فصلنامه زیبایی شناسی ادبی
سال دهم شماره 41 (پاییز 1398)

The foregrounding system is one of the terms used by the Russian formalists in contrast to the automatic language system, and considered it for literature language. One of the types of foregrounding is deviation, which means evading normal language norms. One of the methods of deviation is syntactic type through which the poet boasts a syntactic structure of language. One of the important syntactic deviation methods is the heart of sentence elements at three levels of word, group, and clause. In this research, the author intends to identify one of the aspects of syntactic foregrounding of Akhavan Sales poetry by examining the styles of scrambling in his poets. To this end, all the poetries in the "Then after Thunder" collection, which is a summary of the eight major poetry books of his poetry, was investigated. The results of this study indicate that scrambling, in three ways of displacing the elements and pillars of sentence (priority and delay), separation of group components and displacement of clause is one of the syntactic foregrounding tools in Akhavan Sales poetry.

Though, the aesthetics and beauty had existed with various title between different people, But its scientific history returns to early 18th century. despite various criterion aesthetics Most beautiful researchers agree on beauty of poem as great art. Attar''s sonnets isn’t Exemption from this rule. art usage contrasts constitute most Attar''s sonnets.in contrasts Contradictory words are doodad beauty and cognitionand. then we can assess Attar''s sonnets By eloquence & rhetorice. results of this article show that simile is the broadest arrangement In eloquence becuae Attar wants to show his gnostic experiecc and metaphor has less Frequency. in the realm of rhetorice, paradox has high frequency for his gnostic language. And allusion has less frequency in Attar''s sonnets, too.  research data have been collected by Library style and have been processed by analytical and descriptive methods.
            

"Love" is the most important keyword of all mystical texts, especially in the military school of thought. Love cannot be spoken in a straightforward way. Therefore, mystics with various linguistic and conceptual tools have attempted to clarify their meaning of this essential category. In the military, love is also a key element that must be addressed. This article examines metaphors that are reflected in the centrality of love. The theoretical basis of the research is Likoff's and Johnson's conceptual / cognitive metaphor theory, in which, unlike the traditional approach, metaphor is not only aesthetic but also a cognitive tool for understanding the author's worldview and thinking. At the beginning of the article, there is a report on the conceptual / cognitive metaphors of love and these metaphors are analyzed and analyzed based on the source and destination domain. The purpose of this work was to identify the focal and major metaphors of love in Mathnawi and, ultimately, to explore the military view of love. In metaphor and content, these metaphors fall into four main groups: 1. A group that presents a positive image of love. 2. Those who highlight the negative traits and qualities of love. 3- Metaphors that are bilateral and ambiguous. 4. There are metaphors that are conceptually neutral. The cognitive analysis of each group / network of metaphors according to their central metaphors is presented. The results of the study show that burning, drunkenness, and subconscious love were more than any other aspect of military considerations, and in his view, all authority belongs to the beloved and he is in love with the follower, ill and in need of the beloved.

Linguistic and semantic arts of Hafez is a kind of poetical resurrection, making his poems so mysterious that it leads to many interpretations and suspensions in general and some in specific. This mystery contains the levels of syntax and compounding. In Rainbow poem of Hafez consisting of ten lines, he uses the word of consignor and are usually called the consignor poem in this article. From amongst the poems in which Hafez uses this geometrical instrument, some are simple and some are complicated. To the point views of the writers of the present article, one of the most complicated distiches of Hafez: When I told the dot to come inside the circle, It said: O Hafez! what consignor this is! Undoubtedly, many interpretators and explainers have been trying to decipher these complexities, however, they have not rendered and explanation on the given distich, or they have proposed a guess which is not justifiable. Thus, this poetic line is mysterious one. The present  article tries to decipher this mental and linguistic art  in the consignor lines as mentioned above.

Given that the subject of the present study is the aesthetic analysis of the teachings of prophetic and guardian secrets from the perspective of Quran and mysticism in Bidel Dehlavi's poetry, In the difference between the words prophethood, mission and guardianship, many different issues and opinions have been presented. The scholars of mysticism in their various works have mentioned the notions of humor in the difference between these terms and terms. Followers of the Arabic school of thought, including Bidel Dehlavi, have delved deeper into the Qur'an and Sunnah by deliberating on the works of complete mystics. What comes out of Bidel's songwriting is that: God has inner and outer appearance, and Nabi Khatam is the manifestation of the name of inner and outer right of transcendence and It is the same Mohammedan truth that encompasses the emergence that, by being comprehensive in its mission, can resolve the disputes and antagonisms of the name at all times, and make any statement to its fullest potential.

Wis and Ramin is a romantic poetry composed by Fakhroddin Asad gorgani in the 5th century AH. This work, in terms of style and expression, is the oldest romantic poems that has come to our hand untouched. The creative mind of Fakhredin Asad in the field of formalism, imagination, and inspiration has been interwoven with verbal theater so that the emotional states and difficult arguments of his arrogance are largely shaped in the form of illustrating elements and metaphors. The aim of the present paper is to examine, the poem of Wis and Ramin in two branches of expression and some of the most applied poetic systems, in the field of illustration. Fakhreddin Asad has used expressive arts and some innovative poetic systems with the ability to make the word and speech power more profound and more profitable. This research, following the review of the Wis and Ramin poem is done by statistical and then analytical methods. Its content indicates that Fakhruddin Asad, while making the most of the archetypal expression in the text, has put the picture in the service of the theme of romance and expressing his thoughts.