Muhtasham and MirAza; Literary borrowings of MirAza Kashani's Tazieh scripts from Muhtasham Kashani's Tarkib-Band
Author(s):
Abstract:
Less than three hundred years after Muhtasham Kashani, in the birthplace and homeland of this pioneering poet of Voqu School and WaSukht style and the composer of the most famous elegy of Ashura, a man was born who stood a head and shoulders above other poets in composing elegy and Tazieh. Endeavour has been made in this article to point out a brief biography of Muhtasham and Seyyed Mustafa Kashani, known as MirAza, and to indicate the similarities in their lives and their religious-Shiite birthplace, and also to discuss stable and long-age government of two Safavid and Qajar kings and their support from poetry and rituals of Ashura and eventually, to reveal the type of literal and spiritual borrowings of MirAzas Tazieh scripts from Muhtashams Tarkib-Band. This study seeks to answer how Muhtashams poems of Ashoura, as the best examples of his kind in all the periods of Persian poetry, have influenced the Mirazaas folk, dramatic, and musical poetry. The results of this analysis suggest that every single word of this Muhtashams poem has been recurred within the scripts of Tazieh, especially those of MirAzas, and even reciting some verses of Muhtashams Tarkib-Band has been a part of Tazieh ceremony in Naseri Tekyeh Dowlat during the zenith of this art.
Keywords:
Language:
Persian
Published:
Kashan Shenasi Journal (Studies on Kashan), Volume:10 Issue: 1, 2017
Pages:
46 to 67
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