Linguistic Transcendence in Pre-Post Mongol Poetry

Poetry is one of the devices for propaganda and illusion, and this artistic act is more done through the "transcendence of imaginary forms". Imaginary forms transcendence is the use of predetermined expressions and formulas along with exaggerations and falsehoods that imply the illusion of thought in those who do not know the realm of illusion and thought. Identification of these two areas is very difficult; however, it is worth contemplation that it has been one of the tools of court praise for many years. The essential function is to move from scientific and ordinary language to imaginary and illusory language. Familiarity with the subject of language buoyancy, understanding the function of mind and accuracy in different modes of expression are the factors through which imaginary forms can be recognized. The contribution of literary language for inducing content and leading something from truth to fantasy and illusion through the use of virtual and metaphorical language and equality and exaggeration are so great that even the real basis of praise and poetic exaggeration can be considered on the transcendence of the imaginary form. The result is that courtly literature and praise poetry, with its authoritarianism, pressure, and tyranny of the ruling class, have shifted from simplicity to complexity, lies, and linguistic transcendence. A comparison of the poetry of the poets before and after the Mongol period and the range of "political, artistic and human" addressees shows that in the pre-Mongol period, due to the prevailing tyranny, the range of political and artistic addressees is higher, while in the post-Mongol period, due to the rupture of the center of power and the decline in the growth of the tyranny of the central power, the human addressee is considered.