Iranian Historical - Religious TV Serie's Decoding by Sunnis': A Case Study of Davoud Mirbagheri Works

The purpose of this article is to address the communication discourse of Iranian historical – religious TV series based on the decoding of Sunnis and it is determined to analyze the discourse of the most important historical – religious TV series of IRIB directed by Davoud Mirbagheri from the perspective of Sunnis. Through realizing rights of religious minorities of religious TV programs it addresses the two fundamental principles of "unity" and "export of revolution discourse" consistent with "national interest" and adherence to the Constitution. This article aims to answer the question: what are the consequences of non-compliance with these two principles in the production and distribution of historical – religious TV series contents? The methodology of this study is text and hypertext discourse analysis that in the conclusion using inductive scenario building models, it summarizes and provides solution. Case studies of the present study include three works directed by Davoud Mirbagheri i.e. Imam Ali, Ray passenger and Mokhtarnameh historical – religious TV series. The applied theories in the research include use and gratification approach and encoding-decoding model by Stuart Hall. Results of this study support the notion that these series are produced by textual and hyper textual decoding, unhappiness, the absence of media and audience’s self-censorship and thus isolation, negotiation and conflict. Therefore, with emphasis on national identity, development of the series of characters and historical periods agreed by Shiite and Sunnis and developing religious series regardless of denomination and adherence to ethical principles, it is possible take steps to avoid problems.