جستجوی مقالات مرتبط با کلیدواژه « Farah » در نشریات گروه « علوم قرآن و حدیث »

The Holy Qur'an establishes a system of meanings between words in which it explains and evaluates concepts based on its worldview. The method of constructivist semantics is a way of recognizing Qur'anic words in this system without any other presuppositions. "Farah" is one of the Qur'anic concepts that, although it has a positive value in some applications, has been criticized in more cases.Thus, Farah's interpretation of happiness reinforces the skepticism of the Qur'an's denial of his opposition to happiness, despite the positive nature of this concept in psychology. Accordingly, this research seeks to find the meaning of Farah in the Qur'an with a descriptive-analytical method and by using constructivist semantics, and then find the reason for its dominant condemnation.This study shows that in the Qur'an, the semantic components of Farah include pride and joy, and this word is divided into two types based on the superiority or non-superiority of the real factor of pride in it, in other words, the existence or non-existence of the component of reality.The Holy Qur'an lists a number of factors for disapproved Farah, including the blessings of the world, the escape from jihad, and the entanglement of believers.In contrast, the divine grace and mercy, which in the Qur'an refers only to spiritual blessings, is the only factor of admired Farah.

One of the ways of expressing facts that are common and intelligible use to the general is the allegoric and symbol. One of these allegoric is the light. In the pre-Islamic Iranian tradition, light has had a special place among the mystics and theosophies of Fahlavi. In the post-Islamic tradition also, It has been the same. Because God is the light of heaven and earth, and A Surah is referred to as the Light. Accordingly, Suhrawardi constructs his illuminated philosophy on the basis of light, and he places the series and gradation of divine lights form the light of lights to the dusky world gradationally. In the illuminated perspective, Farah as the divine confirmation and the divine illumination gradationally in the material world contains plants to full human (al-Insān al-Kāmil). Iranian artist, both before and after Islam, as they work in this space, they know this and try to show. One of the most suitable places for expressing the illuminations and divine Farah is miniature that show it around the head of humans or the Saints. The expression of holy aura and aura of luminous has been researched, but its illuminated and symbolic expression independently has been less studied. In this research, we try to express at first the illuminated expression of holy aura and In the following adapt it to the miniature