نشریه پژوهش های ادبیات تطبیقی
پیاپی 5 (بهار و تابستان 1394)

The present paper comparatively surveys two genres of poetry: the Japanese Haiku and the Baluchi Liku. Liku is an improvised one verse poem with syllabic rhythm, in which the half verses rhyme to each other. Haiku is the commencement of a long poem, named haikai no renga/俳諧の連歌. This onset which was named hokku/発句, was not known as Haiku till the beginning of the 20th century.But from then on, Haiku became distinguished from haikai no renga/俳諧の連歌. Haiku is a short poem comprising of 17 syllables, respectively 5-7-5. Haiku is improvised and the real events and daily experiences are the main theme of this genre of poetry.The structural –content features for such a comparison are the number of syllables, the place of pause, the lexis, stylistic defamiliarization, proper names, loan words,cultural words, similes, semantic defamiliarization, representation of ethnic beliefs, and realism. This comparative survey confirmed that all these features except semantic defamiliarisation were common to both Haiku and Liku.

Comparative literature is an academic field dealing with the literature of two or more different linguistic, cultural or nation groups. While most frequently practiced with works of different languages, comparative literature may also be performed on works of the same language if the works originate from different nations or cultures among which that language is spoken. Also included in the range of inquiry are comparisons of different types of art; for example, a relationship of poetry to other poems. In This article, comparative literature is performed on Nima’s»Afsaneh «and Alfred de Musset’s» Les nuites «. Some of the characteristics of Nima’s» Afsaneh «subscribe with Alfred de Musset’s» Les nuites «and this article reviews the common characteristics of these two poems.

Adaption from literatures for cinema is classified into interdisciplinary studies and it is interested by many comparatists in recent decades. In this overview, human sciences and specially literatures are related with other sciences particularly cinema by comparative literatures. Therefore, literatures be transformed into actionable knowledge. In this paper, khossfy’s khavaran-name is investigated as a qualified work for adaptation purposes in the comparative literatures and adoption frameworks. These dramatic aspects are: narrative story, dramatic characters, Suspension and the variety of conflict. Also, these dramatic aspects contain of plenteous content and mach between space and presented picture in context. The method of the study is descriptive - analytical and this study is accomplished by centrality of khavaran-name context. Accepted theories are used regard to American theory and research process is performed by comparative literatures interdisciplinary view of this theory.

Archetype is common experience of mankind that has remained of distant past in collective unconscious. Because human experiences are abundant, cant be identified numbers of archetypes, but the most significant archetypes are: anima, animus, self, persona, shadow, wise old man and mother. Sacrifice is one of the major archetypes that have been institutionalized in the collective unconscious of most humans. In psychoanalyst viewpoint, sacrifice is one of the defense mechanisms of human against the demands of the id that is leads to social interest. Archetypes are shown in dreams, imagination and illusions. Art and especially literature, is one of the main manifestations of archetypes. Sacrifice and its features can be found in the large number of artworks. In this paper, has been investigated the archetype of the sacrifice in Hallaj, in "Hallaj's poetry" of Mohammadreza shafiei Kadkani and "Hallaj's requiem" of Adonis and mythical criticism is presented of them.

The present article is an attempt for a comparative reading of Marsiaee Baraye Zhale va Ghatelash By Abutorab Khosravi, an Iranian contemporary Author and Daroonmaye khaen va Ghahraman by Jorge Luis Borges, Author, poet and Argentinean contemporary scholar, Based on the revolutionary theories of Post Modernism which is one of the most significant theories of the contemporary era. This Research by using comparative Method based on the theories of Post Modernism and analyzing the evidence attempts to prove the hypothesis, that the Commonality between Daroonmaye khaen va Ghahraman and Marsiaee Baraye Zhale va Ghatelash, that in some cases has got imitating nature is not accidental. And this reflects the influence of Daroonmaye khaen va Ghahraman in creating Marsiaee Baraye Zhale va Ghatelash. Using Postmodern approach, Similar plot, same narrative style, the use of common symbols and … are some of the features that Marsiaee Baraye Zhale va Ghatelash shares in common with Daroonmaye khaen va Ghahraman. The main purpose of this essay is investigation and analysis of these common features, in order to demonstrate the similarities of these two texts.

