Iconological Study of a Selection of Seals of Early Elamite Period of Susa

Seals are one of the most important archaeological data, being always considered in archeological and ancient art studies. As one of the most important archeological sites in Iran in different historical-cultural periods, especially the Elamite period, the ancient city of Susa has provided a lot of cultural-artistic data to archaeologists and art history experts, including seals. Findings from this ancient city, including the seals, indicate various artistic styles in the past, various styles of engraved seals, and iconography have a special place among this data that can express information in various fields such as symbols, myths, or narrative stories. In the Elamite period and especially the ancient Elam that is discussed in this article, we are faced with different artistic styles in the engraved seals. Styles that can express both the special Elamite art and in some cases have not been without the influence of the engraving styles of the neighboring land, i.e., Mesopotamia. Here is a selection of seals of the Early Elamite period of Susa (11 pieces) in this regard, which belongs to the National Museum of Iran, which are considered to study their images in terms of a specific cultural-artistic style to respond to the question indicating “whether the engravings of these seals of Early Elamite express a special narrative style!” The study, which is a library-museum method and is accompanied by a comparative analysis of images, can be a narrator of the power of “master of the animals” / or perhaps the best person in the society of that day in protecting the animals under his support against wild animals such as lions, somehow narrating its power with these illustrations.