نشریه زبان و ادب فارسی
پیاپی 34 (بهار 1397)

The main challenge of literature is to understand human beings with topics that are neglected. Among the hundreds of literary literacy fields, the story or novel provides space for entering into desolate spaces. One of the less important topics is the role of literature, especially novel, with the thoughts of religious minorities in Iran. Zoya Pirzad, the author of the novel "I Lighten off the Lights" and "Get used to", is one of the successful Iranian writers who has achieved a good position among readers and critics. In addition to their literary and artistic values, these novels also deserve to be considered the first Persian novels written by the Armenian writer whose adventures are in an Armenian language and one of their themes is the relationship between a closed ethnic community and a large community. In this essay, the role of Pirzad's novels in introducing people to the lives of minorities, especially their women's society, is to be shown more and better. In this regard, the basis of the work is based on a review of the two novels mentioned above and, in other words, we will not miss the other works of this author.

Words and their relations have always been a considerable point among the critics especially those who are specialized in the cognitive poetics. This branch of literary studies is, more than anything, concerned with the similarities and relativities between things and to re-acknowledge their super-structure patterns. Naturally, this is attainable only by analyzing the literary texts. Analysis of the texts itself is also inter-connected with speech act of the author or the poet, and the inductive act   among readers.  Perceptions of these concepts can be found in two ways of speech and epilogue that each causes other’s line of actions. Hence, it can be asserted that every literary text is an objective re-exposing of discourse analyses which are available in every society. The researchers of the present study, assuming that the above assumptions are exemplified in Parvin Etesami’s poems, seek to examine the cognitive poetics and discourse analysis in some of her poetic vocations. The researchers of this article try to show the instances of   cognitive poetics and discourse analysis in Parvin Etesami’s poems.  The findings of the study show how the textual structure of language can show the hidden power relation and its misuse, hegemony, and social inequality.

Mohammad Sadegh Golpayegani is belletrist, poet and calligrapher the Qajar era, and teacher of Heidargholi Mirza who is the son of Fath Ali Shah Qajar. He whose poem name is Madhoosh is one of the best and most prominent men who have bounty and perfection in Golpayegan land. Madhoosh is a poet of the literary return period. He is also famous in Arabic sciences apart from the poem and prose techniques. Madhoosh’s Koliat (collection of his poems) is a collection of essays, lyrics, odes, quatrains; in addition, it has educational writings and narratives in the form of prose that have not yet been identified as they are needed. The odes of this collection are kind of eulogy ode in the simple and fluent language and pleasant arrays. Madhoosh’s poem style is close to the Ghaznavid and Seljuk periods. Most of his odes are in the way of Anvari and Onsori and they have had the most impact on Madhoosh, but Anvari’s contribution to this effect is more prominent. He also paid more attention to Farrokhi’s poetry in using the old words and he turned his view to the first periods of Khorasani’s style in the selection of Radif. Understanding and introducing the features of the poetry needs to be studied and investigated in various aspects. The research and study of these features in the field of literary research is a necessity.

The poem,s of biabanaki is wild, explicit, critical and committed; In fact, his poetry is a response to the world around him, his ideas, developments, and relationships around him. A significant part of his poetry serves the devoted literature, especially sacred literature and sacred defense.Using linguistic and linguistic constructs and creating linguistic abnormalities in different ways, his poetry is distinct from the poetry of his contemporaries. And it's a personal and personal style in his poems. In this research, with a structural approach and descriptive-analytic method, he examines the paraphernalia of his poetry in order to determine what the style in his poem is. In conclusion, the result of this research is that his point of view is to acquaint himself with the way of making new combinations, the use of folk and craft structures that create a sense of humor and critique in his words. And the skill and mastery in securing the poetry of other poets are important components in determining the style of his poetry.

A Study of the Narrative Aspects of “The King and the Maid” from Masnavi-e-Ma’navi and Similar Narrations based on Tzotan Todorv’s Model ABSTRACT “The King and the Maid” narration is the most fundamental one in Masnavi-e-Ma’navi with regard to intra-structural factors as well as Rumi’s thought system. Rumi has undoubtedly taken this narration from similar narrations in Persian literature such as Ferdows-al-hekmat, Nezamie-e-Aroozi, Attar’s MosibatNameh, and Nezami’s EghbalNameh and has reproduced the narration with mystic theme systematically. The present research is an attempt to study these narrations based on Tzotan Todorv’s theory in order to reveal the stories’ intra-structural factors which make the stories expand and move logically, through which the fundamental factors in shaping the stories will be unearthed. Finally, it is tried to find the frequency of the narrative aspects in the stories so as to show the final structure of the narrative. 

Well-known mystical works cover a vast spectrum of literature of Iran. This spectrum already includes unknown works of the nobles of this country, which must be regenerated and introduced by the writers. The reviewed text, is a Persian translation and a detailed copy of Teb-ol-Qoloub Dissertation written by Alaedin Mohammad Naghshbandi, the latest spiritual guide of Naghshbandi, which is written by Fakhredin Mazhar, one of the scholars and jurisconsults, and one of the relatives of Alaedin Mohammad Naghshbandi, in Saghez, Kurdistan, in early 14th century. Having taken advantage of descriptive-analytical method, this research has reviewed the said text and has analyzed it with respect to lingual aspects, and, literary and intellectual values. Dissertation description is a fluent prose combined with verses, well-arranged with verses and hadith, mystical expressions, as well as botanical and medical compounds. Research discoveries indicate that this literary text is impressed by the literature of literary return and Sa’di prose in Golestan, and has been under lingual impression of the grammar of Arabic Language, and the oldness of its lexicon and wording is because of its adherence to the past mystics methods.

Feminism as a social movement, on the one hand, is rooted in the new Western perspective on man and man's definition, on the other hand, invasion of the honor, dignity and rights of women after the Renaissance, especially in the fifteenth and eighteenth centuries. Iran's relationship with the Western world and their familiarity with the different cultural and social status of women in Europe and the United States, and the creation of intellectual views on women, provided the most important areas for the formation of the feminism in Iran. The authors of the course in search for uncover the fact that the situation of women in society was something different from that of the European women, and the image of the life and position of European and Western women was more like a dream than reality. Mohammad SadeghChubak, as the writer of that time, instead of paying attention to the world of extreme or slow-moving idealist feminists, spoke to the realities of society and depicted the real status of women. Women of his stories are women of an intellectually educated, or they are not sensitive posts and positions, but are real and belo women to the middle and lower middle class of society, who often have to live in a lord's house to provide their own living needs, or in a dressing room Stuffs and Dead saltines houses and brothels make up for a small amount of income every tricks.