فصلنامه شعر پژوهی (بوستان ادب)
سال ششم شماره 4 (پیاپی 22، زمستان 1393)

From the perspective of narrative struc to study the nature and role of narrative tries and tries to show understanding of the narrative text. Gérard Genette''s narrative is the study of biology at the versions of events as literal representations position is that at the time of order. According to this definition of narrative communication possible between story and narrative text and especially time، money، and Ava will pay. The purpose of this study is based on principal component analysis does narrative poetry of Gerard Genette''s narrative -based resources and analytical - descriptive and preliminary discussions on the importance of the sphere of poetry does the validity and status in the eyes of Gerard Genette French structuralists، generalities about the story and narrative genetic elements described in the paper، it is discussed. text size، reach and impact of the rhythm and lead a relatively high pace of the story telling in mind Neshani will be. The relationship between time - times of repeating a story and narrated the incident to be expression is a single frequency. the distance measurement and reporting of the story and the narrator minor، relatively more detail and information is provided and plan search myths، excuses a way to view، based on how To houses a friend، a chance to manifest. Finally: the sphere of the mind، personality and singer looks more uni narrative of events seems like a way to mount addressed to sing.

Mikhail Bakhtin،the owner of dialogism theory، emphasis on different conversational features of texts،and considers it as a result of interaction between speaker and listener. On the basis of his perspective، conversation takes place in social context and indeed is in interaction within future and past discourses. Although based on his view،Novel features are only eligible for dialogism among variety forms of literacy، and due to the limited selection of poetry and absence of (else)، is not remarkable from the view given. But the poetry of Forough، due to extensive selection، atmosphere، the positions of others، word usage، content s and unconventional concepts، entered in to language of poetry freely away from the common norms of poems، possess conversational features and the main method that forough farokhzad uses for creating conversation atmosphere is as following: a) using pronouns such as (I، she، you)، b) Oratorical statements، c) Voice polyphony، d) Carnival. As moving forward from three initial sets towards two final sets، forough’s poems would be away from individual relations، adopt Social concubine and would tend from Monologue to voice polyphony. Question،Exclamatory and Imperative propositions are the most important proposition which would denote dialogism of forough and narrative expression is the most prominent technique of her in creating voice polyphony atmosphere and herexplicit criticism and diatribe made her poems close to carnival of words and increase the conversational and interactional features of her poems.

The main theory of this study is to point out the existing difference between lyric and epic love. On the one hand، this Issue has not been done in Iran and the other hand the Iranian researchers didn’t pay attention to this subject in their studies. Most of papers study epic love by realization that created from lyric love. Because of this existing deficiency research some surveys relying on these attitudes and incorrectly identified genre of some epic texts. This paper tries to describe some unspoken aspects of love and marriage motif deep structure in epic texts and shows Special features of the Love in epic genre and reveal false realization of some literary genre of these texts as well. Therefore in research Method، after considering a new definition of the epic genre، studied nineteen epic narratives in prose and verse Form and conclusions has been released in four part: direct correlation of love and Validity and Stigma (called in Persian Name Va Nang) and The role of this interaction in the creation of the epic; the epic Hero Transformation in the face of love; Marriage with a foreign princess and epic love Narratology.

In the history of islsm During last decades، literary societies have played significant role in shaping the evolutionary progress of Persian poetry. beginning of the rule of taheries until the constitutional literary societies court are the most important literary societies. being Iranian Constitutional Revolution، literarysocieties have prominent role to the development of contemporary poetry. Much of the progression and evolution was shaped within such literary societies by which both form and content of poetry completely changed، resulted in the creation of modern poetry. During Reza Shah’s reign، however، literary societies lost their role due to total cultural suppression of the age. Nonetheless، there established societies which were following classic literary works and appeared works with national themes within classical forms without any political orientation. Iran and Hakim Nezami literary societiesadmininstrated by VahidDastgerdi were among active societies of Pahlavi age which followed classical poetry and corrected Hakim Nezami، Jamal al-din and Kamal al-din Esfahani proses while ignoring political activities. In the present article، we introduced these two societies and investigate their contribution to the progress or recession of Persian poetry.

