A narrative survey on panopticon in the offside movie

Foucault’s panopticon represents a new form of discipline in subjects in which the subject institutionalizes a kind of discipline behavior. The design of panopticon is such that the subject always considers himself under observation and plays the role of subjugator and submissive at the same time.The architecture of stadiums is such that by stepping inside them, we immediately remember the structure of the Panopticon,how the spectators are sitting under the watchful eyes of the security and discipline agent. These agents have the role of Panopticon of the subject or subjects that leaning on the chair of maintaining discipline and according to the main rule of Panopticon they are hidden from view. In order to transcend the research,the authors have associated it with the narrative system from Shairi’s point of view.What is achieved in the Offside movie made by Jafar Panahi(2006) is the adaptation of the Panopticon with the Shairi’s prespective discourse.In order to solve the lack of discipline,both system prescribe an action that ultimately institutionalizes the discipline value in the actors,as if the actor plays the role of subjugator and submissive at the same time.