Sohrab Sepehri and Mikhail Naimeh who are two of contemporary poet of iran and lebenan,they have limited(small) layers of Mysticism in their poets, which regardless of the origin of its eastern or Islamic, they have been able to enlive and revive the legacy of literature of Sufism and Mysticism in the contemporary period and in the two Persian and Arabic literature, and they have also been able to consider(pay attention) concerns and demands of contemporary human who are involved (traped) in the social and political problems of themselves. the current research is looking for identifying contents(roots) Mysticism and Sufism in the poem of two poets, which made their poets more similar and made them more privilege or more distinct than other contemporary poets. We can mention some Mystical contents (roots) including intuition unity, soul unity with universe, suficalsolitude, love and its contraction with reason (wisdom),naturalism, sufical optimistic, explanation of good system, death of Mystical friendship and being oppotyunist.

‘Love’ which has been so generously bestowed upon the inner and outer worlds of human beings by God is a fundamental and pivotal issue since it has its roots in the nature of man and the essence of life and attracts them subconsciously. Pluto (270, pp.203 or 204) and Molana (Lunar 672, 604) are among those thinkers who have talked about and artistically elaborated on love and its related concepts. Influenced by the different thinking atmospheres of their time, their incompatible civilizations as well as other variables of their time that differently affected them, the two high-minded elites, who had greatly affected the thinking of other thinkers educated by them, were led to view love differently. The examination of the reflections of Neo-platonic thinking in the literary and theosophical texts including Molana Jalal-o-Din Balkhi’s Masnavi is important in many ways and the important phenomenon of love is a profound and mysterious concept that, in a way, connects Plato’s theosophy with that of Molavi. Certain concepts in the reviewed works of these prominent characters, which have sometimes been taken as identical and influenced by each other, do seem different in some cases. Despite a huge time gap –almost a millennium- between the writing time of “a collection of Pluto’s woks” and Molana’s Masnavi”, this paper aims to compare and contrast the concept of love in these works through the library method of research using descriptive, inferential and analytic approaches to scrutinizing some manifestations of similarities and differences between the viewpoints of these outstanding figures in the realm of insight and wisdom.

Literature of different nations, have always influenced each other mutually from the ancient time until now and fewer people can be found that has been far from these influences. For example, we can consider two ancient countries, Iran and Greece that their relations and cultural exchanges have reflected at their literature in various forms. Research demonstrating the influence of the poets and their works on each other can be very useful to understanding the ambiguities of their works. In this paper, by analysis of Nezami's works, it is clear thatNezami, through the translation of Greek works into Arabic or Persian, was familiar with Greek mythology and directly or indirectly, has inspired many of his stories from Greek mythology, as some stories such as "Alexander and the Barber", "Jamshid and his confidant friend", "Alexander and Noushabeh", "senseless city", "pastor and the ring" and "Fetneh" has adapted from Greek mythology such as "Mydas King" "Amazons" "Maylo" and "Gyges or Zhyres"

In the process of reading and evaluation of a work, retrieval of another text and knowledge of how to reproduce it in this text cause to enrich analysis. The link of comparative literature an intertextuality is a new achievement that facilitates work analysis in paradigm and methods frame. investigation of similarities and in their influence on each other is one of the most important factors of comparative analysis. but intertextual reading wants to go beyond the investigation of similar sources. text is based on pervious discourse and will attract discourse in itself and even change the meaning of pervious text. this paper wants to introduce Mathnavi -e-Khamush Khatun (that is Indian) according to connection of comparative and intertextual criticism principles and proceed the most important items in-text, that prepare the situation to referencing the Stories of Thousand and One Nights and after comparative study (similarities and influences) proceed to how Stories of Thousand and One Nights convert and absorbed in Mathnavi -e-Khamush Khatun and also proceed to these elements suspense, parody, Permutation… that cause to signify other narrative and make new text. The connection between new elements and structure in this Mathnavi with the beginning of Thousand and One Nights structure (beginning of shahrzad story) another field to comparative and intertextual reading.

One of the Language changes that occur at the level of words، is the semantic changes. The purpose of Semantic Transformations is transforming the first meaning while Maintaining the appearance of words. Loanwords are one of the breeding grounds in semantic transformations. What is discussed in the article is the Semantic transformation of Arabic loanwords of KALILA WA DEMNA. For this purpose Initially raised linguists view of how semantic changes are happen then The semantic change of Arabic loanwords of KALILA WA DEMNA based on these principles have been studied. This study is a longitudinal study that Has been compared the semantic transformation of Arabic loanwords in Persian language in sixth century than in previous centuries. Because this study examined the Arabic loanwords in Persian language، we can place it in the field of comparative literature. The purpose of this study is to investigate how the evolution of Persian language happen under Arabic influence over time.