The Role of Defamiliarization Based on Saeb and Bedil Stylistic Components in Mohammad Sohrabi's Poems

Mohammad Sohrabi is one of the contemporary ritual poets with the poetical name "Meaning". Looking at the six books of poetry published by him, it seems that he has a special interest in the Indian style and following Saeb and Bedil. Deviation from soft as an important element, just as it caused the distinction of Indian style poetry from the poems of previous periods, has caused the renewal of Mohammad Sohrabi's ritual poetry compared to the ritual poetry of his predecessors. In the Indian style, some components of defamiliarization can be traced and followed. In the present study, we have tried to answer the question that considering the stylistic features of Indian poetry, especially Saeb and Bedil poems, which of its features and components has Mohammad Sohrabi used in creating defamiliarization in the creation of her poetry? To this aim, with the analytical-descriptive method and based on the evidence and documents obtained, we have shown that Sohrabi, by creating special combinations such as Saeb and Bedil, has both made his poetic images more imaginative, and he has used this linguistic capacity in the service of content.The existence of rhetorical sentences in Sohrabi's poetry indicates another language that has caused the word in practice to be two independent expressions, in the service of a single motif. Sohrabi's taste is not only in the service of properties, and by using slang terms and common beliefs among the public, he has been able to provide a field for public familiarity with his poetry.