Survey on image of Bahram-e Gur in Iranian art (from Sassanid to the end of Qajar era)
Author(s):
Abstract:
Bahram is one of the most important Zoroastrian deities, which is remembered as the angel of triumph and victoryin mythology. His name in Avesta is verethraghen that is changed form of vritrahan. Vritrahan means dragon killer.He was also named as one of the reputed and justice Wide Sassanid kings. This king is called as Bahram-e Gur. Beautiful and wonderful stories of Bahram-e Gur in Shahnameh and Haft- peykar are favored by artists, So that in many of Iran,s artistic works we can see their designs and pictures. In every period illustrating Of Bahram-e Gur,s stories has been changed according to the features of that period. This can be understood by studying his clothing, crown and figure. In these works, we can see Iranian art evolution and change in artist,s tastes and moods. This paper tries to search image works related to Bahram-e Gur, and compare Structural changes and aesthetic aspects and also the issues and characteristics of these worksworks to be. Research method of this paper is analytic & descriptive and Content is gathered by way of the library method.
Keywords:
Bahram , e Gur , myth , symbol , Shahname , Haftpeykar , Iranianart , Persian painting
Language:
Persian
Published:
Negareh journal, Volume:6 Issue: 19, 2013
Page:
5
magiran.com/p1086503
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