فصلنامه مطالعات فرهنگی و ارتباطات
پیاپی 4 (پاییز و زمستان 1384)

Significant developments in the field of communication technology and the growth of consumerism have increased the role of media culture and global popular culture in the socialization of young people. Among the results of the above developments is the emergence of subcultures and diverse lifestyles among young people, which are sometimes inconsistent with the official culture of society and sometimes challenge it. In the present study, which was conducted on a representative sample of female high school students in Tehran, the extent of girls' tendency to subcultural behaviors is investigated. This article shows that the gap in the mental and behavioral orientations of adolescent girls towards and subcultural components, at the same time brings them contradictions to traditional and modern values. On the other hand, the tendency to its subcultural behaviors. It has become so pervasive that it has become difficult to distinguish it from officially accepted behaviors, exposing the boundaries of these two levels of view and behavior.

One of the important theoretical concerns in the field of sociology of culture is what factors determine the type and amount of cultural consumption of people to the extent that cultural products increase in societies and cultural consumption plays a greater role in creating cultural identities and economics. Now, the question becomes even more important. Likewise, responding to it is part of the effort to streamline social and cultural change in society. The present article also addresses the question of what factors affect the type and amount of music consumption. To answer this, music consumption has been viewed from the perspective of class analysis. Social class and cultural capital have been proposed as two key variables of classical theories of explaining cultural consumption, and then based on the empirical study of music consumption in Tehran, an attempt has been made to determine the contribution of these factors in explaining musical taste. In this article, based on empirical evidence, class theories that explain musical taste are also criticized.

The authors of the present article read the novel of historicism from the perspective of the whole mechanism of collective memory and narrative reconstruction. First, there will be references to the theoretical foundations of this article, then a description of the fictional facts of Ahoo Khanum's husband will be provided. Then, in the final and main part of the article, the dialogue character of the novel, its narrative levels and also how to reconstruct the social past based on the components of the novel dialogue character, its narrative levels and how to reconstruct the social past based on the writing components of the era will be analyzed.