Theological Intertextuality relations in Jamil Sedghi Zahavi's Ode Sorat fil-Jahim

Intertextuality is a critical term that was first proposed late 1960s, based on studies of Kristeva of Bakhtine works. Supporters of this theory believe that each text has intertextuality with changing levels and slightly distinctive forms. This theory is a kind of attitude toward texts that results in new meaning and depends on conscious and unconscious use by scholars from other literary, religious, philosophical and historical texts, formerly or simultaneously.Jamil Sedghi Zahavi is an important Arab poet who included several intertextuality features in his poems. Applying consciousness intertextuality and showing interactions between hidden text and phenol-text, his great literary manipulation over hidden text is known. This article aims to study intertextuality and its importance on literacy criticism and understanding texts in order to present new narrative of odes of this famous Arab poet.