Stylistics of mir Ābed sayyedāye nasafi's sonnets

stylistics of a work of art is an important step to recognize it. So its importance is not hidden for anybody. sayyedāye nasafi is one of illustrious poets in Hindi style in 11th century (17th ce) who grew up in Tajikistan. but his sonnets not yet reviewed from the stylistics perspective. Therefore, we decided to review his sonnets based on stylistics and introduce readers with different angles of his poetry and artistic personality.

In this study the type of our stylistics approach is structural stylistics. Based on that, we have paid to all three linguistics, rhetorical and mental areas in 30 designees of sayyedā sonnets in the form of detailed review and analysis.

Some of linguistic characteristics in his sonnets is that alliteration and repeat have the largest share in creating inner music. concrete nouns are three and half times more than abstract nouns. Persian nouns are two times more than Arabic nouns which is the characteristic of the Hindi style. Simple verbs also are five times more than composite verbs and he rarely uses prefix verbs. In this way, some of the grammatical elements in his poetry are also aesthetically intentions. In the field of rhetoric most frequencies belong to tangible and objective simulations. In the realm of metaphor, personification has the highest frequency. Among the imageries, symmetry and allegory has the highest frequency. Meanwhile, for each one of the rhetorical and lingual parts, frequently diagrams have been presented.

The frequency of concrete nouns implies the poet wants to change reasonable things to tangible things. The use of negative, high frequency desperation verbs indicates a sad and distressing situation of the sayyedā. The frequency of simple sentences has given more speed and excitement in his style. He is a warrior poet. he was lovable and influential in his time.