along the way. The result is that if one knows the value of time, one knows the value of life. What is being retrieved and reviewed in the present article is the optimal way to use time and its harmful factors in Bahar's poetries. Poetries that emphasize the transience of life and the grabbing the moments; this shows the importance of the mentioned subject as well as its necessity. The research sources are written references and the method is descriptive – research.

The present research attempts to study the similarities and differences between Sana'i and Hafiz's approaches to life, poetry and Sufism attitude; In fact, "Sufism" is an independent variable and the way in which Sana'i and Hafiz encounter that dependent variable constitutes this research. The spirit of mysticism and spirituality arises from unworldly experiences in both poets' lives and works; but there is no valid evidence that any of them belong to the official communion and dynasties of Sofia. The forms of social life, such as poetry, etc., have not been avoided. Their free method of life and contents of poetries proves their desire to spirit, message of reproach and Qalandaria. Sana'i is the pioneer of mystical themes in poetry and his poetic presence has revolutionized the field of Persian literature in terms of form and content.

This descriptive – analytical study surveys the "Leili and the Majnoon" by Nizami and Amir Khosrow Dehlavi. It is clear that the temporal and spatial differences have had an undeniable effect on an imitated work; Therefore, although Dehlavi's "Majnoon and Leili", is the same "Leili and Majnoon" by Nizami, It is a different work in terms of cultural and social components that do not have the specific structures and prejudices of the fifth century in the traditional Iranian society. However, the structure of both works is similar in terms of the beginning and the end of the story as well as the characters and the generalities of the story. But the one by Amir Khosrow Dehlavi, has given more opportunity to the beloved to express his love in processing Leili's character. Leili talks about her feelings and nostalgia along with women. The intellectual commonality of both poets is the Islamic cultural. Also special attention paid to the cultural conditions of Arabs and consequently, the special strictures that underlie the behavior of men and women in social relations.

The deception and behavior of the deceivers is clearly evident in two Persian precious and artistic books "Shahnameh" and "Tārīkh-i Bayhaqī”. Trickery has been applied in the epic-mythological and historical sections of "Shahnameh", which seems to be most frequent in its epic section with personal, human and national motives and goals. In spite of negative connotation of deception and trickery, its positive aspects and concepts can be seen in "Shahnameh”. Is the deception due to the behavior of influential political figures such as Mahmoud, Massoud and Bu Sahl and etc.... who were powerful and governor in a specific era deceived and managed to prevent chaos? or Mahmoudians who developed anxiety and instability by deceiving and tricking Masoud fans and followers.

“Reality of Certainty” (Haq al-Yaqin) is one of the most famous works of Astarabadi (d. 1316), in which includes the principles of religion in addition to moral issues and has been categorized in the mystical literature of the Qajar era. The importance of “Reality of Certainty” as a manuscript is due to the fact that only one unique version is available. It is hoped that this research will pave the way for further research for the author, who, in addition to being a high-ranking religious official, is one of the great scholars in the field of meaning and mysticism. Considering that the mentioned book has not been corrected yet, its introduction may identify another literary figure in the thirteenth century. The author of the present research initially introduces the manuscript of "Haq al-Yaqin" and its calligraphic features and follows by introducing stylistic features of this work in three linguistic, intellectual and rhetorical structures.

The authors of the present article attempt to study the text of "Suvshon" novel to survey the multiple discourses of the work that are influenced by the social situation of Daneshvar’s era, and also studies how this work uses different voices against the dominant patriarchal discourse, silent voices and unheard of the woman listens to the audience. At the same time tries to prove that how Daneshvar was able to create a new character of woman in Iranian fiction by studying the language of the novel, which is influenced by various aspects such as epic, mythological and religious which are independent of the dominant discourse of the society in its time. She finds herself out of passivity and enters the society as an active woman.

With the spread of Islam, either through cultural promotion or developmental wars and combats, one can point to the growing influence of Islam on one hand, and on the other hand, the new cultural approach among writers, scholars, historians and poets in the field of social developments. One of the literary sections that has been influenced by the social and political developments of its period was the poetry. There were many poets during this period, such as Akhtal, Farzadagh, and Jarir in the Umayyad era, Al-Mutanabbī and Abu Tamam, who attributed the victories to the caliphs by describing the conquests in the form of warfare and the tactics of commanders and soldiers in most of their poems. There are direct and indirect references to the caliph and congratulations to him.

Islamophobia is a phenomenon that is taking place in various political, social and cultural fields and women are now being used by Western powers as a tool to spread Islamophobia, as the issue of women is one of the most important and strategic issues of all societies. This issue has long existed in societies among thinkers and in the various morals and habits of nations. The widespread and heavy wave of media ads has always been based on the fact that Muslim women are under the most severe pressure and do not enjoy any of their legal and religious freedoms. In contrast, non-Muslim women enjoy gender justice and own freedoms and rights equal to men and are rapidly making progress. This study initially tries to provide a comprehensive definition of Islamophobia and then surveys the rights of Muslim women, discriminatory behavior against women and the reflection of Muslim women in Hollywood cinema; and finally Qur'anic strategies to deal with this phenomenon are discussed.

Researchers’ neglection to “literary return” style and due to lack of innovation and repetition of the predecessors' style, caused many poets and their poetry collections remain unknown. But exploring the poets’ poetries of the “return period” is not useless and represents a part of the treasure of Persian literature. Mohammad Hossein Vafai Farahani – literary man and poet pen – named "Wafa" – was the first uncle of Sadat Farahan. Wafaye Farahani is one of the unknown poets of the thirteenth century. His diwan is still in manuscript and has not been published. This article studies and analyzes his poetries and the stylistic components and the method is in an inductive – analytical. By examining and analyzing his poems, it can be seen that he is one of the poets of the return style, who understood his poetries it could be resulted out that he was one of the “literary return” style poets followed Iraqi School in literary and intellectual aspects. Farahani's poetries along with simplicity and psychological factors enjoys from verbal and spiritual parts of speech greatly.

Simultaneously with the Constitutional Revolution in Iran and the Iraqi People's Revolution against the Ottomans, poets entered the field of literature who had common themes in their poetries including the struggle against ignorance and the demand for science, colonialism, freedom, and so on. They knew how to seek knowledge and avoid ignorance, and these poets lived in two Muslim and neighboring countries. Malek osh-Sho'arā Bahār’and Jamil Sidqi al-Zahawi were both well-known and contemporary poets of Iran and Iraq and lived in the same period. Jamil Sidqi al-Zahawi, known as "Iraq’s poet", studied Islamic sciences and Arabic literature at his father's school. Bahar also learned to compose poetry at his father's school. The present article attempts to study concept of science and ignorance in the poems of two precious poets comparatively and the results of the research indicate abovementioned poets’ close thoughts to each other.

Surrealists believe in "automatic writing" and think that the poet must disturb his senses and recite poetry in a state of ecstasy and unconsciousness. They care about dreams and a work of art should be a dream from their viewpoint. They attribute surrealism characteristics to objects and phenomena. In the contemporary period, Persian literature was also influenced by this school by European literature and the poets of the poetic currents "New Wave" and "Spacementalism" were influenced by the opinions of the poets of this school. In addition to these two currents, independent poets such as Sepehri have been influenced by this school and have introduced the special tricks and in their poetry and have written poetry in accordance with the accepted theories of this school. In Qeysar's poetry, there are some splendors of the influence of this school, and in the present article, examples of this influence have been mentioned, studied and analyzed. Although Qeysar is not a surrealist poet, the influence of this school on some of his poems is undeniable.