Stylistics of the stories of Fathullah Biniyaz

Style is a human phenomenon and, like a human being, it is multifaceted. Knowledge of style requires a complex discipline of comprehensive study. Stylistic analysis of fiction works is done in three axes; One is the stylistics of the language of the story, which includes three levels of phonetics, lexicon and syntax; Another is literary stylistics, which includes the literary creations of the text and is formed through similes, metaphors, metaphors, and so on. And finally the intellectual stylistics that explores the components and dimensions of the content and thought of the text. In this research, an attempt has been made to identify the linguistic, literary, and intellectual elements that make up the style of Fathullah Biniyaz"s stories in order to distinguish his style of stories from other authors.

This research is based on descriptive-analytical method and its information has been collected through library resources.

According to the studies, the stylistic linguistic elements of Fathullah Biniyaz"s stories at the lexical level, lexical conversationalism, excessive use of adjectives and adverbs, subordination of adjectives and additions, variety of current aspects including news, obligatory, etc. At the syntactic level, too, the use of short and simple sentences, the multiplicity of verbs, and the subordination of verbs are stylistic elements. The stylistic literary elements in this author"s stories are the use of metaphors of allegory and irony, which is not very frequent.

The main feature of needless stories that can be said to have overshadowed almost all the stylistic layers of his works is the induction of feelings of loneliness, despair and despair; As most of the attributes, constraints, verbs and literary industries in these texts have been selected under the influence of these feelings; Consciously or unconsciously. Abundance of focused words, nationalities, simple and compound verbs, short and reporting sentences are other linguistic features of his works. The intellectual foundations of his works can be summarized in death, loneliness, social criticism, cold relations and monotony of life.