Recognizing the Concept of the Iranian Bazaar from the Perspective of Ancient Texts of Persian literature

The lack of systematic reading of architectural works in society has led to a failure in improving design quality, as exemplified by the use of the term "bazaar" in ancient texts. This research investigates the relationships and influence of the word "bazaar" on shaping the overall meaning of architectural works from the 3rd to the 8th Hijri centuries. The structure of perception and cognition is closely intertwined. Certain words and terms employed by people are now rarely used and are sometimes unfamiliar. The Persian language tends to emphasize quantitative aspects rather than qualitative ones. Delving into the concept of the bazaar in textual sources not only addresses the qualitative dimensions of our cultural heritage but also acquaints us with the wisdom, experiences, and viewpoints of our predecessors, paving the way for novel conceptualizations grounded in their achievements. To comprehend the concept of the bazaar in Persian poetry, this study adopts a qualitative research methodology employing a case study with a summarization approach. Poets who have significantly contributed to shaping the Persian language have been selected. Through the retention of meanings employed within the research timeframe and the identification of the word "bazaar" and its various combinations, the concept has been delineated and categorized. A review of the literature underscores that knowledge of the bazaar and its cultural impacts has transcended geographical and temporal boundaries. A meaningful correlation exists between concepts and spatial arrangements. The term "bazaar" stands as one of the most frequently used words in poetry, taking on diverse meanings while maintaining a consistent appearance. It serves both descriptive and narrative roles, simultaneously embodying moral attributes and providing a gateway to comprehending its semantic essence.