نشریه مطالعات سبک شناختی قرآن کریم
پیاپی 5 (پاییز و زمستان 1398)

One of the mostimportant features of quran literature is a narrative and fiction structure, incloding the high stories of the  holy quran that came in several surahs , is the story of Hazrat Ibrahim , which has the deepest s Islamic meaning and teachings , according  to the special structure and coherent plan.And the strong bond between its components  can be considered one of the most unique stories of Quran that are expressd in a special way. In the present research , relying on a descriptive –analy tical method,we have investigated the narrative system of the story of Ibrahims idol-breaking and his being set on fire based on Grimas s narrative pattern . the findings of this research  indicate that grimass action patterns , chains and narratives are compatible with the story, and the different situation of this story, incloding the call of azar to worship the one god and avoid idolim by hazrat Ibrahim . Ibrahim (peace be upon him ),Abrahams plan and breking idols, the trial of Ibrahim in fire match the pattern but that doesn’t mean to know the value of Quranic stories because they match the Grimas pattern, but the goal is to  prove another valuable dimensions of Quran stories shown by describing the Grimas pattern in the level and depth of the story.

Although in this article, dramatic capacities of Holy Qur'an has been investigated; But the author's perception and view of the Qur'an is not dramatic and purely something entertaining. Since The Qur'an has been sent as a divine miracle of the Prophet Muhammad with a very rich and valuable contents to guide humanity toward redemption; then a large part of it is consist of stories about other Prophets, ancient narratives and etc to educate people in path of salvation and the fabric of these tales have dramatic elements. Drama has also been presented as one of the phenomena of human's thought with purpose of helping human kind even more in path of redemption and salvation. A show  or drama, in order to be believable through action, seeks to objectify the events that take place during the course of the story and in this process, the dramatic elements manifest themselves. One of the oldest and most authoritative theories related to the art of drama is Aristotle's theory which is mentioned in Poetics book. This article tries to evaluate the examples of stories and narratives of the Qur'an that can be demonstrated based on Aristotle's theory of imitation of the orthodox structure. in this theory, the six components of drama art are as followed: View perspective, Character, Thematic legend, Speech, song and Thought.

One of the most important aspects of the miracle of the Qur'an is the style of expression of the Qur'an, which has recently received more attention from scholars. The style of expression is more concerned with the verbal aspects and phrases used and the subtleties and rhetorical points, and these points and subtleties play a major role in the meaning and content. The choice of words and phrases used in the sentences and the Qur'anic phrases are fully calculated. The Qur'anic style and manner of expression, while attracting and absorbing the Arabs, is not similar to any of the common Arab styles and methods. The Qur'an presented a new style and a new way of expression that was unprecedented. Therefore, in the present study, the style of expression of the verses of the Holy Quran was discussed methodically and scientifically, and then the style of expression of the first commentators of the Qur'an, namely the words and sayings of the infallible (PBUH), and finally, the commonalities and differences of the style of expression and the words of the Infallibles (PBUH) were examined. In the present study, the library-descriptive method and finally the analytical method have been used to collect materials and data and achieve the result.

in fact , the main focus is on aesthetic knowledge and its main focus is on the aesthetic applications of the text , in order to understand the speaker 's words and the beauty of the texts . since a text has an important feature called semantic cohesion , and the sentences and phrases of the text should have the same continuity and connection , these relations are fully reflected in the use of words . the present research is based on descriptive - analytical method and based on the criteria of linguistic levels , we have studied the literary works of the surah . the result of this study is that the words and voice of the people by them , repetition of phrases , phrases and phrases as well as the type of letters in this chapter has a significant impact on facilitating understanding the meanings of the verses and attracting the attention of the reader and the reader

This article examines the emotional system of discourse in selected verses from volume 30 of the Holy Quran. The discourse approach considers language productions as a function of a process in which many semantic-semantic factors are involved. Types of discourse systems from Garms's point of view are: active, prescriptive, inductive or persuasive, emotional and tension and eventual discourse systems. Literary discourse is a fluid flow in which the interaction of two cognitive and emotional species causes the production of meaning that the uncertainty of meaning and its evolution is due to the stressful process of discourse. In this article, we examine the production and perception of meaning in part 30 of the Holy Quran, relying on the emotional system of discourse. Therefore, approaches such as: We have examined emotion, action, and stillness in the text of selected verses. This research has been done by descriptive-analytical method. The analysis of the emotional system of the verse discourse indicates that all the constituent elements of the emotional discourse produce two concepts; A: Teaching the program of religion and worship B: Transmitting the hegemonic discourse of God's legitimacy and oneness

