Intratexuality in Play (Al-Malek -ho- Al-Malek)

Sa’dallah Wannous is a great Syrian play writer who has made great endeavor to flourish and help make Arabic playwright shine. His works have an elevated position among original Arabic dramas the one being Al-Malek -ho- Al-Malek which is the most prominent sample of contemporary dramas. This work focuses on everyday problems of Arabs and reflects realities of Arab society and their rulers.Tanas (intertextual) is a prominent term in modern Arabic criticism and is an outcome of a French term 'intertext'. This term means connection and intermittence of a text with other. This term possesses different rules and forms. Sensational play and its high level of acceptance among Arabs motivated the authors to consider it from new point of view.Contemporary creative play writer in order to make their works forceful could interpolate old invaluable heritage with them. Sa’dallah Wannous are one among those who in his work Al-Malek -ho- Al-Malek effectively took help of fables and stories of renowned Alef Laila (Hazar-o-Yek Shab). Taking into account intertextual phenomena, the current paper tries to evaluate the proposed playwright and highlight different forms of intertextaulity in two fields i.e. story and technocal method.