نشریه مطالعات زبانی بلاغی
پیاپی 1 (بهار 1389)

In the Middle of 8th century of AC, 1th century of Hijri, following the endeavors of Arab theologians in proving Uniqueness of Quran, is antecedent of Rhetoric appearance. Then, learned Persians entered this knowledge and its ramification, Semantic (Maani), to Persian literature and adapted its rules approximately with it. In spite of confessing complete separation of semantic and other knowledge such as Philosophy, Logic, Syntax and Principles Jurisprudence, they couldn’t approach their intentions. So Persian Semantic owes Arabic language and knowledge that normally not capable of Persian texts. This topic tries to invest defects of classical Semantic that have been repeated more and more in Persian texts.

Mysticism have a great partake in Persian literature and literary creations, so the thought, ethic and theosophical literature have influenced on most of the first rate literary works. Sufism literature is a type of didactic literature. Theosophical poetry and prose have applied to educating mystical codes and moral regulations, and sometimes to explanation of mystical idioms.The theosophic preceptor, makes use of lingual abilities and didactic skills in literary styles in wise preacher role, because hell teach thoughts and practical experiences. Irony is one of these techniques. Sufi makes use of the ironic diction,in multiple forms and various styles of irony, for teaching mystical codes and moral regulations. Sometimes, mystical irony or Sufic criticism is inconsiderate and insolence. Sufi is a humorist, deviationist and a taboo breaker (a taboo desecrator). Whenever, it is necessary he breakes up any sanctums.Basically, theosophist,s approach in irony is a teachable strategy for instruction of mystical codes and moral principles. It is caused of a special method and a particular style that, we can call it didactic, schoolarly, pulpitarian mysticism. Utilization of short or long anecdotes and seasoning them with irony is a specification of popular mysticism.The writer, begins this paper by an introduction to the irony and different types of it – with a glance at theosophical works, specially Shams and Maulânâ’s words in Maghâlât, and Fih – e - ma Fih. Then, I explanation samples of quip from Maghâlât (essays). The selected samples of narratives in this research, have been presented in a doubled distribution- once with respect to content of narratives and other time in regard to kind of irony in anecdotes.

The prominent Iranian writer Ali Akbar Dehkhoda has explained in his "Amsal va Hekam" over 3000 Arabic poems and proverbs current in Persian language and literature. In this book which as a great work, serves as an encyclopedia for Persian colloquial and literary proverbs, he reveals his deep knowledge of both Persian and Arabic literature.Reading closely through the text, however, we realize that it is overly Persianized, the Arabic script is not observed, and the text is full of dictation errors. In addition, it contains additional sentences, words, and particles; the words do not carry the exact declensions; and unnecessary spaces and punctuations are found in great number. All of these flaws make the reader confused and unable to grasp the intended meaning of the expressions.

Sadegh Chuback is one of the Iranian storied literature famous writers.He is one of the pioneer writers in continental and domestic literature of Iran. This kind of literature use continental aspects of writer birthplace in a lot of situations. Thus, he has used Bushehr, Tanghestan and Shiraz contemporary dialect in his books, Sange Sabur and Tangsir.This article has been organized in two divisions: 1- investigating Iran southern Cities Vocabularies, expressions, and word compounds and their presents in his works, as well as a kind of southern sad poem, Sherveh, and in the next part we have studied Sange Sabur story characteristics tone (tune) to see whether there is coordination between characteristics tone and their social and cultural status, i.e. one of naturalism school characteristics.

In this paper the authors have attemtted to investisate snntactic is sue related to appositives in Arabic snntat an well as Persian grammar. Then from the standpoint of contrastice analysis, the locus of then issner in each grammar has been explained. Mone over, the similaritte and difference of appositive and in Arabic Persian have been wed to support the argument. How ever, wherever impossible, equivalent from and example have been provided.

M.R. Shafeei is mainly famous for being researcher, critic and literature professor, On of the great contemporary Iranian poem. shafeei has started his works since 1350s and with releasing 12 poems book with the name of two prospects for sing and second millennium Ahuye Kuhi, has elocated himself a sheet of large book of contemporary poem. This survey attempt to look in to his poems with regard to external music, internal one, and what kinds of strategies he used to change his speech to be cadenced and to what extend he has made progress. The findings of research show this fact that he not only emphasize to the value of music, but also, he has been loyal in act. And in his poems he worthy used to, variety rhythm, strange word and rhyme. He has reached his musical poems whit a scientists view and poetically genius, that he had made pleasant each reader.

Some poets and authors dissatisfied with the present situation endeavor to create a different world in their work’s comp arising more or less some tinges of their subjective utopia.Studying Shapoor caricalamatures, the reader enters a new and different state and interesting and wonderful world which is specific for shapoor.The current article intends to have a look at shapoor’s world in his caricalamatures reflecting social, political, philosophical, love, etc matters.

Among the compounds used in the prologue of Sadi's Golistān one is "Qasab-ol-Jayb" which has been discussed for its versions and meanings for many years. Yet in describing Golistān, relished tendencies have been the main reasons for preferring a version rather than the others.In this article the author reviewing the delivered versions and meanings of this compound, documenting to "meaning relationship of sentences", also suggesting two figures of speech "the music of riming prose" and "Syllepsis" tries to dissipate the ambiguity of the compound and put an end to all its discussions forever.