literary science is one of the most important topics related to the knowledge of the Quran, the rhetoric of one of the kind of literary science which has a special place in explaining the teachings of the Quran by comparing the opinions of the two leaders of the Qur'an Sunnis and Shiites  Proving the rhetoric of the beauty of the Holy Quran by comparing the opinions of two prominent Sunni and Shiite commentators, namely Alusi and Allameh Tabatabai, to deepen the understanding of the divine revelation, we try to use descriptive-analytical method by analyzing and mentioning examples of the holy Quran. Therefore, we examine samples based on both the interpreter and some of the results of the research can be expressed in this way. The volume and quantity of using the science of rhetoric in the two interpretations of Al-Mizan and Ruh Al-Ma'ani is not the same,  and the advantage of this knowledge in interpreting the spirit of Ruh Al-Ma'ani is more than Al-Mizan. Considering that the Al-Mizan interpretation is a philosophical - philosophical interpretation. The interpreter's view of the sciences is a tool for better expression of the divine teachings, while in the interpretation of the spirit of Ruh Al-Ma'ani he has a special and independent position.

In the Holy Quran, the stories of many prophets are told in the form of stories. Including the story of the creation of Prophet Adam (PBUH) which has been narrated in various surahs including Surah A'raf. Quranic narrations and stories, including the story of Adam (AS), have served the educational and guiding purposes of the Quran without imagination and exaggeration. Based on this research, which has been written with a descriptive-analytical method and with the aim of structuring the narration of Prophet Adam (AS) in the second rak'ah of Surah A'raf (thematic list including verses 11 to 25 of this Surah) and Imam Reza (AS) statements (debates and interpretive hadiths) Is, the plot of Razavi (AS) and statements on the subject of the creation of Adam (AS) is based on the relationship between cause and effect, and the events of the story are closely related to each other. The angle of view in bowing in most cases is in the third person (omniscient) and in the first verse as the speaker is different. The point of view in the statements of Razavi (AS) is narrative because Hazrat as a person absent from the scene and the narrator, explain the story. The characters in the story, each with their own characteristics, are Adam, Eve, the angels, and the devil. According to Ruku, the actions of the story take place on the two main axes of Iblis and Adam (AS), both of whom disobey the divine command. The actions of the story in Razavi's statements are the narrator's question (knot) and the Imam's answers (solving the knot). There are conversations between the characters in the story that give the story a special artistic effect. Staging in both time and space helps the reader's mental imagination to make the story tangible. Each of the elements of the story plays a role with a specific educational purpose, which ultimately achieves the main purpose of the story, namely the guiding dimension

This study analyzes Quranic stories based on the pattern and principles of classic screenwriting. The Holy Qur'an, which is the word of God and was revealed to the heart of the Holy Prophet (PBUH), used storytelling to express spiritual, divine and religious concepts. The main purpose of Qur'anic stories in the first place is to convey the divine message to humanity, but since understanding such concepts are difficult not only the past but also for contemporary man, God has chosen a story to tell every meaning so that One can better understand his/her God. Different methods of storytelling have been used in these stories, but in this research, an attempt has been made to examine Quranic stories based on the elements and components of classic screenwriting.

The semantics of words in the Holy Qur'an is one of the most important foundations of its interpretation; This connection emphasizes that the interpretation of the Qur'an has rules that imply the semantic explanation of each word through its position and type of role with respect to the evidence. The importance of this argument becomes clear when we pay attention to the fact that each word is not limited to the meaning of its situation, but also appears in the context of the existing evidence on a meaning outside the word. This research seeks to answer the question of how the semantic repetition of the description of "Mobin" in Surah Yasin has been proposed from the point of view of the interpretation of "Al-Mizan"? Analytical-descriptive study of this issue shows that the word "Mubin" in Surah Yasin, in addition to the main meaning of the narrator, ie understandable, or the meanings and clear intentions of the speaker, is also used in the sub-meaning of   "protected tablet" Is.

