The Analysis of Rethorical Difference in Allusion and Expression in Mystical Prose of Khajeh Abdullah Ansari

Khajeh Abdullah Ansari is the creator of outstanding works that have formed a new style of prose, but the works of Khajeh are not all in the same style and The difference between "zaban_e Ebarat" (allusion language) and  "zaban_e Esharat" (expression language) can be seen in the two categories of his works. Some of Khajeh's works, such as "Sad Maidan" were written with the aim of teaching mystical principles, and others such as "Elahi Namah" are of the type of lyric literature. This article has tried to make a comparative comparison of the Rhetorical style of these two groups of his works by comparing the Rhetorical features of these two outstanding works of this author in a library method with the aim of showing the difference of Rhetorical features in the between expression language and  allusion language. The results of this research show that most of the Rhetorical techniques are used more in " Elahi Namah", other than" Tazmin" that Khajeh has used more to prove his Sayings in " Sad Maidan ". Also, the frequency analysis of the Rhetorical features of these two works proves that This eloquent mystic dominates the form and meaning and has reached two Style in mystical language by observing the proportion and connection between them.