amir momenihazaveh

One of the attributes of Sa’di is his exact recognition of the Persian language and its efficiencies and the maximum use of the capacities of this language; but this exploitation is so artistic that the reader is enchanted fluidity and eloquence of speech and does not understand its artistic arrangement. One of these performances is the use of conflicting verbs in sonnets, a point that has not been thoroughly analyzed yet and enjoying the beauty of Sa'di's words doubles. This article examines the current contradiction in all Sa’di’s sonnets, and, in addition to identifying and categorizing its types and subcategories, Sa’di's subtle delights in using this array, such as bringing the opposite of a verb from several verbs that are semantically related, are used to synonymize verb, and ... along with the frequency of all the pseudo-couples that are used interchangeably in Sa'di's lyrics, along with their frequencies.