نشریه ادبیات شیعه
پیاپی 3 (بهار و تابستان 1393)

This is the God’s volition that the historic event “Ghadir”, remains as an alacritous history that attracts hearts and consciences toward itself, and all the Islamic authors through the ages write about it in interpretation, history, Hadith, Kalam books. In all times and ages religious narrators describe it as an undeniable Imam Ali’s (peace be upon him) accomplishments. It is a fact that not only orators and spokesmen but also ‘poets’ get their inspiration of this considerable event and use their virtue shone through meditation and thought about the event and through abundance of purity toward the master of Velayat, and put their best poem in different shapes and in different languages as a memorial.One of these poets is Poles Salameh, a chrish arab poet who paid attention to this event in his eternal and famous work”Malhameh Eid - Ol-Ghadir” and this Poles Salameh’s work is the first Arab historic epic. The present research is to declare ‘Ghadir’ event from poles’s words and view in “Yawm-ol- Ghadir” relying on analytical and descriptive method.General conclusion of this research expresses that Poles Salameh acquitted himself well to verse this event by studying and investigation a lot in Koran, Nahj-ol-Blagheh, Hadith, interpretation books and other works and never ignored any events or states.

Intertextuality is a theory determining the relations between the texts. This theory has been introduced by a French critic, Julia Christwa, at the beginning of the 60,s decade in the 20 century. Today this phenomenon has been known as an important contemporary literary pecuniary issue. That, according to the Shia’s poem, constitutes the majority section of the poems; for this reason; Tanath eventuates to the better and the deeper reading of the poem. The consideration of the Shia's poem at the contemporary time at the Islamic awake fullness action attests this. The responsible and the Shia’s Poets such as Abdollah Aghermezi with his sister Ayat Alghermezi Zaki Alyaser.Mojtaba Altatan, also the other mutation poets; have this feature of poet to utter the civilization ends. They also show the wrong people across tyranny and complications which are mentioned the Islamic and Ghorani adventures or characteristics; Also the honorable prophecy anecdotal Nahj-ol-Balaghe and Ashora's adventures is celebrated in the trivial denial of the vocabularies. Sometimes the disciple denial is the prolific poems in the Bahrainain's poets. The research wants to utter the different kinds of the intertextual poems at the Bahrainian's Shia poets by the analytical and descriptive way.

From the beginning up to now, literature and the language of poem are the means used by political and ideological movements. In this regard, Shiite struggles and revolutions during the time of the Omayyad and Abbasside played an important role in the development and enrichment of Shiite literature, especially in the field of poetry. Since Ashura up to now, many Shiite poets said poetry in the praise of infallible Imams (A.S.), among them is Mohammad Reza Hakimi. He composed several odes in Arabic of which the most important is Naqamat al-Ashvaq. In his ode, Hakimi praised infallible Imams (A.S.), especially Imam Reza (A.S.), during which he represented the Islamic social and political system to the readers.The present research is an attempt to study the content and structural aspects of the above-mentioned ode based on a descriptive-analytic approach. Some of the results obtained from the research are as follows: the poet uses thoughts and imagery along with his purpose in composing the poem, that is, emphasizing on infallible Imams’ rightfulness and praising them; hence, the ode enjoys unity of theme and thought cohesion, and the poet adds up the text consolidation by using devices such as grammatical and lexical coherence.

The praise art is a noble and prominent theme and has an important place among the topics of poetry since the pre-Islamic era up to now and the poets took it as a tool for praising their tribes and their leaders. The art transformation in the era of early Islam is praised. It is a tribute to the values, ideals and principles of the Islamic art bestowed by poets to their praised persons. It traces back in the era of the Umayyad and Abbasid era to become a tool for ingratiating successors, ministers and governors. But this still might be used by the poets of the medieval following the age of Early Islam and practiced by complimenting pure in praise of them and the Ale Beit and among them Nasheo Al Saghir who became famous with his Ghadirieh ode in Ale Beit praising. This article is going to study Ghadirieh ode through adjectival and Analytical approach at the levels of sound and Composition and rhythm; where we counted the votes and phrases in the poem to demonstrate aesthetic sound and phrases and positions in the rhythm of this poem. The results indicate the meaningful proportion between votes and phrases with their means in this poem. They indicate the presence of sites where rhythm, especially in the words rhymes.

The element of color, as the widest realm of perceptions, has always had an outstanding status in the creation of artistic works. The impact of this aesthetic phenomenon on the viewers has made poets take the most advantage of it in their literary works and create unprecedented poetic images. Nonetheless, what prepares the grounds for more elaborate literary discussions are the inherent symbolic meanings of such colors standing along their visual appeals; an issue which often adds to the ambiguity of literary works and demands deeper analyses on the part of readers. There are several reasons at work for the selection of colors by poets, including aesthetic issues, mental conditions of the poet, geographical environment, socio-political factors, and the like. The reflection of the epic of Ashura in Persian and Arabic poetry indicates interesting and special employment of colors by the poets. Considering the similar and different viewpoints of the two nations with regard to the Ashura event, their literary heritage, cultural issues, and the like, the employments of this imagistic element and its denotations in poetic works of these two languages yield to be both similar and different. Among the findings of the present study, we can refer to the wider application of colors in Persian poetry, presence of two colors of red and black—as common basic colors of both languages—romantic employment of red color in Ashura-oriented Persian poetry, and completely different denotations of blue in both languages.

Saint Um Kolsom (S)’s Sermon is one of the most influential sermons after the event of Ashoura; the sermons in which, regarding the conditions of the audience “present and appropriate”, She delivers a short sermon on the heightest effectiveness. Of the significant characteristics of this sermon is the eloquence and rhetoric which is applied as using the familiar and current words and concepts for the audience. Using the characteristics of sermon, different accessories and techniques of satisfaction like emphasis, repetition, swear, exciting, persuasion and intimidation, choosing clear, explicit, and eloquent words, selecting appropriate words for the situation, diversity of terms in expressing single subject, seeking diversity for the more and better inspiration of subjects, rhythmic expression with rhyme, different similes and parables for the better inspiration of meanings and the usage of literary techniques of Ma’ani (meanings), expression and Badie have adds to the beauty and influence of this sermon. In this article, while proving the high knowledge of the orator with influential characteristics of the sermon, we will do the literary analysis of the text.

Abdi kufi is among shiete prominent poets lived in the Omavid and Abassid ages and was regarded among the prophet successor believers. He was such minded and had high position by Imam Sadeg (peace be upon him) that Imam recommended to teach Abdi's poem your children as he believes the God religion and tradition. Of him few poems left for us representing stable, clear and a valid document for Quran verses and narrations. Abdi relying on verses and narration in poetry creates a literary reform in defending the school of the prophet successors and proving the righteousness of Hazrat Ali by expressing his virtues. Unfortunately, this poet of tradition is not introduced in literatures as it deserves him. This paper considering a sample of Abdi Kufi poems, by the descriptive-analytical method, tries to introduce him as the prophet successors (peace be upon them) and making clear his position by Imam Sadeq (peace be upon him)through the adaption of poetry with Quran verses and narrations.