مجله اللغه العربیه و آدابها
سال هجدهم شماره 55 (شتاء 2022)

Regarding the novelty of the research, the importance of this branch of anthropology and its strategies in understanding the social investigates people, and since Mutran lived a reality plagued by the control of the Ottoman rulers, and this reality greatly affected the people's roles and social behaviors. This research consequently deals with the effects of social anthropology based on the method of qualitative content analysis. One of the results of this study is that the behavior of individuals is formed as a result of social socialization in which the society’s culture or political system is formed headed by an authoritarian king. Relations between individuals have a great relationship with authoritarian rule and this domination with the pyramidal structure has a significant role in various behaviors among individuals and leads to the domination of the policy of coercion by the ruler (the king) and submission of the people. The minister's daughter appears, which leads to the minister and his daughter‘s not accepting the truth. However this matter did not result in a change in the ruling on the contrary, it reveals its stability, as the authority of the ruler is as long as the authority that controls the people.

In literary works, descriptions and narratives are always intertwined in such a way that it is impossible to separate them. In recent decades, along with the research of psychologists, several theories about the various functions of description have been proposed and a specific form of description has been attributed to any literature. Given that today, the technique of storytelling has become a special and valuable scientific science, every narrative text, despite the fact that narrative and description are intertwined according to their nature, in a way represents events that It constitutes a narrative and, on the other hand, contains a description of objects and characters, which is called a description. In this regard, the study has tried with a descriptive-analytical approach, the functions of description and its place in the novel Quabis Beirut by Ghada Al-Saman, a Syrian author. The results indicates that the use of precise descriptions helps the reader to visualize the events of the story and its characters. Many descriptive components help to advance the events of the story and move them forward through intense tension in the narrative or even through descriptive camouflage techniques. In addition to introducing the characters and even their behavior, sometimes the description determines the spatial and temporal framework of the story and sometimes it plays an educational, emotional, epic and ironic role. However, sometimes using descriptions to make the story more beautiful and create short breaks in the storytelling work.

In stylistic studies, the phenomenon of deviation is considered as one of the most important phenomena that studies the poetic text as a language contrary to the usual and the ordinary. Therefore, this study has tried to investigate this stylistic phenomenon in the poetry of the most prominent poets of the Palestinian resistance, namely Tawfik Zayyad. This research, which is written in a descriptive-analytical way, intends to reveal the poetic aspects of one of her poems called Bitter Sugar in three layers of phonetic, syntactic and semantic de-familiarization. The results show that semantic de-familiarization was one of the most frequent forms in this poem where the poet was able to achieve an inspiring distant relationship between the signifier and the signified through the method of paradox and correspondence of the senses. But the effects of de-familiarization are manifested in the syntactic layer in the hysteron proteron and the difference between phrasal and noun phrases. This variety returns to the place, so if the text needs a spirit of anger and rebellion, use the present verbs that benefit movement and renewal to arouse the reader's emotions. But if the poet wanted to talk about the cultures of the Palestinians and their traditions and etiquette, he used the nominal sentences that indicate stability and immutability. The poet has used inspirational language to literaryize his language. The aesthetic purpose of each of these manifestations is to arouse surprise, influence and incitement to the reader.

Studying deeply in the interpretive views of the Ahl al-Bayt due to this fact that they are the closest people to the origin of revelation provides the ground for explaining the necessity and contribution of each linguistic knowledge in the interpretation of the word of God, etymology is one of these sciences. Therefore, the present study examines the morphological points in the view of the Ahl al-Bayt and their views, in which the importance of etymology science in understanding the Qur'an as a tool to help express the meanings and discover them becomes clear. This article has extracted, categorized and analyzed the types of interpretive narrations of the first fifteen parts of the Qur'an which have morphological points based on the Shiite interpretations of Al-Burhan and Noor al-Thaqalin and the interpretation of Al-Dar Al-Manthur from the Sunnis. This research has evaluated the data by library method and descriptive-analytical method. This discussion has main results including: The method used in the narrations of the Ahl al-Bayt draws everyone's attention to the issue of defining morphological categories, synonymy in morphological forms, and distinguishing obscure words through derivation. Scholars have not yet examined the points on which the Ahl al-Bayt have focused and issued their permissibility in speech. Also, according to the left Arabic sources, the Ahl al-Bayt have snatched the lead from others in the field of presenting new definitions for the noun of the subject and the object.

The two novels “House of Ghosts” and “Ostourah Al-Naddaha” from the “Supernatural” series by the Egyptian writer Ahmed Khaled Tawfik are the most famous and popular works of horror and fantasy among children and adolescents, where readers pay special attention to them in the eighties and nineties of the last century. This study aims to shed light on the study of the language component in these two novels on three levels: linguistic, grammatical, and rhetorical, in order to determine its basic features. The presence of verbs that indicate movement, the use of words that indicate ambiguity and doubt, the repetition of short and simple sentences, the lengthening of letters at the end of words, description, image, quotation and inclusion are the most important linguistic features in these two novels. The analysis of these features shows that their artistic employment in the context of the two novels has been successful, consistent with the elements of the story such as the subject, content, characters, space, etc., and it has a positive impact on the two novels.

One of the most important and fundamental human instincts is the existential instinct that man develops according to this desire, and according to Freud, the instinct of death brings fear, self-harm and suicide to man. The issue of death is one of the most complex issues that has cast its shadow over man over the years and has placed him in the contradiction of the joy of life and the fear of doom; On this basis, scientists from various fields try to recognize that Freud was the leader of this thinking. Freud believes that there is no contradiction between the joy of life and the fear of death, and the two can be studied together under the titles of Eros and Thanatos. Sinan Anton is one of the Iraqi novelists who has given a high place to death in his novels, among which the novel "Only in the Pomegranate" is one of the most important novels that has dealt with the various issues of death. This research is written based on a descriptive-analytical method to divide death into three main axes: - Terror, liquidation, and kidnapping, then insanity with the axes of anxiety, fear, dreams and nightmares and addiction, and then imprisonment that escapes the most important tone. It is its axis. And as a result of this research, we learned that Sinan Anthony used all these meanings to describe death, and by washing each corpse, he expressed the way of death.