فصلنامه زن در فرهنگ و هنر (پژوهش زنان)
سال پانزدهم شماره 3 (پاییز 1402)

This research is based on this assumption that the ways people are represented in TV are different with the ways they are represented on social media such as Instagram because the nature of social media is different with the nature of mass media. Thus the users of social media when using these media to represent their daily lives, actively use these media to show unofficial (informal) pictures of their lives while when they attend in a T.V program, they are represented very formally. The interaction on social media like Instagram is very intimate than in mass media like T.V. One of the issues to study is to find the differences between representing the people clothing in social media and Television. Some of Iranian Veiled TV presenters interacts to their audiences on Instagram; a considerable issue on the re-presentation of the mentioned women on Instagram is their dress. This study is to analyze the depiction of veiled Women TV presenters on their dress on Instagram through analyzing their shared pictures. In addition to analyzing the way of selected women dress re-presentation, the paper is to respond whether their dress in TV is different to unofficial space such as Instagram? To review the literature, Giddens approach on the identity & Goffman theory on the self- presentation in everyday life were reviewed. This research is qualitative in method applied, and to analyze the Instagram pages of women TV presenters, nethnography method has been applied. The sample selected to study by nethnography method consists of 7 pages of Iranian Veiled TV presenters. The analysis of veiled TV presenters shared pictures in Instagram shows that their clothing on Instagram is different in terms of diversity and color with their represented dress in Television programs and some TV presenters advertise some dress goods in their Instagram pages.

Critical discourse analysis is an important branch and approach of discourse analysis theory.  As an interdisciplinary trend, this approach goes beyond the level of sentences and words in examining texts and pays attention to the context of the situation in which the text was formed.  Norman Fairclough is one of the theorists of this field, Whose theory has three levels of description, interpretation and explanation.  This research tries to analyze the three Farklaf's critical discourse levels using the descriptive-analytical approach during the time of Lan Amut Sadi Jihad al-Rajbi to explain the author's ideology and speech.  The research.s conclusions indicate that Jihad al-Rajbi has been able to present his point of view by using the function of words and semantic relations between them, the use of different metaphors of news and positive verbs and the function of plural pronouns.  Also, by using intertextuality and invocation in Quranic texts and Islamic themes, he seeks to explain the situation governing Palestine. MR. Al-Rajbi expresses issues such as libertarianism, oppression and tyranny with a rhetorical discourse, and by strengthening the spirit of struggle, he seeks to acquire his own ideology and concepts such as gaining identity, freedom and fighting against the occupiers

The current research was administered with the aim of intercultural investigating the attitudes to gender roles, parental values ‎, and parental burnout‎ in two groups of Iranian and Afghan parents. The statistical population of this study was two groups of Iranian and Afghan parents living in Tehran City those 398 parents including 199 Afghan parents (97 fathers and 102 mothers) and 199 Iranian parents (93 fathers and 106 mothers) living in Tehran were selected by convenient and voluntary from different regions of the city. The research instruments included the Attitudes to Gender Roles Questionnaire, Goals and Values in Adults Questionnaire, and Parental Burnout Assessment. The results showed that two groups of Iranian and Afghan parents significantly differed in parental burnout, and regarding parental values in power and achieves, agency and self-direct, and benevolence & prosocial. The results showed there was a significant difference between mothers and fathers in attitudes to gender roles and all of the values except agency and self-direct. In the interaction of migration and gender effects, the results showed Iranian fathers had a high score in specific gender roles, Afghan fathers had a high score in traditional gender roles and Iranian mothers had a high score in androgynous gender roles. Also, Afghan fathers care more about power and achieve separateness values than Iranian fathers. Cultural similarities led to the migration of Afghan families despite long-term residence in the destination community, which was companied by the maintenance of Afghan cultural values and traditions, so that the status of parents, traditional gender roles, and the sense of being unique as important values is encouraged in their children.The component of parenting and the quality of parent-child interactions, the values and goals of parents in the children of immigrant families in the context of cultural adaptation and acculturation (influence and impression of the destination culture) is a subject that can be studied.

