Stylistic study of the first volume of the book History of Iranian Poetry (shahkar) by Rahim Moeini Kermanshahi

Rahim Moeini Kermanshahi published the first volume of the history of Iranian poetry (Shahkar) in 1999. This work contains 85851 bits. The shahkar is composed in the form of Masnavi and the weight of Shahnameh. From the perspective of contextual studies, the name of the shahkar is related to the Shahnameh. Moeini wrote an introduction to prose in which he referred to Ferdowsi"s Shahnameh, which is in the field of contextual connections with the Shahnameh. This work is influenced by the style of Shahnameh, but its content is different from Shahnameh. A certain masterpiece of Kermanshah is the continuation and expansion of Ferdowsi"s Shahnameh from the end, because the Shahnameh ends with the Arab invasion and the collapse of the Sassanids, and the masterpiece begins with the Arab invasion and the collapse of the Sassanids and continues until the end of Qajar rule. The purpose of this study is to study the stylistics of the first volume of this work at three levels: linguistic, literary and intellectual.

This research is a descriptive-analytical method and the method of data collection is library.

The most successful level of stylistics in the first volume of the masterpiece is its intellectual level, which is associated with themes such as patriotism, and criticism of religious world-worshipers. Reading this collection is both necessary and sweet for every Iranian. Despite its linguistic and literary flaws, it has somewhat degraded the level of the work.

The introduction of slang and colloquial Persian words along with ancient words has made this work disgustingly inconsistent in some verses and phrases. Rhetorical techniques are rare and often repetitive. The language of the work is simple and the coordinates of ancient Persian grammar are small