Types of Synesthesia in Saeed Akel’s and Nima Yushij’s Poems

Synesthesia is one of the aspects of “vocabulary resurrection” that breaks the literary delight of the audience by destroying the surface structure of words rather than deep structure. In this style of writing, the poet breaks the boundaries of the common system of his or her readers' imagery and minds to make the amazement of the complex and pure image, the audience is astonished. This essay is inspired by the American school of comparative literature, the authors critically examine the sentiments in the poems of two well-known poets in Arabic and Persian literature, Saeed Akel and Nima Yushij. The present article shows that in the poems of these two poets, sympathy in addition to the aesthetic and artistic aspects is a means of conveying the vague meanings that are not easy to express. One of the interesting ways in which the poems of these two poets concentrate are to combine and to apply other literary figures with sensitivity to enhance the artistic aspect of verses and to enhance the rhetorical and artistic texture. Sometimes the relationship between the two senses is so distant in their lyrics that the familiarization is more pronounced. Said Akel has made sense-making by choosing the sensual “confrontation” or “accumulation” methods, which are an important function of the aesthetic aspect of the verse. Nima Yushij has also given special attention to abstract-tangible emotion in order to promote the dignity and regularity of the subjective and objective worlds.