Hannah Arendt’s concept of power as the political philosopher of the twentieth century is completely different from the previous interpretations. Arendt believes that the interpretation of the concept of power is positive as Michel Foucault later affirms. She is like the philosophers who differentiate between the power and the violence. According to her power is not always negative. It depends whether it is exerted positively or negatively. This study، based on Arendt’s ideas about power، attempts to offer a socio-political reading of Shahnameh، hoping to present a new vision of Ferdowsi’s ideas and thoughts about the relationships between kings and warriors throughout those sections of Shahnameh known as the heroic parts، and their truly deserved positions. Finally this study aims to gain a better understanding of what Shahnameh is. Whether it is “a letter of kings”، “an epic of violence”، “an epic of justice”، “a tragedy of power” or “authority” as the word exactly means.

One of the greatest Iranian poets is Mollana Jallal Aldin Mohammad Balkhi. Mollana has explained facts in his poems so that they can t located in our understanding and in order to understand them we need to interprate them. Mollana stated his speaking so that we can find several meaning of them. According this survey has been tried to study history of collocative meaning technique. The reasons of usage this technique are explained by Gnostics. In thired untt is turned to consider callocattve meaning technique in lyric poems of shams. In order to study every poem at first we should know the out look of poet about the world and how use the language in his poems، so in this unit the out look of Mollana about the world is considered a ccording to his poems and speaking then the most important factors are explained in lyric poems of shams. Generally، we can devided the factirs of collocative meaning technique، in lyric poems of shams، in two types: contextual (internal) and discourse (external) factors. Purpose of intenal is imagery، symbole، fable، but، before it is turned to study syntagmatic and paradigmatic axes as a main factor for making collocative meaning technique، after that، the role of imagery، like metaphor are considered in making collocative meaning the chnique in lyric poems of shams.

One of features of leman is that is unfolded for lover with various manifestations and try to attract lover. These manifestations construed as the affectation of leman. The results of research shows that sometimes divine love manifest in the form of humankind love. So it can be said that affectation arisen from the humankind beauty is also the manifestation of divine affectation. There''s a relationship between the manifestations of god''s affectation and the one of a humanlike leman. And the characteristics of humanlike leman showing his/her grace can manifest Jamal characteristics of god and characteristics of of humanlike leman showing his/her disgrace can manifest the jalal characteristics of god. sometimes hafiz''s leman is earthly that unfolds with manifestations of earthly leman and sometimes، leman is heavenly and spiritual that him/her manifestations are expressed to specific spiritual meaning and sometimes leman is both earthly and heavenly that him/her affectations have spiritual secrets and they are expressed in the format of manifestation of earthy leman.. In the research، manifestations of affectation of hafiz''s leman under the titles of jali and khafi and also the relationship between the earthly leman and the god besides the interpretation of the concepts related to affectation will be investigated from the mystic''s point of view.

Psychological attitudes in Shahname Ferdowsi. Shahname ferdowsi is on epic letter whose most part in consisted of war since human force is one of the most influential factors on war، commanders’ and soliders’ manner plays on effective role in determining war’s end; therefore identificating and foresighting these people’s behaviour can lead the war progress. Psychology is the knowledge of knowing people and analying their subsequent behaviour. By goining this knowledge one can coutrol peoples’ behaviour to reach a specific goal. Hakim Toos’s knowledge of this science has caused the real or imaginative characters of his mind by means of it’s basic techniques has been able to control his own soliders’ manners and take adventage of them to win as Well as to destroy the enemy’s Spirit to defeat them. The aim of this study is to identify these techniques and their usage by martial forces in Shahname Ferdowsi.