The Holy Qur'an, as a sacred revelatory text and the greatest divine miracle, can be analyzed and studied from various aspects, which can be studied by applying the knowledge of semantics. Semantics is one of the emerging methods in Quranic studies that studies the scientific meaning of the text, extracts the hidden meaning of the text and explores the semantic layers of the word. One of the ways that is used today to understand the meanings of texts is to rely on the principle of syntagmatic and paradigmatic relations. Using descriptive-analytical method, the present study tries to discuss the meaning of different constructions and functions of the word ‘shorb’ (drink) in the Holy Quran in order to understand and translate it more accurately. It also tries to recognize the different syntactic and Qur'anic constructions of the word drink by the method of structural semantics and interpretive and linguistic texts, and to analyze and study the concepts derived from the constructions of drink in the Holy Qur'an based on paradigmatic relations. In this article, after the lexicology of the word ‘Shorb’ (drink), the paradigmatic relations of Shorb with words such as ‘Heim’, ‘Hamim’, ‘Tahoor’, ‘Haniyeh’, etc. have been studied.

Due to its natural features such as unparalleled eloquence and rhetoric, special style and style, pleasing meanings and concepts, and accurate use of words in various formats, the Holy Quran is one of the most coherent and complete texts and words consisting of seemingly simple and eloquent words. It has a deep semantic load and hidden and purposeful goals. Each of the words and verses of the Holy Quran have been put together for a specific purpose. Praise is one of the most widely used structures in the Arabic language. This research intends to use a descriptive-analytical method to examine different types and structures (praise and condemnation) in a syntactic and rhetorical way in the verses of the Holy Quran. The aim of this research is to accurately reveal many rhetorical expressions in the form of praise and condemnation with all its uses. Finally, it identifies its Qur'anic documents along with the rhetorical reasons for each of them. The result of this research shows that praise only expands and magnifies the expressions despite being in different syntactic structures and despite different translations of it in terms of rhetoric and meaning and It is better to use words that indicate plurality in translating these verbs.

Stories are comprehensible by everyone, and the miraculous aspect of the Quran involves narrations of the history of different groups of people most eloquently and regularly. One of the most important mentions made by the Quran concerns the story of the people of Saba’, available in two chapters: Surah An-Naml and Surah Saba’. This analytical-descriptive research has sought to address the lessons that can be learned and their effects on human life, youth life in particular, by mentioning verses from the Quran and analyzing their meanings. As a Quranic story referred to in historical documents, its historiographical aspects have also been investigated, and this research can of course be regarded as novel and unique.

Despite the large volume of revised texts on Qur'anic studies that are the product of research by Western and Islamic scholars; But it still seems that a strategic ideological epistemological problem regarding the Gestalt of existing and available Quranic studies has not been carefully and properly considered. In our opinion, this problem is nothing but "problematic". , Questions, answers, methods, theses, synthesis] are not included in "Classical and Modern Quranic Studies". Saddle on the purpose and content of the present article is to retrieve this issue in the text of classical and modern Qur'anic studies. Following "hermeneutic retrieval", the characteristics and problematic nature of the above have been selected in the text of these studies. As can be seen, this retrieval, which will be carried out with the help of the method - the theory of "religious hermeneutics" has normative-strategic themes focusing on a critical point of view on "problematic classical and modern Qur'anic studies of Westerners and Muslims". And the purpose of   this   research is to use three conventional methods of research in social and cultural sciences - "Literature review", "Systematic review" and "Qualitative content analysis of the text".

The Holy Quran has utilized different technical and aesthetic principles in order to affect its audience. Characters are one of the most important fictional elements; sometimes characters have a positive role that are referred to as a hero and sometimes have negative dimensions that are known as antihero. In order to depict the hero’s positive aspects in a better way, sometimes antiheros are employed as an axial role and sometimes they have a supplemental role. Moses’s life story is one of the Quranic stories in which in a contrasting image of good and evil, we confront a hero- antihero characterization. In Moses’s story, antiheros, are people such as Pharaoh, Haman, Qaroun, Pharaoh’s court witches and Samaritan that in the form of different characters help in formation of evil frontage while interact and complement each other. Pride, secularity, domineering and ignorance are demonstrated in the form of these characters. In present article, antiheros’ characterization in Holy Quran’s narrative style has been analyzed through a descriptive- analytic method and it is determined that the antihero’s role is addressed from activism perspective and his/ her opposition to the hero’s reformist function and varieties of major, famous and supporting antiheros are created in this prophet’s mission path that in turn distinguishes an aspect of the hero’s mission.