Stylistics of Abbas Bagheri's poems (Collections Sobh dar pargar and Az pelk-e- sang)

The poetry of the Islamic Revolution and the Holy Defense is one of the branches of the great tree of contemporary Persian poetry. This type of poetry, which is often known for its features and content characteristics, also has its own linguistic and expressive characteristics. Abbas Bagheri, the famous poet of Sistani, is one of the poets with the style of poetry of the Islamic Revolution and the Holy Defense. This article, two collections of his poems are stylized.

In the present article, the method of text analysis and library resources is used and the study area and community are two collections of Morning in the compass (1989) And from the eyelid of the stone (2007).

Frequency of religious and mystical words; War words and expressions and geographical names related to the front; There are more Arabic words and expressions in the collection " From the eyelid of the stone". The frequency of native and local names and words in his poetry is remarkable. The most important forms of his poetry are similes (especially sensory to sensory and metaphorical addition) and allusions (especially religious allusions). Attention to martyrdom and martyrdom, Ashura and Karbala, veterans and freedmen, families of warriors, patriotism, struggle against colonialism and ignorance and materialism of neighboring rulers and the expression of poverty and economic problems are among the themes of his poetry.

It can be said that there is a connection between these two books and in general all Bagheri"s poems in terms of form, form and content. Bagheri"s poems are mostly in free and Nimai"s formats and have been written in simple and fluent language and using simple and familiar images. In the poems of these two books, mainly social themes such as attention to poverty and economic problems, ignorance and oppression of neighboring rulers, colonialism and capitalism, historical confrontation between right and wrong and themes related to holy defense and revolution are seen. In his poetry, the influence of culture, history, climate and nature of Sistan is prominent.