مجله اللغه العربیه و آدابها
سال نهم شماره 17 (صیف 2013)

This article investigates one of the most important aspirations which are known as Palestine aspiration in emigrant literature. Literary man and poets of emigrant sympathize with his brothers who are facing cruelty of invaders in their own land، though he/she is away from Arabic lands and suffers from living in an alien country. They followed the news of Arabic lands and warned against the threat of Zionist and Warned rulers of Arabic countries of the conspiracy of Zionist. They also acknowledged the resistance of Palestinian people and condemned the British government and they described the situation as a conspiracy. So Palestine''s aspiration has been studies from eight view points.

The lampoon of caricature characters as part of a lampoon in Arabic literature has so far not been will paid to it seems، however، opportunity، that during Abbasids، Ibn al-Rumi، a professional poet، has involved it in his works greatly. It can be dare said that he ranks first in incorporating both lampoon and caricature characters in his works، that is، he has done it better than anyone ever did. Ibn al-Rumi has incorporated in various ways. One can easily notice how he employed lampoon in two ways: in depicting physical detects including long beard، short height and long nose! And personality disorders such as betrayal، jealousy، lie، etc. what is of utter amazement is the poet''s ability in depicting caricature characters. Since the poet has excelled by means of his unique initiative and the use of such masterly phenomenon in a way no other poets ever did، the researchers convinced to examine this aspect of this works and unveil the interval delicacies. It is hoped that this research establishes an influential attempt in shedding light on some aspects of Arabic literature and provides insights for young researchers and science lovers.

Masking is one of the most important tools that contemporary poets of Arab have recourse to in 20th century، after 60s (in 1960s). In fact، these poets express their own words by those personages through the masking of religious، historical، Sufi، and mythic characters. Quran specially prophet''s stories in Quran are the most important sources that modern poets have caught their subject and personality from it and without any doubt Joseph story (salutation for him) is one of the most important stories that uses in modern Arabic poet specially Palestine poet. In spite of Joseph is symbol of oppression in Palestine poetical works of poets، but sometimes are seen changes in using of this symbol. In M. Darwish poetical work sometimes Joseph is weakness symbol and sometimes is elective personality symbol in poet mind so we want that study Joseph mask generally in modern Palestine poet and specially in M. Darwish poetical work and investigate different aspects in Joseph story and the effect of drama agents in “I am Joseph، my father” ode.

Because of Arabic countries'' unfavorable political and social conditions، Arabic modern poetry is overfilled with sorrowful concepts. Rarely there is a poet whose poetry is empty of the grief''s subject matter. One of the most prominent modern poets is «Mohammad Maqoot» a famous poet from Syria who has a special place among modern poets. Since most of his poetical concepts are sorrow، he is known as «the Father of sorrow». In principle، Maqoot''s poetry is the poetry of grief. A poetry in which wishes، hopes، fervency and eagerness are dissipated and instead of them despair and grief are replaced. There are more personal and social factors which have played a role in creating this sorrow in the poet''s existence. Factors like prison، exile، family and society in attention، foreigner''s sovereignty، Arab governor''s carelessness، weakness and ignorance of Arab nations. This article attempts to illuminate، in addition of considering the phenomenon of sorrow in Maqoot''s poetry، the reasons and basis of its forming، the circumstance of its manifestation and also the objects of view which were Maqoot،s means for his sorrowful expression.

We cannot separation between passions and emotions and communicate. Every act that results from the passions and emotions are closely linked with comprehension of person and his received about conditions and shrines social and relationship of self and other. The people organize their ideas and beliefs and their mental pictures about social conditions in an easy significant، then they show that in grammatical structures. Every Researcher about Semiotic systems seems to be a researcher if he wants to talk about semi logical of passions and emotions in literary texts must choose linguistic images that show the self relationships with others. And linguistics competence language in human beings is closely related to lot of fields of study and the humanities. Psychological studies one of fields that are associated with the linguistic and communication. Tries this article، based on the descriptive analytical method، that reads text of Maqamat of Badi'' al-Zaman al-Hamadani psychic reading from the perspective of intelligent emotional dimensions and skills that can note in what appears from speech of personals in Maqamat of Badi'' al-Zaman al-Hamadani and their behaviors; When a one continue with another، it is in fact applied level of the whims and emotions that indicate the degree of use of the emotional intelligent. As confirming of emotional intelligent to manage the sender and the receiver، especially when anxiety and crisis. Because of the most important basics of emotional intelligent is capacity for self-control، and enthusiasm، perseverance and emotional empathy with others، and the ability to Read emotions.

Between the poet and the place where he has spent early years of her life، are relationship come to life and love. In this area، Village as a place is influenced on the feeling and Conscience and reason of this Two poets، Namely: Badr Shakir al-Sayyab and Mohammad Hossein Shahriar، that everything in the village following the surprise and wonder for this two poet، which this feature Encourages the two poets that to take the poetry in order to serve of the village that has given them Originality. Heydar Baba has formed with Shahriar world rooted in himself and bestowed on the visions tinge of nostalgia for childhood، there was also a relationship al-Sayyab with Jeekor inherent in himself for being the birthplace of childhood، so the village became a dream that this poets insist on its by the imaginary innovation. In this point of view، this article tries to survey the common aspects of life in village that the two poets who have lived in its، and sadness it is obvious in emotional poetry of these poets. Finally، the question which is posed here and we are going to answer، is that، what is the most important common points which caused us to compare these two poets?

The skill of dialog has the most application between the countless speech methods of Quran. The Quranic dialog has its own style and context، during which the audience becomes aware of the past nations’ intellectual position، and also finds out their ideological approaches. Moreover the dialog is being accomplished for the purpose of convincing the audience، thus it is serving various possibilities based on conditions. This is the same part that this article is going to consider its artistic aspects. In order to these two groups of Quran verses have been considered: The first group relates to the Al Fir''aon’s devout’s position against the heads of his people''s he attempts to convince them in their corrupt ideological approach and their wrong attitude toward reality. He is performing this important issue with staunch speech mechanism. The second section is the dialogs which have been accomplished in the emotional and historical logical forms and depicts their pitiable condition in the hell. This depiction also is being done by means of an informative and compositional style which follows secondary subjective.