Ancient Analysis of Mystical Patterns and Symbols in Divine hayati Kermani Approach to Jung's Psychological Theory

Archeological criticism is a new way of examining literary texts. Jung has further consolidated this approach by critiquing and describing the two categories of collective unconscious and archangel. Archangels are a common heritage of human civilization stored in the collective unconscious. Jung's exemplary forms are termed fixed in Islamic mysticism. According to Jung, archetypes are symbolic representations and images that, in myths and cultures, embody common and similar concepts in the human unconscious over time. Persian poetry is influenced by historical, mystical, and mythical backgrounds. The influence of these elements on the poetry of later poets can be seen more than any other period because of the popularity of today's poetry. Poetry and myth are inseparable, and myth makes words and poetry flourish. hayaty of abstract and intuitive ideas is derived from the mystical teachings of earlier poets. In the divane hayaty in addition to the key role of the symbols, the normative and delusional allusions are most effective in highlighting the passages, and in his poetry, archetypes are rooted in collective unconsciousness. In this poem, with interpretation and interpretation, the poet recounts part of the truth, and archetypes such as fire, sun, mirror, sea, travel, interpretation and interpretation have been interpreted. The main purpose of this descriptive-analytical research is to examine the reflection of mythical, religious and mystical elements in hayaty Kerman's poems.