نشریه تحقیقات تمثیلی در زبان و ادب فارسی
پیاپی 51 (بهار 1401)

Proverbs have a valuable place in Persian language and literature. Sometimes a very short proverb, is like a book of wisdom replete with important and profound contents of prudence and knowledge. The necessity and importance of proverbs is due to the fact that they express the social way of life, way of thinking and customs of nations; and their study shows a deeper understanding of the beliefs and conventions of our ancestors in the past. Various researches have been done regarding the use, role and quality of proverbs in Persian poetry and prose. This article has been carried out using analytical-descriptive method and for gathering data library method is used. The purpose is to study the role, quality and effect of gnomic verse in the stories of One Thousand and One Nights. The results show that in the book One Thousand and One Nights, Gnomic verse (i.e. proverbs) in Persian language and literature are used proportionately and indirectly to further strengthen and enrich the words.

Female reflection in Hormozgan Folk allegories (based on the folk tale’s which are compiled by Mohamad-Saleh Amiri) This paper is an investigation on the status of women in the general culture of Hormozgan, based on the folk tales of Hormozgan. The folk allegories, as important narrative, are narrated in many societies by women. In these  narrative’s, a clear image of the function, role and status of women is drawn; therefore, studying them can lead us to better understanding of the status of women and their lives. In this paper, data is collected in a library method of research, and allegories are reviewed using the qualitative analysis method. The necessity of this paper is to find out how the image of women is reflected in the general culture of Hormozgan. The main question of this paper is what status and function do women have in the opinion of the narrators of these folk allegories? In two parts, this study examines the political, economic, cultural and social activities of women in the folk allegories. The results of this paper show that although Hormozgan culture is male-dominated culture and gender inequality also restricts women's political, economic, cultural and social activities, women are more active in many cases, especially in the cultural and social spheres. Marriage for women is very important, and sometimes it is free to choose a spouse. The mythical mind of narrators of stories has led the role of women in functional and profound conflicting and contradictory structures.Women's stories simultaneously have different aspects.

A symbol is an expressive trick that, instead of referring directly to a subject, expresses it indirectly through another subject or in an allegorical way. The symbol has always been a role model in the realm of literature. Symbols are part of the culture of a nation, and in order to understand the myths of that nation, one must understand their meanings. Animals are examples that are associated with symbols.This research has been written by library method and analytical-comparative method and its aim is to study the symbolic and allegorical concepts of dog in epic, lyrical and mystical works (based on Ferdowsi's Shahnameh, Nezami’s Khamseh (The Quintuplet) and Rumi's Masnavi) and wants to answer these questions: What is the attitude towards dogs in Avesta and Pahlavi texts? In what symbolic and allegorical terms is dog used in each of the studied works? Is there a correspondence between the symbolic and allegorical concept of dog in the studied works? Which concept has an epic theme, which one has a lyrical theme and which one has a mystical theme?

The use of allegory has long been one of the most effective ways of expressing educational issues, because, in the view of ethical thinkers, the most prominent function in literature is humanization. To this end, writers and speakers have used allegory to understand the complex content or the influence of their words, and in this way, they have conveyed their purpose to the audience and made them think. Most of the mystical poems contain the poems of Hakim Sanaie, which are often based on his allegories, verses, hadiths, the lives and sayings of the prophets, and the infallible, Sufi thoughts or myths. In this article , which has a descriptive-analytical approach and whit using library resources the review of Allegorical anecdotes in Hadiqag al_Haqiqah based on Quranic verses has been Proceed.With the porpuse of how standing of Allegory and its usage in sanaie Poems,bused on Quranicverses, has made the compredension of important subjects in religion and social issues Possible?The allegory stories of sanaie’Hadiqah,has been Proceed to Necessity of topics such as “Zakh and Munificence” “Worldliness” “Self-Refinement””Backbite”and etc.and has Propounded the affect of these concepts in life and after-life , by expressing pleasnt anecdotes,Adding charisma to his words.

Intellectuals, libertarians, scholars and clerics, and even merchants of the Qajar era, created a new form of national and political literature. They waged political struggles with the weapon of thought and speech, and in the press and journalism, or by using the talent of poetry and poetry and writing in order to convey political and national thoughts and ideas, they demanded legalism and constitutionalism, and most of their audience was young and mass They were people, they turned to simplicity and simplicity of words and allegories. The allegories of this period are equivalent to its Western meanings, anecdote, parable and wisdom. Akhundzadeh considers allegory to be the equivalent of a drama to improve morality and to teach readers and listeners a lesson. Turning to humor in this period led to the popularity of humorous allegories. The symbol in the constitutional period has a strong connection with the allegory. The background of the research, according to the keywords, contains various valuable and scientific works, but in the title of the research, the allegory in Akhundzadeh's prose is new in its kind. The necessity and main and secondary goals of the article have been formed in getting acquainted with constitutional prose and recognizing allegory in Akhundzadeh prose. This research in a citation-library method with an analytical approach by extending the scope of the article to the prose of the constitutional period and the field of prose has limited this period to Akhundzadeh prose, and in his works has studied the function of allegory in the prose of that period.

Ferdowsi's Shahnameh is a hypertext that depicts the identity of Iranian-Islamic man from pre-Islamic to the fifth century in an allegorical way. In processing the characters of Shahnameh stories, Ferdowsi consciously introduces two types of characters, good and evil, based on the discourses of the period. Each of the characters can be allegorically represented as a Scheme of negative and positive figures that have emerged due to class worldviews and power relations. Rostam and Afrasiab, as representatives of two groups of characters, due to the change in the literary type of the text and Ferdowsi's discourse with these characters, show an allegory of good and bad human components. Using allegory, Ferdowsi gives an allegorical form to some of the characters of Shahnameh and considers each of them as an allegory of one or more concepts, such as Rostam, Zahak, etc., each of which is an allegory of different concepts such  as  good and evil. Love, wisdom, religion, wisdom, etc. are other concepts that Ferdowsi, with an allegorical look, depicts his content and thoughts in order to manifest his anthropological thought