Faregh Gilani's style innovations and his poetic features in Fareghname

"Hussein Ibn Hassan Rudsari Gilani" with the pseudonym "Faregh" is one of the unknown poets of Iran in the tenth century and the early decades of the eleventh century in the field of composing religious epics. In this article, while briefly introducing this precious poet and the Fareghname court, we intend to examine the stylistic and content features of this version from three intellectual, linguistic and literary perspectives.

The present study was based on the documentary method (library) and on the direct study of graduation verses. To conduct this research, we have extracted the stylistic features, the content of the dissertation in detail and point by point, and we have presented them briefly and usefully.

The Fareghname, like other religious epics of the Safavid period, is a mixture of reality and myth, which, of course, sometimes has a narrative and poetic fantasy aspect superior to reality; Although the existence of Imam Ali (as) is a real thing in these stories, but such scenes have never happened to him and such wars have not been witnessed by history. The lands in question are also unknown in the Fareghname.

The Fareghname system, despite having weak verses full of verbal and spiritual flaws, is a favorite book of the religious community. Among the poetic features of this poet is the extensive use of novel industries in the field of novel words and spirituality, among which; Puns in the realm of inner music, similes in the realm of spiritual music, are the most frequent literary arrays. Another feature of this manuscript is the use of current rows; In such a way that a large part of the poems of the court are dead. Rhyme flaws are also common in the Fareghname system. Among the most important intellectual themes of this book, we can mention such things as: "Mythical principles and beliefs, moral thoughts, religious thoughts, praise, prayer and astronomical terms".