Linguistic Features in the Style of Farrokh Tamimi

Examining  She’r-e Noo (new poetry) and its poets in the course of history of Persian Literature, one can found the vast majority of these poets had developed a particular style or language, or sought to do it. The  most simple and productive task in this direction is breaking from the  traditional rhythm and rhyme, as well as being influenced by  the atmosphere, experience and images of Western poetry. These poets have also deliberately disrupted the standards of normative language and as a result, the goal of these poets was to bring their poetry as close as possible to colloquial language. Farrokh Tamimi is one of the lesser-known poets of Nimayi or Azad (free) poetry, from whom five books of poetry have been published. This article deals with Tamimi's creativity in different fields of nouns, verbs, adjectives, etc., citing examples and explaining the linguistic and stylistic novelty in his poetry. Collecting notes and documents, the researcher has used descriptive and comparative method.