فصلنامه پژوهش های ادبی - قرآنی
پیاپی 4 (زمستان1392)

One of the miraculous aspects of Holy Quran is its application of various literary methods in order to train and educate people and adjust their behaviors and through these methods it affects their hearts, thoughts, and behaviors. Among these methods proclamation, dialogue, address command, inhibition, informing and …. can be mentioned. Since all divine commands and inhibitions aim to benefit people and are serving to interests of person and society. Addressing method has been used across of holy Quran in order to facilitate persuasion and encouragement of human towards the intended goal. Addresses are so diverse in the Quran and a precise look at frequent cases of address reveals that can be sorted based on their method, type, form, and content of their intended messages. Obviously in every verse consisting of special address, its form and method possess an analyzable wisdom. The Quran addresses include ethical and belief subjects and legal commandments. The present research examined types of addresses in a descriptive -analytic way using library tools in the Quran.

Religious bequest is an important foundation of the poems and it is also a rich source of poet’s revelation to represent their innate feelings and thoughts. The holy Quran is the most valuable religious source for Moslem poets and literary writers, due to its deep implications, rich words and exclusive features of art and statement as they connected their poems with revelation words and enjoyed from this galore fountain in different levels of concepts, statements and manners. “Safi-al-Din Helli” is a poet who is famous because of his Quranic statements and concepts. In this inquest, the intersexual usage of the descriptive-analytical approach and the comments of western and Arabic critics in “Safi-al-Din Helli” poems were evaluated. Intersexuality possesses seven different types including complete texture, complete adjustment, partial words, manners, revelation and symbols. Results of the study showed that there is more frequency in the relationships of prophet’s panegyrics and poet’s elegy. On the other hand, complete adjustment, symbols and partial intersexuality had been introduced by Safi-al-Din Helli.

Among the mystical prose texts, Baha valad is considered a unique literary text. This book differs from other works- includes burble of Baha-e valid.With a quick look at the discontinuous parts of this book, only presences of Quran’s verses seem to be frequent and continuous.This investigation is started with a brief review of the genre and summarized with a looking at language and content.Baha valad has innovations in Quran’s verses comprehension and if we assume that the most important feature of baha walad’s prose is expression techniques of Quranic analysis does not seem far-fetched.The first study is linguistic examining thatis introduced as poetic language heading. The second study is contentual examining to find techniques of baha valad text. At The last report the Ash’ari ideology of baha valad is considered important.By presenting of this brief evidence; the writer has attempted to open a new window into the world of this dramatic text.

The function of the verses of the Holy Quran in most of the ancient texts is outstanding. Nafsah al masdoor, the valuable work of Shahabeddin Mohammed Zidari nasavi, which is among the prominent works of Affected (Masnu') prose, has been affected by this Divine Book impressively by benefiting from types of conventional methods of borrowing, testimony, allegory, interpretation, translation, quoting.The main area of discussion in this study is the concentration on conceptual and structural application of verses in this book and species composed of ten elements and their applications according to author's taste, so that it is indicative of his particular mastery and the learned office clerks in the period of full of tension of Mongol and Tatars.

Quran has a unique style in terms of rhyme of expressions and an excellent method regarding the words combination. Arabs were not familiar with such style and rhyme before the descent of the Quran despite the fact that they were proficient rhetoric and oration. This style was strange for them. We can analyze the Quranic miracles from different perspectives. One the miracles is its literature and expression and includes different dimensions of structural and exterior aspects of the words. Undoubtedly the Quranic rhyme and music are because of some of the linguistic variables such as rhyme.This study has analyzed rhyme in Nabaa sursh and its phonetic levels were analyzed statisticly. It was found that the change in themes of the verses, resulted in the change of the letters on rhyme. And the change of style of addressing the phonemic aspect changed the patent to stiff.

"Tathir" Verse is one of the most controversial verses about the Ismat (chastity) of Ahlolbayt in Shia and Sonny religious circles. Shia know the Khamse tayyebah specially as ahlolbayt, and in oppose, some of the Suni religious scientists know the prophet's wives specially as ahlolbayt, and some others know the prophet's wives and the Khamse Tayyebah as ahlolbyt, and some others know the relatives as ahlolbayt.In this field, one of the commentator's reasons for this claim is the change of preposition from the "Plural – female" to "Plural – male" in the “Tathir” Verse. This research has explored the term "Ahl" and its usages of in Quran, and has proved that ahlolbayt is only interpreted as Khamse Tayyebah with a descriptive – analysis approach.

The exploration of the form of the literary texts and the form-based analysis of the term 'yusof' in Hafiz poetry from a Quranic perspective is the major focus of this study. As no form-based investigation is carried out in this area, doing such a practical and native study seems to be necessary. To meet this objective, form-based entities in Hafiz poetry and the holy Quran are examined. Therefore, Hafiz terminology bases, explanation of Hafiz poetry elements, the Quranic terminology, degree and system of unity between these elements are taken into consideration. Moreover, different types of linguistic, esthetic, musical, grammatical interactions and explanation of the Quranic illusions in Hafiz poetry as the foundations of his poems, etc are investigated and approved.