Parliament in the modern structure of politics represents the popular will and thus holds a special place. How women performed in the parliament is here a topic of special interest. The Iranian constitution gives extensive powers to the parliament members and several principles of the constitution emphasize the women’s rights, empowering women and creating job opportunities for women under Islamic standards. The sixth term of the parliament was formed by a majority of Reformist representatives elected by a large number of voters. The elected women in this parliament all had higher education degrees. A women’s fraction was created and with the support of the other members of the parliament, important laws and reforms were made in areas like job, education, family support, equal pay, and joining the convention for eliminating discrimination against women, all intended to improve the legal status of women. The present research examines the following question: how did the women representatives on the Parliament contributed to this reform and what means they used. We will study how the formation of the women’s fraction and proposing laws and reforms regarding the improvement of employment for women, education, family support, and protecting the children in the family contributed to this legal reform and if it consequently brought any change to the society.

Genette's transtextuality is one of the important topics in reading and checking the relationships between texts, which has checked these relationships in its various forms and is divided into five main categories. This research, based on Genette's transtextuality, has studied one of the clothes in the Royal Clothing Museum. This dress is a Hypertexte, the Hypotexte of which is the needlework clothing of the women of Baluchistan region, hence a connection between these texts has been formed which can be investigated.This connection is important because Baloch needlework is one of these artistic and original stitches, which is used in the clothing of Baloch women and girls and for the purpose of decoration and grooming. Although Baloch needlework has an identity and originality in terms of motif and color, structure, sewing method and execution technique and materials used, as well as functionality that has kept it to this day, But in the Pahlavi period, especially in the 1950s, a modern and contemporary reading of this pure art was carried out, which appeared in the court and royal clothing of men and women of the Pahlavi family and their close relatives.soThe purpose of this research is to study and investigate how the needlework of this Pahlavi family dress is related to its Hypotexte in Baloch needlework and answers these questions. How is the relationship between this royal dress of the Pahlavi court and its Baloch needlework Hypotextes based on Genette's transtextuality explained? And what changes have taken place in the process of forming this relationship? This research was conducted in an analytical-comparative and descriptive manner, based on Genette's Hypertexyualité, and the data analysis in it is qualitative. This research showed that the relationship between two texts is Hypertexyualité and the Transformation from Hypotexte to Hypertexte was accompanied by changes in the Visual structure, environment, discourse, function, user, etc

One of the most important works in which the image of another, both "intra-cultural other" and "extra-cultural other" is reflected, is the travelogue. In this type of writing, images of women, men, cities, special places of pilgrimage, tourism, etc. can be the subject of imagery. This article is written in a descriptive-analytical way by combining the three approaches of critical discourse analysis,  representation and imagery. The purpose of this research is to analyze the representation of various types of images of women and the assumptions that the author made in the framework of this type of representation. The results of the research show that in the travelogue "From Pariz to Paris" women with eastern and western nationalities are divided into two categories: historical women and contemporary women. The author represents the images of historical women indirectly and through the study of texts (intertextual) and the representation of images of contemporary women - who is either directly connected with them through personal experience or indirectly or directly , through communication with others (impersonal),has heard about them - with a combined experience (combination of face-to-face and impersonal experience).In this travelogue, the various titles of the author are placed in the shadow of the identity of "master intellectual of history" and with this identity, the image of contemporary women and historical court women and public women in the East and West is represented.

Examining aesthetic belief and artistic understanding is considered one of the important topics in art fields. The purpose of the current research was to investigate the relationship between aesthetic belief and problem-solving cognitive style and the need to recognize the mediating role of cultural intelligence in art students. Therefore, the main question of this research was whether it is possible to develop a model for women's belief in artistic aesthetics based on problem solving styles and the need for recognition through the mediation of cultural intelligence? The research method is descriptive and correlational. The statistical population of this research included all female art students of Hamadan universities in the academic year of 2019-2019. 377 students were selected as a purposeful and available sample from among the faculties and educational groups and according to the research plan, and according to the aesthetic belief questionnaires of Taghizadeh and Babaei (2016), the need to know ( Cacioppo, Petty and Kao (1984), problem-solving styles Cassidy and Long (2013) and cultural intelligence Early and Ang (2003) answered. Research data with descriptive statistics (mean, standard deviation and skewness and skewness statistics) variables) and inferential statistics (Pearson's correlation and path analysis with the calculation of its defaults) were analyzed. The results showed that the conceptual model compiled with the data had a good fit. The results of the structural relationships of the model showed that the aesthetic belief There is a positive and significant relationship with the constructive skill of problem solving, the need for recognition and cultural intelligence. The constructive skill of problem solving and the need for recognition have a positive and significant relationship with cultural intelligence. The non-constructive skill of problem solving has a negative and significant relationship with the need for recognition and cultural intelligence. Aesthetic belief has a negative and significant relationship with non-constructive problem-solving skills.