Phonotactics and repetition in Khaghani's poem

This essay is an attempt to study the literature devices in Khaghani’s Divan which are used widely and repetition of the morpheme is its major constructive element. At first, the issue which is put on the sharp focus is that all the issues regarded as literature devices are in deed some kinds of artistic repetition or phonetics because their common aspect is only the repetition of the voice used by the poets widely, with especial skills. In the distribution and repetition order, the poet repeats the morphemes freely when he / she sees it appropriate in any part of the poetry but, the voices are repeated based on the specified order in any parts of the poets in homophony, inversion, derivation, epanalepsis etc…. In homophony, for example, the voices are repeated in parallel words. In derivation or inversion the voices are interchanged. In epanalepsis, the specified voices are used in especial places as the particular words. Khaghani, with his skillfulness in language and words, have use all the styles and skills in order to create the meaning and apparent arrangement widely and skillfully. It should be said that the coordination of most of these methods and total structure in considerable. The internal and figurative music can boost it.