In a word, the audience must be connected to the story to be with it. A sense of participation in the story should be created in him. It is as if this story is its own story.But what should the author do to reach this point?To answer this question, we go a few steps back and say: If my pencil, my pen, my car, my friend, my relative, or my vase are damaged, I will be more upset, or if the pencil and vase of someone on the other side of the planet?The closer we are to something or a person and the more we feel a sense of belonging to it, the more intense our feelings will be about it.

This article is a different look at the book Violin Woman on the Bridge by Khosrow Babakhani, which was published by Jam Jam Publications in 1401. This book is the writer's biological experience regarding drug use and getting rid of it. On the first page of the book, there is a note in the handwriting of the author, who put his reputation in the palm of his hand so that he can inform the person who is surrounded by material and show him the path from darkness to light.* "I have lived in darkness for more than thirty years, but I did not find a way to light. Until God became my guardian and led me from darkness to light. "I wrote these memoirs to show the way to millions of drug users. They may say that maybe someone will find a way. I say that even in this case I have received my reward. In front of the endless suffering of consumers and their families, what is the reputation of my family? Nothing."Addiction to any type of substance can sometimes be an irreversible slide. A path that does not stop.

Fernando Pessoa is a famous Portuguese writer and poet who was born on June 13, 1888 in Lisbon. The surname Pesua means "person" in Portuguese. A poet who is famous for the literary division of "self" into several "other names", as we know, Fernando Pesua was much more than one person, or perhaps it should be said that there were several minds or pronouns in one person, or perhaps that he was the self of one person. This "personality multiplicity" gives his poetry a distinct and unique situation, "self-dispersion" to the extent that we must really consider and accept these poems as the poems of four distinct and specific characters, although apparently we are talking about the same characters here. It is an internal treatment that some may attribute the differences that have appeared between them to the personal and internal changes of the poet in his poetic process, but it should not be forgotten that these characters generally and for many years practically simultaneously and parallelly appeared in the poet's mind and language. have authored

Getting to know Mrs. Helali Rad and raising some questions about the social issues of hard-working teenagers, although I had difficulty seeing, I had a motive to ask for a conversation with her, and now I am grateful to her for giving us and our dear readers this opportunity. We want them to introduce us and the readers more to themselves at the beginning.